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Video of the Moment #1667: Cherry Ghost

 
By on Tuesday, 4th November 2014 at 6:00 pm
 

Mancunian stalwarts Cherry Ghost released their third album ‘Herd Runners’ in May on Heavenly Recordings, and here’s their latest promo. The visuals for ‘The World Could Turn’ make you feel disorientated, like you’re inside a kaleidoscope, but it fits the song, which is in usual Cherry Ghost sweeping style; the song is the latest LP’s second single. Watch the unique video below.

[youtube]https://www.youtube.com/watch?v=Uu5knGbTpvI[/youtube]

 

Video of the Moment #1500: Cherry Ghost

 
By on Thursday, 17th April 2014 at 6:00 pm
 

The dulcet tones of Manchester’s Cherry Ghost have returned, as evidenced by the reveal of ‘Clear Skies Ever Closer’. The band will be releasing their third album ‘Herd Runners’ on the 12th May on 2014 on Heavenly Recordings. Watch the black and white, tear-jerking video about separated lovers below.

Hope you all have a nice Easter and are surrounded by the ones you love.

[youtube]https://www.youtube.com/watch?v=0GZX7ICcMac[/youtube]

 

Deer Shed Festival 2012 Review (Part 2)

 
By on Thursday, 2nd August 2012 at 2:00 pm
 

Part 1 of Martin’s report from Deer Shed Festival 2012 is right this way.

After an extended bedtime story, only Villagers are left. The skies appropriately dark, Conor J O’Brien comes across as an indie Harry Potter, his young, slight frame variously bashing the bejeezus out of a parlour guitar and mourning into his microphone. There’s something distinctly eerie about the band – take the midnight-steam-train harmonies at the end of ‘Ship of Promises’: there’s nothing quite like its collective microtoned dissonance this side of a Steve Reich score; guitar strings are bent out of tune or played deliberately a semitone out, adding to the sense of unease. For a young man, O’Brien has plenty of deep concerns – there’s not much sense of sunlight here, with clanging drums and portentious lyrics – even with the occasional lighter musical moment, the sense of dread isn’t far away. Or maybe it’s the chilly night air making it all seem more dramatic than it actually is.

In any event, Villagers are the perfect warm-up act to one of the unsung highlights of the festival – a midnight showing of the seminal 1922 German vampire film Nosferatu, accompanied by live, improvised piano from virtuoso cinephile Darius Battiwalla. Groundbreaking in many ways, Nosferatu was almost lost to history when all prints were ordered to be destroyed for infringing the copyright of Dracula, upon which its story is based. Luckily, a handful of copies survived, saving the profoundly disturbing lead character (who remains genuinely frightening even in this desensitized era of plentiful gore) from an end more ignominious than that which finally befalls him in the film. The piano accompaniment rises and falls beautifully in tandem with the narrative of the film, Battiwalla note-perfect for almost two hours. A rare treat.

Despite the official theme of Monsters, Deer Shed’s actual theme, on Sunday at least, is ‘chilling out’. Rarely does a festival achieve such an atmosphere of relaxation, with seemingly every guest either lazing in a camping chair or sprawled on a rug under the non-stop sunshine. In tribute to the genius of the programmers, Sunday’s musical menu was perfectly judged for such an atmosphere. French obscuro-popsters We Were Evergreen tantalised with exotic accents and quirky tunes, and were thought by many to be a particular highlight.

Malcolm Middleton’s new act Human Don’t Be Angry was controversially ignored in favour of a spoken-word event – music journalist Dorian Lynskey and Chumbawamba guitarist Boff Whalley discussing the history of protest music. Lynskey was here partly to promote his book on the subject, 33 Revolutions Per Minute – A History Of Protest Songs; nevertheless his analysis was the highlight of the discussion, which proceeded at a leisurely pace, possibly hindered somewhat by the warmth of the tent. The usual suspects of the Sex Pistols and Crass were brought up, David Cameron’s sincerity in claiming he likes The Smiths was called into question (the conclusion was: he probably said that because he actually does like them), and Boff Whalley described how the introduction of fame to a previously obscure band like Chumbawamba changes your career path so much that you end up assaulting the corpulent frame of the Deputy Prime Minister. It was all interesting stuff, and Lynskey clearly knows his subject, but the irony of such a polite conversation about what should be a shouty and emotive topic hung in the air like a swear word on prime-time television.

Leisureliness must have been in the air, because Cherry Ghost popped in a slow-burning set of hits accompanied by guitar and keyboards only. The full band wouldn’t have been appropriate given the horizontal nature of the crowd, but the full power of songs like ‘We Sleep on Stones’ and ‘Mathematics’ were a little lost. Still, a warm performance, and he does have loads of good tunes, so a fittingly chilled-out finale to the weekend.

All that said about the music, vast swathes of the punters couldn’t care less about the performances. For the kids, it was all about getting their picture taken with a man in a skeleton suit, making a cardboard guitar or a clay monster, learning to hula hoop, or simply playing inside a massive cardboard box. No mention here has been made of the numerous kid-friendly activities in the Deer Shed itself – the storytelling, the poetry, the spiders and snakes – because one can’t be two or three places at once. But suffice to say they happened, and from the reactions of the kids who saw them, they were brilliant.

Anything else of note? The food stalls were excellent – with two notable exemplars – the Lamb Bhuna of home-made curry purveyors Sizzle and Spice was, to my mind, the best I’d ever tasted, and the chef agrees, claiming it’s the best curry in the world right now. I’m not well-travelled enough on the subcontinent to be utterly certain of the veracity of that claim, but as someone who spent several years in Bradford, I can verify it’s right up there with the best of them. And Thomas the Bakers of Helmsley rocked up with their deliciously fresh fancy goods, with no festival-style price hikes, making the 60p they charge for a Yorkshire curd tart the bargain of the festival. It’s the little details that matter at Deer Shed – a secret insider informs me that mountains of metal roadways were hired before the festival began to ensure the heavy machinery required to install the tents didn’t mash up the then-boggy ground. But then they were removed so we could all relax on the grass – impressive stuff. And I am bound to say that all the stewards and volunteers were lovely, and the festival couldn’t happen without them. So give yourselves a big round of applause!

In these days of health and safety, and restrictive but genuine concerns about the safety of children when they’re out of sight, it can be very difficult to genuinely relax when the kids are let off the leash. Deer Shed is about as close as it gets to letting the kids run off with impunity, safe in the knowledge that they will return in one piece. There was the odd stressed parent as their charges had failed to return at the alloted time; I hope it’s fair to assume there was a tearful reunion not long after. In summary, Deer Shed comes heartily recommended for the whole family. Some festivals you need a holiday to recover from – Deer Shed is both holiday and festival wrapped up with a sunny smile. I will be back – with more people – next year.

 

Preview: Deer Shed Festival 2012

 
By on Tuesday, 10th July 2012 at 9:30 am
 

There’s no doubt that a decent music festival is, at its best, an enjoyably classy way of passing a long weekend, offering as it does equal parts high culture, great outdoors, and the occasional moment of face-melting hedonism. Even though there are and will forever be rough-and-ready, pills ‘n’ beats ‘n’ beer festivals (T In The Park, Reading/Leeds, even some bits of Glastonbury – I’m looking at you), recent years have seen the rise of a subtly different breed of music festival. All too often tagged with the infuriatingly smug epithet “Boutique” (who actually uses that word with a straight face?), what these events actually are is smaller, calmer, more dignified places, with the emphasis on quality, rather than quantity, of the music, refreshments, and punters alike. Inevitably appealing to the, er, more mature end of the festival-going public, which in reality simply means a welcome lack of arsonist teenagers and career crusties, these are places where the trials of festival going extend not to the risk of contracting trench foot, or being knocked unconscious by a flying bottle of piss, but maybe that the hummus has gone fizzy in the midday sun – in other words, rather a different set of priorities.

The demographic shift in audience introduces a physically small, but very important new factor – kids. The late 20s/early 30s discerning consumer of the new breed of posh alt-fest inevitably has dipped their toes into the water of family, and is the proud owner of one or more mewling mini-mes. How are they to be accommodated at events which are traditionally adult entertainment? Shrewdly, many events feature a distinct kids’ strand: a full catalogue of events to keep the children entertained whilst one parent (inevitably Dad) slopes off to catch Lanterns on the Lake‘s latest opus. Such is the demand for this sort of thing, that some festivals even go so far as to make the kids’ activities the raison d’etre of the whole shebang. Jealous much?

Deer Shed festival, held – where else? – in beautiful North Yorkshire, is one such event, even going so far as to give the weekend a natural climax on Saturday night, making Sunday a coffee-and-cake day, with only gentle entertainment to wind everyone back down to earth before the drudgery of Monday comes round again. Apparently, Friday last year was quite a relaxed affair, although this year it’s hotted up a bit, but still only optional, for those who don’t fancy more than one night camping with the little darlings.

The music needs to make no apologies; being a small but perfectly formed card, there are many gems on offer. Retro dreamy pop headlines the Friday in the form of Saint Etienne, a rare chance to see the fragile beauty of Villagers (pictured at top) tops the bill on Saturday, and wrapping up the whole event is the honest, heartfelt songwriting of Cherry Ghost on Sunday afternoon. A fine trio of headliners is lubricated with a handful of the usual suspects (Houghton, Uncles, Field Music). Personal recommendations include: brassbound Mancunians Janice Graham Band come highly recommended from those in the know in the North West, proper English eccentricity overflows from Leeds’ Moody Gowns, and purveyors of Glaswegian electronica Laki Mera apparently were a strong highlight of last year’s festival and are back for 2012. And there’s loads more good stuff.

Phew. And in a way, the music’s only at Deer Shed to distract the adults while the kids have fun. There’s a beach. There’s snakes, spiders, lizards, and massive toads. There’s a cardboard box playground, junk modelling, and as much jewellery making as they can handle. There’s graffiti, paintball art, and sock puppets. The theme this year is Monsters – all sorts of gribblies will be in attendance, with the opportunity to create even more with monster-making workshops. Not to mention the famous, home-made versions of That Game With a Tennis Ball on a String – surely the adults won’t be able to keep their hands off that?

On a serious note, with kids one has far more to worry about – safety, cleanliness, hunger… they’ve thought of all of that. With extra-size portaloos, a changing area, microwaves available for heating food, child-friendly stewards on the lookout for strays, breakfast deliveries to tents, and a campsite storyteller in the evening, all the little details have been taken care of to give all the family a fun, safe weekend. Tickets are selling out fast, and with just a couple of hundred left at the time of writing, anyone wanting to give their kids a great start to the summer holidays should head over to http://deershedfestival.com without further ado. And if you don’t have kids – well, one day, like it or not, you probably will…so don’t forget the name Deer Shed.

Deer Shed Festival takes place 20-22 July 2012 at Baldersby Park, Topcliffe, North Yorkshire, and we’ve been advised that a limited number of tickets are still available, so if you’re in the North East or fancy a trip to that part of blighty, act quickly. The prices can’t be beat: a full weekend adult tickets runs a mere £69 plus booking; comparatively, a child’s weekend ticket for children 6 and up is £20 plus booking (children 5 and under are free).

 

Cherry Ghost / March 2011 UK Tour

 
By on Wednesday, 15th December 2010 at 3:30 pm
 

Bolton’s Cherry Ghost have announced a short tour for March 2011. A presale is going on right now (links available through the band’s official Web site, but the general ticket sale begins Friday (17 December) at 9 AM.

Monday 14th March 2011 – Birmingham Glee Club
Tuesday 15th March 2011 – Glasgow Oran Mor
Wednesday 16th March 2011 – Manchester Cathedral
Thursday 17th March 2011 – London Union Chapel

 

NME Awards Shows / February 2011

 
By on Tuesday, 23rd November 2010 at 9:30 am
 

This year, the NME Awards will take place 23 February 2011 at 02 Academy Brixton. In the lead up to the awards show, NME puts on live performances in London’s best gigging venues during the month of February. And yesterday, the music magazine announced the line-ups for the February 2011 shows. Tickets for these shows go on sale tomorrow, Wednesday, 24 November, at 9 AM.

Tuesday 1st February 2011 – Metronomy at London Heaven
Wednesday 2nd February 2011 – Los Campesinos! and Summer Camp at London O2 Shepherd’s Bush Empire
Thursday 3rd February 2011 – The Duke Spirit at London Heaven
Wednesday 9th February 2011 – Mystery Jets (pictured above) at London O2 Shepherd’s Bush Empire
Friday 11th February 2011 – White Lies and Crocodiles at London O2 Shepherd’s Bush Empire
Tuesday 15th February 2011 – The Naked and Famous at London Heaven
Tuesday 15th February 2011 – Isobel Campbell and Mark Lanegan and Cherry Ghost at London O2 Shepherd’s Bush Empire
Wednesday 16th February 2011 – Edwyn Collins at London O2 Shepherd’s Bush Empire
Thursday 17th February 2011 – Miles Kane at London Hoxton Square Bar & Kitchen
Thursday 17th February 2011 – Noah and the Whale at London Koko
Friday 18th February 2011 – Yuck and Cults at London Bush Hall
Sunday 20th February 2011 – Carl Barat, the Heartbreaks and Foreign Office at London O2 Shepherd’s Bush Empire
Monday 21st February 2011 – Alex Winston at London New Players Theatre
Monday 21st February 2011 – Mona and Neon Trees at London Garage
Monday 21st February 2011 – Warpaint and Twin Shadow at London O2 Shepherd’s Bush Empire
Monday 21st February 2011 – Frankie and the Heartstrings and Veronica Falls at London Heaven
Tuesday 22nd February 2011 – Caribou, Factory Floor and Walls at London O2 Shepherd’s Bush Empire
Tuesday 22nd February 2011 – Les Savy Fav at London Heaven

 
 
 

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF was edited by Mary Chang, based in Washington, DC.

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