Preview: Kendal Calling 2014

By on Friday, 21st March 2014 at 9:00 am
 

Think of an annual music festival that takes place in verdant countryside, set amongst rolling hills and centuries-old oak trees, featuring a populist main stage, a superbly-programmed and forward-looking new music stage, with jazz, world, dance, and even hidden woodland stages, an exclusive lakeside VIP performance area, and an arts strand curated by a bona fide rock star. Which was voted best medium-sized festival of 2013 (which TGTF can confirm from personal experience – it was). Sound good? You’re thinking of Kendal Calling.

With a heady mix of Mancunians, Glaswegians, and Geordies in the audience, the atmosphere at Kendal is rarely far from party central, but this year’s lineup is shaping up to be the finest yet seen at Lowther Deer Park. The big headline news is that London’s finest flop-haired, council-estate glamourists continue their epic rebirth with their first full summer of festival performances – the first of which is Kendal. Anyone who just a few years ago put money on Suede being the one of the hottest live properties of 2014 would be singing all the way to the bank right now, but it’s true: a new generation of so young beautiful ones are going to be driven star-crazy by the chemistry between us – Europe is our playground and we have the power to stay together. Or something.

Frank Turner (pictured at top) brings his Sleeping Souls to headline Saturday at the Calling Out stage – as Kendal’s most-requested artist, he’ll surely have no trouble in filling the tent, or struggle to exhort a capacious crowd to sing along to his punky, Americana-influenced ditties. A slice of true American chaos arrives in the shape of Reel Big Fish, replete with parping horn section, lots of jumping around, and huge helpings of tongue-in-cheek-and-down-throat ska-punk. Here’s hoping for their cover of A-ha’s ‘Take On Me’ – surely the cue for the Kendal crowd to go pogoing mental.

Those for whom festivals simply aren’t fulfilling experiences without not one but two helpings of Johnny Borrell need look no further. He’s there with old band Razorlight, or what’s left of it, presumably with a “performance as history lesson” ethos, given the band haven’t released a record since 2008’s ‘Slipway Fires’. Perhaps this will please the of-a-certain-age Saturday afternoon main stage crowd, but overall seems a Noughties revival too far. Potentially far more interesting is Borrell’s new project, Zazou: heavy with sultry saxophone and avant-garde arrangements, this is the sound of a former rock star going just that little bit off the rails. ‘Cyrano Masochiste’, anyone? Well worth popping one’s head in for.

Everyone’s favourite postmodern diva Findlay will be there, the ever-underrated Athlete will no doubt remind everyone why they were the sound of 2003 (because they’re very good), and Happy Mondays will no doubt manage that combination of inspired madness and total car-crash that they’ve been known for, well, pretty much forever. Other highlights: Breton will be defining the actual sound of 2014, TGTF favourites Catfish and the Bottlemen will be again proving why they are the future of British pop-rock, and the North-East of England is strongly represented by the beautiful, fragile pastoralism of Lanterns on the Lake, and the beautiful ginger hair of the identical, and identically noisy twins of Gallery Circus, the North-East’s answer to Drenge. Except better. Oh, and Goldie’s DJing.

If you’re within walking, cycling, or hitching distance of Westmorland, Kendal is a summer essential, like a rain cape and warm lager. Except it never rains at Kendal, and the beer is always cold. Honest.

Also headlining the festival will be Brett Anderson and Suede. For more information on Kendal Calling including finding out how to book tickets, visit their official Web site.

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF was edited by Mary Chang, based in Washington, DC.

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