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Video of the Moment #2059: Arthur Beatrice

By on Monday, 11th April 2016 at 6:00 pm

Mysterious London quartet Arthur Beatrice are once again emerging from their self-imposed shadows. They have a new album due out on the 27th of May, titled ‘Keeping the Peace’, and they have just unveiled a new video for album track ‘Every Cell’. (In case you missed it, we reviewed the album’s first teaser track ‘Who Returned’ back in November of last year.)

Arthur Beatrice continue their signature silky smooth vibe in ‘Every Cell’, but with a twist. The addition of gospel choir backing vocals is an unexpected but welcome shot in the arm behind lead singer Ella Girardot’s silvery tones, and the percussion-heavy instrumental arrangement is vibrant and upbeat to match the song’s undeniably catchy chorus. Watch the soulful behind-the-scenes studio action in the video for ‘Every Cell’ just below.

TGTF’s previous coverage of Arthur Beatrice is collected right back here.



Video of the Moment #2014: Arthur Beatrice

By on Monday, 15th February 2016 at 10:00 am

London’s Arthur Beatrice will be releasing their second album in May. Their first, ‘Working Out’ in 2014, was unveiled before their maiden voyage to SXSW that year. Carrie reviewed the first taster from the band’s sophomore album ‘Keeping the Peace’, ‘Who Returned’, last autumn when it was revealed.

‘Real Life’ is the latest cut to be released to the wild from Arthur Beatrice. As the title suggests, the promo video is intended to be a slice of life from friends, couples, families and babies, the story driven forward by Ella Girardot’s emphatic lead vocals. Watch the promo below. ‘Keeping the Peace’ is scheduled for release on the 20th of May on Open Assembly Recordings / Polydor Records.



Single Review: Arthur Beatrice – Who Returned

By on Monday, 23rd November 2015 at 12:00 pm

We here at TGTF first covered the elusive London quartet Arthur Beatrice ahead of their trip to America for SXSW 2014. Following a full review of their debut album ‘Working Out’ in February of that year, I attended their SXSW gig at the Harvest Records showcase, where I was more impressed with their live performance than I had been with their studio recording. I had expected that Arthur Beatrice’s cool, consciously artistic vibe would make a greater impact given the buzz surrounding them at the time, but since our Martin made quick mention of their subesquent Live at Leeds 2014 appearance…radio silence.

We haven’t heard so much as a peep from the group, who in any case were never the most attention-seeking of bands, in nearly 2 years. But out of the blue last week, they re-emerged onto the music scene with a very aptly titled new single ‘Who Returned’. The new song features a high-profile collaboration with the London Contemporary Orchestra, who have worked in the past with such artists as Radiohead’s Jonny Greenwood, Talking Heads frontman David Byrne, and recent Grammy winner Beck. The minimalist video for ‘Who Returned’ was designed and co-directed by the band, in another collaboration with boutique video production company LiveFi.

‘Who Returned’ is characteristically subtle and sophisticated, and its video is suitably composed, with a stark, minimalist design focused on the band members and the musical elements of the song itself. The song starts off feeling distant and restrained, as lead singer Ella Girardot’s dance movements visually hold the viewer at arms’ length. Musically, it then builds through the lingering anticipation of the bridge to an outburst of passion, which is expressed both through the manifestation of anguish in Girardot’s movements and the heightened dynamic created by the addition of the orchestra under the repeated vocal lines “you can never be whole if you’ve never been broken / find no strength in myself, all I have is this emotion.”

Arthur Beatrice’s new single ‘Who Returned’ is available now via Open Assembly/Polydor. In addition to the new release, the band have also announced one live date for next year, a performance with the London Contemporary Orchestra Soloists on the 18th of February 2016, at the London Institute of Contemporary Arts.



Preview: Live at Leeds Festival 2014

By on Friday, 2nd May 2014 at 1:00 pm

Live at Leeds is one of the most intense examples of one of the most intense of gig-going events: the one-dayer. Leeds boasts more than its fair share of fine venues, and Live at Leeds brings them together under one banner for 12 hours of fine new music. Your brave correspondent has attempted to listen to every one of the over 200 artists on offer – and failed. Therefore here’s a list of what stands out as a possible way to negotiate the myriad of combinations.

The Brudenell Social Club has a strong offer all day. We Were Evergreen (3 pm) trade in Parisian twee-pop blended with indie tunes: a fine, summery start. And after that, because the Brudenell has two stages, it’s one band after the other, every half hour. No time to even visit the bar. Dive In are from Glastonbury and offer chiming melodies and a voice uncannily similar to Brian Molko, if he was full of happy pills. Coasts have the nerve to call their latest single ‘A Rush Of Blood’ – and although there is a touch of Coldplay in some of their soaring choruses, they’re unlikely to be confused with the London behemoth: there’s a nice discordant solo in ‘Stay’, and ‘Wallow’ is almost like Bastille with big guitars. A mixed bag then, but certainly one worth assessing live.

Jarbird bring some admirably minimalist electronica overlaid with a lot of twisted, vocodered singing. And with a song called ‘More Bad Celebrity Poetry’ betraying a humourous cynicism, what’s not to like? Happyness, despite being from London, bring sunshine-on-a-string Americana – ‘It’s on You’ properly chugs like the Lemonheads, chock full of classic melodies and a college-rock slacker sensibility; ‘Montreal Rock Band Somewhere’ is a slow-burner, with a lazy bassline sketching out a groove and slurred vocals about drawing letters on one’s person. As you do. Woman’s Hour are a bit like a cross between Wild Beasts and The xx – which gives them a lot to live up to. They sound capable of it. With their debut album coming in July, now is a great time to check them out.

From smooth electropop to guitars – both Creases and Primitive Parts supply lo-fi riffing and retro rock ‘n’ roll beats. Primitive Parts clearly have one or two Graham Coxon records in their collection. Onwards: I can’t stop playing ‘Hiroshima’, a fine example of orchestral pop from Norway’s Highasakite. Ingrid Helene Håvik’s vocals are stunning, framed beautifully by the delicate instrumentation.

The 8 pm hour provides a dilemma – whether to make the 10-minute walk to The Packhorse to catch TGTF favourites The Orielles; perhaps a taxi ride to the Belgrave Music Hall to see the suave chamber delights of New York’s San Fermin, coming over all Tindersticks and Hem; or to stay at the Brudenell for an increasingly noisy night, kicking off with Montreal’s hard-riffing duo Solids. Indeed, the picture of where to be and what to hear becomes increasingly distant and hazy as the night draws in. Several hotly-tipped acts will have already been missed: Courtney Barnett, Flyte, Arthur Beatrice, and the headliners are either heavy-ish (Pulled Apart By Horses, Catfish And The Bottlemen (pictured at top), The Hold Steady), or poppy-ish (Clean Bandit, King Charles). Leeds’ very own I Like Trains set up a homecoming gig at Leeds Town Hall, celebrating 10 years in the biz.

In short, there’s something for everyone, and nobody can see everything, so it’s probably best to go with the flow and not worry too much about it. Or just spend all day at the Brudenell. See you there…


Video of the Moment #1479: Arthur Beatrice

By on Tuesday, 25th March 2014 at 6:00 pm

London buzz band Arthur Beatrice – who appeared at the Harvest Records showcase at SXSW 2014 as reviewed here by Carrie, among other places – have a new promo video out for ‘Late’, track #2 of the band’s debut album ‘Working Out’, released at the end of February. (You can read Carrie’s album review here.) Watch the evocative video below.



SXSW 2014: Harvest Records showcase at the Haven – 11th March 2014

By on Thursday, 20th March 2014 at 1:00 pm

Photos of Syd Arthur and Glass Animals courtesy of

After a brief stop at the British Music Embassy with Mary early on Tuesday evening, I made my first solo foray into SXSW 2014, heading off to the Harvest Records showcase at the Haven to see a set list that included several bands featured here at TGTF: Syd Arthur, Glass Animals and Arthur Beatrice. The venue was already packed when I arrived just ahead of the first act on the list, US-based music producer Young & Sick. Already a successful graphic artist and album artwork designer, his self-titled first album is due out on Harvest on the 8th of April. Judging from the enthusiasm of the crowd at the Haven, his reputation has preceded the release.

Young & Sick at Harvest Showcase

It was only after Young & Sick finished playing that I was able to take a good look around me and truly realize the atmosphere of the event. I edged a bit closer to the stage between sets only to see that the stage and wings were roped off from the general audience area, and that the seating in the wings was occupied by members of the bands on the docket and (presumably) their label and PR people. My hopes for grabbing any interviews with the bands were dashed, but I have to admit to watching the behind-the-scenes action with interest while I waited for Syd Arthur to begin.

Syd Arthur at Harvest Showcase

Syd Arthur’s brand of old school psychedelic rock was kind of a strange contrast to the slick, ultra modern feel of the Haven. Their violinist had a hairstyle mildly reminiscent of Jimi Hendrix, and his technical prowess on the violin only served to strengthen that mental analogy in my mind. Despite the sound problems that were beginning to surface on the stage during their set, Syd Arthur melted the faces off of those of us standing near the front.

Glass Animals at Harvest Showcase

Next due on the bill was Oxford-quartet Glass Animals. My only previous experience with them was our own Martin’s Bands to Watch feature written back in October 2013. Little did I know that I was about to be blown away in my second amazing new band discovery of the day. Glass Animals’ languid bass grooves and smooth vocal melodies quickly heated up the otherwise chilly room. Before I even realized it, my body was grooving right along with the dizzying ‘Psylla’, and when they played their hot new single ‘Black Mambo’, I was irretrievably hooked. (Luckily, I had the opportunity to see Glass Animals again on the Saturday; keep an eye out for our coverage of that day’s events.)

Arthur Beatrice at Harvest Showcase

Of all the bands on the Harvest showcase, I was most anxious to hear Arthur Beatrice. I wasn’t madly in love with their album ‘Working Out’ when I reviewed it, but I was interested to see if the songs would have more personality in the context of a live performance. To that end, I wasn’t disappointed. The group’s slick, groovy sound, and particularly their vocal harmonies, took on a more lively energy than what was captured on their recording. Lead singer Ella Girardot was in good voice on the night, hitting high notes that left us literally gasping (even the unfortunate one when her vocal mic cut out). Sound issues plagued the performance in a few spots, but the overall impression was that Arthur Beatrice had made their mark on the American audience, particularly with their catchy single ‘Midland’. Keep your eyes open for this band in the near future.

I left the Haven after Arthur Beatrice to catch a couple of local Austin bands at another nearby venue. The conclusion of the Harvest Records showcase was slated to include Australian band The Preatures, solo artist BANKS and Los Angeles-based togetherPANGEA.

Thanks goes out to my gig partner for the evening, Jordy Fujiwara.


About Us

There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF was edited by Mary Chang, based in Washington, DC.

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