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(Charity!) Live Gig Video: Gang of Youths’ David Le’aupepe plays acoustic version of Ryan Adams’ ‘My Winding Wheel’ for Bedstock 2018

 
By on Wednesday, 12th December 2018 at 4:00 pm
 

Bedstock touts itself as “the first and only online music festival”. You may be wondering, what’s the fun in that? It’s got a specific purpose: it’s designed for kids who are too poorly to leave their beds and in solidarity with them, musicians have performed on a bed with limited equipment to help raise money for Children’s Cancer Association and their MyMusicRx program. Many artists you’ll know by name have already shown their support, including UK acts The 1975, Aquilo and Jacob Banks. In the below video filmed during his offstage time at Austin City Limits in October, frontman David Le’aupepe of Aussie band Gang of Youths decided to cover a Ryan Adams’ song, ‘My Winding Wheel’ while sat on a bed with his acoustic guitar. Check it out below. You can donate to Bedstock’s efforts through this link; more on Gang of Youths (a band I knew would blow up big) on TGTF is through here.

 

Video of the Moment #2914: Squarehead

 
By on Tuesday, 11th December 2018 at 6:00 pm
 

Back in 2012, when I was completely new to the SXSW game, I saw Irish trio Squarehead at the full Irish breakfast lineup at B.D. Riley’s Irish pub. Starting my day at the breakfast near the end of the week and every year at SX has now become a tradition. The band have been away for a bit, during a self-described mental health break since 2013 album ‘Respect’, but they’ve returned with an uber groovy new single, available now. The accompanying video to the jangly ‘Always On’ contains clips of the band performing, friends of theirs, plus some unusual curiosities of an animal and environmental nature. Right. Have I piqued your interest now? Well, then, you can watch the promo video below. A new album, name yet unknown, is expected from Squarehead in early 2019 on Strange Brew Records.

 

Single Review: Drenge – Bonfire of the City Boys

 
By on Tuesday, 11th December 2018 at 12:00 pm
 

Words by Gareth O’Malley

It’s been a while since Derbyshire-based trio Drenge have graced our ears with new material, but they have plenty to come. The band broke their silence at the start of the year with a tour announcement, their first since wrapping up their commitments for sophomore album ‘Undertow’. Their comeback ‘Autonomy’ EP was released in October, with the title track set to appear on their forthcoming third album ‘Strange Creatures’ due next February, along with their latest LP offering ‘Bonfire of the City Boys’.

On the violent, snarling beast of a track, Drenge sound considerably heavier than most will remember them. Rob Graham’s stuttering bassline guides the track through its first verse as lead singer Eoin Loveless’s rapid-fire, spoken word delivery takes centre stage. A palpable sense of tension hanging in the air as he speeds through two chaotic verses: “There are millions of people out there: fucking, fighting, eating and sleeping / And we are not one of them, oh no / We are the fly in the ointment / The hair in the food / The snag, the catch, the conundrum.”

The first verse gives way to a juddering guitar riff that helps to alleviate the tension for a brief moment, before returning in full force after the song builds to a shout-along chorus defined by its searing intensity. Its 4 minutes seem to pass in a flash, the trio indulging themselves in noise rock and offering us a red-hot taster of the new record. ‘Bonfire of the City Boys’ should do a lot to alter people’s perceptions of the band; far from the middle-of-the-road indie rock of their contemporaries, the trio have set their sights on making a real statement and aren’t pulling their punches. Hopefully the new album will be a similarly ferocious affair.

8/10

‘Strange Creatures’ will be released on the 22nd of February 2019 on Infectious Music. A UK tour in March and April will follow the album release. More on Drenge here on TGTF is available through here.

 

(Charity!) Teenage Cancer Trust Shows / March 2019

 
By on Tuesday, 11th December 2018 at 9:00 am
 

Last week while I was away, the Teenage Cancer Trust announced a slate of amazing benefit shows to take place in March 2019 at London Royal Albert Hall. Tickets went on sale last Friday, the 7th of December, so a good chunk of tickets are already gone, but don’t fret. There’s still time to pick up a ticket or two (maximum of four, please). On Monday, the 25th of March, Rudimental will be performing with main support Ghetts. Thursday the 28th of March sees perennial popsters Take That take to the RAH stage with special guests. Naturally (we are There Goes the Fear, after all), we’re most keen on the live re-emergence of Doves, who will be performing on Friday, the 29th of March, after being on indefinite hiatus since 2010. Irish (and my) favourites The Script (pictured at top) will follow on Saturday the 30th of March. To cap things off in style, Levellers will perform alongside the bands on their own curated bill on Sunday, the 31st of March. It’ll be an unforgettable week of music in London, and all for a very worthy cause. Check out Gigs and Tours’ available tickets for any or all of these shows through here.

 

Video of the Moment #2913: Julia Jacklin

 
By on Monday, 10th December 2018 at 6:00 pm
 

In early October in this previous Video of the Moment, I mused that we were due a new album from Julia Jacklin soon. I was right! Her sophomore LP ‘Crushing’ will be out on the 22nd of February 2019, so just a few months to go. The latest taster from the upcoming album Jacklin has gifted to us is for ‘Head Alone’, which has an empowering message for women, and for anyone, really.

She sings, “I don’t want to be touched all the time / I raised my body up to be mine” and I’ll say it ’til he understands / you can love somebody without using your hands”, emphatic statements about having a strong self-esteem to value yourself and to not give away your body to just anyone. If this were my other site through here.

 

Live Review: Ignite #004 starring Cara Rose, BETA WAVES, November Lights and Walt Disco at Glasgow St. Luke’s Church – 27th of November 2018

 
By on Monday, 10th December 2018 at 2:00 pm
 

In the ‘dear green place’ live some very dear friends, so it’s no surprise I found myself the day after my birthday at a gig in a church. A “delightful church renovation habit” seems to be a ‘thing’ in Glasgow (see Oran Mor for probably the most feted). St. Luke’s in particular is pretty cool, as it’s adjacent to the Winged Ox bar, named for the fanciful creature the saint has been portrayed as in art. I’d been in here once before, its American feel oddly welcoming. This show was particularly special as it was the fourth in a series of them put on by the artist development project Ignite Scotland funded by Help Musicians UK and PRS Foundation. It was explained to me that acts chosen for these shows are some of Scotland’s best up-and-comers.

In Buchanan yellow tartan, Glaswegian blonde chanteuse Cara Rose (surname Dickson) opened the night with her soulful vocals. Her voice only accompanied by keyboard, the performance recalled the poppier vibes of Adele and the late Amy Winehouse. Turns out that Winehouse, along with Lianne La Havas and Lauryn Hill, are named on her Facebook as her primary influences. ‘No Safe Place’ is “an older song” Rose wrote about the plight of Syrian refugees. As Dickson notes in a sad tone, the sentiment is still as apt as when she first wrote it. Below is an amateur-shot video of the song being performed at St. Luke’s back in August.

‘Ready to Fall’ was a set standout, the staccatoing notes on the keyboard adding a touch of the dramatic while she showed off her impressive vocal range and control. Still, every young girl aspiring to be a singer wants to be the next Adele. Can she set herself apart from the rest of the pack? I’ll be keen on hearing more from her as she progresses.

Cara Rose IGNITE 004 2018

On paper and if judged solely by their stage setup alone, Dundonian duo (say that five times fast) BETA WAVES seemed made for me. Don’t get me wrong: the programmed beats and those played were indeed catchy, providing a needed energetic boost after Cara Rose’s set. I found their New Wave-leaning backing mesmerising. However, I felt the singer/guitarist’s vocals weren’t forceful or bright enough to stand up to the instrumentation.

‘Another Mad Crab’ (DIY promo video above) is their latest and final single to be released this year, and I wish it just had a bit more oomph both live and on recording. Previous single ‘Love Love Love’ fares better live, with a disco beat that’s head-bop worthy and a bit more life vocally. Soldiering on after a delay in start due to a wonky second-hand Macbook, I admire how they didn’t let the technical difficulties faze them.

Beta Waves IGNITE 004 2018

Glasgow via Ayrshire duo November Lights, augmented live by two additional band members, appear to be fully formed. I’m sure it must have taken a lot of time and effort to get to this place, but I had to admit I stood there wondering to myself why they haven’t been featured on BBC Radio 1 yet. The story goes that frontman and keyboardist James Hopkins was a solo artist initially, then tapped friends to put together a band to move forward with his musical vision. The American pop influence is palpable, with Hopkins having a Brandon Flowers’ like presence and charisma.

November Lights IGNITE 004 2018

The anthemic feel of their music bears striking resemblance to the TGTF-tipped Kodaline (check out ‘Talk’ below) and The 1975. Hopkins’ energy as he busted out the dance moves on ‘Pray’ and their other uptempo tunes kept things lively; he looks remarkably like a young Ed Macfarlane from Friendly Fires. I’m expecting to wake up tomorrow and find out they’ve been signed to a major. I guess you gotta just watch this space.

The band chosen to close the Ignite Scotland show were Glasgow via Perth band Walt Disco, whose name I’m assuming is a Scottish pun on the Mickey Mouse creator. Lead singer James Potter has a theatrical, at times yelpy, at times warbly voice like David Bowie’s (see ‘Sling’ below). Bowie’s influence seems to have seeped into the band’s stage attire, which is proudly androgynous and eclectic. Seriously, how many musicians have you seen walking around with a crushed velvet shirt and golfing trousers?

With squealing guitars and a rhythm section much more muscular than that of the preceding acts, they were a welcome kick in the arse ending. While their off-kilter jangly guitar rock weren’t my cup of tea, I can totally see those looking for something different and willing to break out of the usual genre boxes to enjoy them. I went to a similar kind of young emerging acts’ night this time last year in York and in comparison, this night in Glasgow felt far more electric and better organised. I reckon it speaks to the level of talent and quality of acts that Ignite Scotland can put together a weeknight show like this and have a good turnout.

Walt Disco IGNITE 004 2018

 
 
 

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

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