Album Review: Kill It Kid – You Owe Nothing

By on Monday, 17th November 2014 at 12:00 pm
 

If you’re a devotee of the harder end of the blues-rock spectrum, you owe it to yourself – contrary to the album’s title – to check out the new release from Bath rockers Kill It Kid. The defining feature of ‘You Owe Nothing’, in true Tap style, is the band’s willingness to turn everything up to 11. From the very first opening onslaught of ‘Black It Out’ – chopped-up guitars compete with an enormous fuzz bass to create a noise that could be the sound of two space robots hitting each other – the listener is left in no doubt that these guys mean to punch a hole in one’s eardrums… and have a party whilst doing it.

On ‘Sick Case of Loving You’, Kill It Kid reveal their party piece. Pianist Stephanie Ward steps forward to share lead vocal with Chris Turpin, and as their voices intertwine, one realises just how rare the female voice is in a rock context, and just how refreshing it is to hear it. In what can be an overly testosterone-soaked genre, Ward proves how capably a female voice can enhance the listening experience, both from an auditory and emotional perspective. She gets centre stage on ‘Blood Stop and Run’ and it’s a highlight of the whole album, in no small part due to her performance.

[youtube]https://www.youtube.com/watch?v=D4S2WiLJsFI[/youtube]

After a three-track hard rock introduction, along comes the obligatory power-ballad in the shape of ‘Caroline’. Competent though it is, the band displaying quite spectacular commitment in wringing every ounce of emotive power from their performances, it’s perhaps where Kill It Kid admit they’re not afraid to be derivative when required. Gone is the interstellar guitar choppery, replaced by something that sounds like a Bon Jovi B-side. From 1992. And from that point on it’s difficult to escape the subtle but persistent whiff of cliché.

The second half of the album is comprised of mildly suspect romance-based double entendres seemingly inspired by Monty Python’s “Say No More” sketch. ‘I’ll Be the First’, ‘Don’t It Feel Good’, ‘Tried Used Loved Abused’ – they’re all laden with sexual overtones, with Stephanie Ward even making some bedroom-style noises at times. No complaints, and given the gender balance it can’t truly be called ‘cock rock’, but the overtones are certainly there – this is a record with sex on its mind.

Despite occupying the same genre segment, it’s a tall order to meet the standards of hard rock that were set in the ’80s and ’90s by legendary bands like Guns ‘n’ Roses, and despite a strong effort, Kill It Kid can’t quite reach those heights. Bath simply can’t provide the depth of sleaze as L.A., and that shows in the songwriting. What we’ve got here is a tamer, if perhaps more refined, sound. Still, it’s the first thing in years that gets close, and for that they deserve kudos – and a round of Jack.

7/10

Kill It Kid’s new album ‘You Owe Nothing’ is out today on Sire / Warner Brothers Records.

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