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For TGTF team coverage of the Great Escape 2013, go here.

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Manchester Orchestra / October 2011 UK Tour

 
By on Tuesday, 26th July 2011 at 9:00 am
 

Manchester Orchestra have announced a headlining tour of the UK in October. Tickets go on sale this Friday (29 July) at 9 AM.

We’ve got you covered on all MO-related bases: Braden not only reviewed their new album ‘Simple Math’, he also had a chat with Andy and Robert of the band back in the spring. Don’t ever say we’re not good to you.

Sunday 2nd October 2011 – Bristol Thekla
Monday 3rd October 2011 – Glasgow Oran Mor
Tuesday 4th October 2011 – Birmingham HMV Institute Library
Wednesday 5th October 2011 – Manchester Academy 2
Friday 7th October 2011 – London Koko

 

MP3 of the Day #361: Manchester Orchestra

 
By on Wednesday, 22nd June 2011 at 10:00 am
 

I never would have seen this one coming. Welsh band the Joy Formidable chose to remix Manchester Orchestra‘s ‘April Fool’, a song off their new album, ‘Simple Math’. (Braden reviewed it here and also spoke with Andy and Robert in advance of the album release.) This sounds so dark, like your worst nightmare. Better than the original? Let us know in the comments.

 

Interview: Andy Hull and Robert McDowell of Manchester Orchestra

 
By on Friday, 13th May 2011 at 2:00 pm
 

Lead singer and guitarist Andy Hull and lead guitarist Robert McDowell of American band Manchester Orchestra chat with Braden to talk about ‘Simple Math’ being complicated, being out of tune at Leeds and Stone Cold Steve Austin in lyric videos…

“I’ve been playing it to literally anyone who’s taken an interest,” begins Andy Hull, “like, if someone in the pharmacy said they liked my music, I’d want to take them out to my car and get them to listen as some sort of validation.” The Manchester Orchestra frontman is quite excited, and with good reason. The band’s third record is imminent, and after the first two gaining critical approval as well as a dedicated fan base across the world, Hull and guitarist Robert McDowell are feeling impatient.

“We’ve had this record finished since November so we’ve had like 6 months to wait for the schedule to play out. We almost wanted it to leak but we’d be so screwed if it actually did.” Robert explains. Released on Monday (9 May) in the UK, ‘Simple Math’ is the most anticipated album from the band to date and the band are clearly more than ready. “On one hand, I’m the most proud I’ve ever been of a record so far. And on the other hand, I’m wondering if it’s the worst mistake of our lives! That’s what the 6 months’ waiting does to you.”

So with the album finally so close to arrival, the band have come for a week over to the UK to preview and warm up what’s sure to be a hugely busy year for them. Shows in the previous two nights in London including what was almost a “greatest hits up to now” show at Proud Camden and a huge show at XOYO, the band are taking a day off before driving up to Manchester in the morning.  “This trip’s a good thing for us to do. Just to be able to come over here and play these few shows has been really positive. Manchester’s always a really great crowd…obviously, and London as well is fun.”

One of the trademark sounds of MO is their transitions between soft, lyrical sections of music and huge guitar riffs. This doesn’t change in ‘Simple Math’, and talking to Andy and Robert, you can see where these come from. Andy talks in spurts of activity as all his words come to him at once, and listening to him recite some of the lyrics from ‘Simple Math’ is like listening to a poem in hyperspeed. Other times both Robert and Andy sit back and relax, taking every moment with their words. This realism from their personas transfers across in the record in both melody and lyrics.

“Thematically, it’s Andy and the Andy in an alternate universe. I write from both perspectives,” Hull contemplates. “Like, with both I can get so descriptive, taking from almost real events or imagining situations and their most dire consequences. The track ‘Simple Math’ is about an affair and its consequences,” he delves. “Hunter’s eyes, I’m lost and hardly noticed.” This track of course closes with a huge finish with complete beauty displayed both in the official video, directed and created by Daniels (the duo of Daniel Kwan and Daniel Scheinert, based in America) and the lyric video that appeared online from the band a few weeks prior.

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“We made that because of other lyric videos that just sprout up online that have some of the wrong lyrics, out of time and with random pictures of like, Stone Cold Steve Austin, or something placed in,” Hull jokes. “The idea was to just put the track up so people could hear it, not to give an indication of the album.”

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They claim that the album itself is 10 stand alone tracks that only really make complete sense when you listen to the album in full. “If you put it in your player and listen to it through, there is no song that sounds like another.”  Robert attempts to clarify.  “I wouldn’t say it’s got a set sound. ‘Simple Math’ is really quite complicated,” they both say.

Outside of the record, it’s a hectic few months for the band. With a co-headline tour with Cage the Elephant coming up and a whole series of festivals, the band contemplate the coming few months. “We’re pretty selective about who we’ll play with as support bands. We prefer to headline of course.”

They’re hitting the festivals too, where they’ll look to build on their live reputation. “We love Bonaroo and Lollapalooza in the US! A few years ago we played a really great set in Reading followed by the worst show in Leeds, but we’d like to make it known now that that’s because we were out of tune. Our tech didn’t bring a tuner and mine was broken so we never really stood a chance. We’d like to redeem ourselves though!” Glad that’s cleared up then.

So with the record set straight on a Leeds set that I was actually present at and still didn’t dislike one bit, and the third album (reviewed earlier this week on TGTF), that’s Manchester Orchestra’s “complicated” ‘Simple Math’ until they next blast out on a British stage near you. Be prepared.

TGTF would like to thank Imran at Sony for helping set this interview up.

 

Album Review: Manchester Orchestra – Simple Math

 
By on Monday, 9th May 2011 at 12:00 pm
 

“What if we’ve been trying to get to where we’ve always been”, sings Andy Hull in Manchester Orchestra‘s returning track, ‘Simple Math’. It’s the title song from the Atlanta band’s new record and it’s ruddy brilliant. Starting slowly with Hull’s serene yet rough voice over a simple guitar melody and building up to one of the most powerful moments in the third effort from the rock group.

As far as third albums go, it’s hit and miss out there. With ‘difficult second album’ syndrome seemingly gone, it’s left to the third to either cement or lose a band’s place in music. It’s by no means an easy task, just ask The Strokes or suffer Pendulum’s Immersion. On the other side of it, when done well, a good third effort from the likes of Kings of Leon (‘Because of the Times’), Muse (‘Absolution’) and most recently Arcade Fire (‘The Suburbs’) can see you leave niche behind forever. So what is it to be for Manchester Orchestra with their new offering, ‘Simple Math’?

From introduction track ‘Deer’, it’s clear to see that there’s not been a huge change in the band’s influences or style. Influenced by what sounds like guitar heaven, Andy Hull seems to be in poetic conversation with the listener, inviting you into MO’s world for the next 45 minutes. Lyrically, little has altered. Hull leads the listener down a poetic maze, winding in his alternative world in which he questions every aspect of his life from the challenges of touring to his own marriage. Musically, ‘Simple Math’ is the halfway point between the fresh yet rough-round-the-edges ‘I’m Like a Virgin Losing Her Child’ and 2009′s hugely successful ‘Mean Everything to Nothing’ in it’s shiny sound and powerful chords. ‘Simple Math’ is certainly a brilliantly produced album by Dan Hannon (co-producer of ‘Mean Everything’, ‘Rocket to the Moon’) and every change in riff and tone is easilly picked up, meaning you can really feel the frequent power changes in Manchester Orchestra’s sound. Each track sounds like it could easily fit in to the already strong MO live set, adding even more soaring lines wherever they’ll fit.

Highlights come from the start, when second track ‘Mighty’ really kicks in with soaring guitar and vocals in a fantastic harmony and ‘Pale Black Eye’, which just exudes the kind of spirit that the Atlantans have made their trademark from day one. It’s not all brilliant though. At times, it can be difficult to define tracks on this album from ‘Mean Everything’ or ‘I’m Like a Virgin Losing Her Child”s overspill and last track ‘Leaky Breaks’ is nothing if not confusing and possibly the worst track the band have written to date. Aside from this, it could be plain sailing for the band. It’s not 2011′s rock version of ‘The Suburbs’, but it will certainly see Manchester Orchestra succeed in trying to get to where they may have always been, fantastic indie rock ‘n’ roll.

8/10

‘Simple Math’ is out today on Sony.

 

Manchester Orchestra / April 2011 English Tour

 
By on Friday, 25th February 2011 at 8:30 am
 

Atlanta, Georgia band Manchester Orchestra will be playing shows in London and Manchester (how appropriate) in April in advance of the release of their third album, ‘Simple Math’, to be released on 9 May on Columbia Records. Tickets to this tour are on sale today.

Their American label has set up a pretty nifty site where you can ‘unlock’ pieces of the title track of the album. It’s hard for me to explain so have a peek of your own over here.

Thursday 14th April 2011 – London XOYO
Saturday 16th April 2011 – Manchester Ruby Lounge

 
 
 

About Us

There Goes The Fear is where we tell you about the latest tours, gigs, and music we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like idiots.

The blog is edited by Mary Chang, who is based in Washington DC. She is joined by writers in the UK and America. It was started up by Phil Singer in Bristol, UK.

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