Tramlines 2012: Day 3 Roundup

By on Tuesday, 21st August 2012 at 2:00 pm
 

After the exhaustion of last night’s Crookes set at Tramlines, Sunday had come right on cue. With an eclectic mix of acts on both of the specially erected city stages, it’s finally time to visit the main stage for local legends The Everly Pregnant Brothers. After seeing them on the busking bus last year, their step up to opening the main stage was one to celebrate as their set of ukulele based Yorkshire-ised popular hits including ‘Chav World (Mad World)’ and ode to Amy Winehouse’s ‘Rehab’ with more Yorkshire than you can shake a pasty at lightens up Devonshire Green with a brilliant atmosphere.

Leaving the main stage for now to return to the Nando’s New Music Stage, Holland (above) play a set of as or yet unknown tracks, one to keep an eye on perhaps? Either way they’re followed by the guitar-pop sounds of Let’s Buy Happiness. The sound is uplifting even if the lyrics are rooted in dark undertones of sarcasm for loves-passed-by. Neither band are in line to set fire to venues and charts, but they’re enjoyable enough for a relaxing afternoon in the sun.

Going off route a bit, its time to venture to new venue The Hop for a band who’re following in the steps of Sheffield duo Wet Nuns with their blend of hearty rock with a twist of blues and energy for good measure. The Blackbirds (below) are loud and riff heavy with some thumping drums and whilst the band have a lot to do before they achieve such levels as their local peers, the promise is undeniable even if the crowd is limited to around twenty people.

Everything in the day has been leading up to one thing though. Whilst across Sheffield, everyone’s winding up to their final headliners including a hugely notable homecoming show for 65daysofstatic on the New Music Stage; indie underdogs and all round nice guys We Are Scientists are due to close the festival on the main stage. The buzz for their support Field Music (below) is sadly nonexistent; you feel the group would have been better off surrounded by their more devoted fans inside somewhere like the Harley, but the band stick to a tight set that sounds a bit amiss in such a setting.

We Are Scientists come on stage though and Devonshire Green starts to dance. Playing a singles collection of their by now well known indie rock tracks with a few new ones added in to test the water on their upcoming fourth record the band haven’t put many notes out in years and that’s appreciated by the gathered Sheffield masses.  Sadly though, once again the stage is running late so in order to catch a few minutes of another local band on the rise, TGTF heads off up to Soyo.

Screaming Maldini are by now underground favourites. The enthusiasm with which they play their fresh breed of music that treads between the singalongs of pop and the eccentricity of math-rock on a delicate line (landing a bit more on the pop sound) makes for a highly enjoyable finish to the weekend. Of course acts continue late into the night, but it’s once again last-train home time and even with the occasional disappointment; Tramlines has once again proved that you can achieve a hugely enjoyable and bustling festival of solid acts without charging a penny to the fans. This time next year, Sheffield?

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

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