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Live Gig Video: Demob Happy share international tour video set to single ‘Less is More’

 
By on Wednesday, 27th February 2019 at 4:00 pm
 

It was bound to happen sooner or later. Brighton via Newcastle band Demob Happy have admitted that their latest video is the realisation of “…the Holy Grail of band videos that is the ‘International Tour Video’ – It’s simply a must-have for any band.” Ha! It’s for their new single ‘Less is More’, out now. The promo chronicles their touring life in 2018 across Europe with Frank Carter and The Rattlesnakes, a sold-out UK headline tour, 27 dates through America supporting Nothing But Thieves, their own headline American shows and recent UK gigs with Jack White. Full of live performance clips in color and black and white, plus some trippy overlays to boot, the video for ‘Less is More’ captures the excitement generated from Demob Happy’s live shows and the band’s own passion when performing for their fans. Watch the video for ‘Less is More’ below; the single is out now on SO Recordings. Past coverage of Demob Happy here on TGTF can be found through here.

 

Single Review: Demob Happy – Dead Dreamers

 
By on Friday, 2nd June 2017 at 12:00 pm
 

A chugging, amassing creation that isn’t too dissimilar to the Muse you wish you would hear, this new offering from Brightonians Demob Happy is, in all honesty, pretty fucking good. Starting with a ridiculously distorted bass that rumbles through and just refuses to relent, just how we like it, the guitars join in, and the song becomes an entity unto its own.

Their first new music since Demob Happy’s debut back in 2015, ‘Dead Dreamers’ is full of the kind of sleaze you yearn for from rock ‘n’ roll, something that just exudes a drunken swagger. Demob Happy are an embodiment of what’s been missing for a while in guitar music. As mentioned previously, there are supremely Muse-like elements – think the rockier side of ‘Absolution’ – but without the air of pretence. This is roots rock ‘n’ roll, no qualms about it.

Getting back into the make-up of the track, the verses from frontman Mark Marcantonio use a similar fashion to UK punk pioneers The Stranglers. It’s a delivery that matches the same chugging style of the music behind it, with a British strictness that doesn’t actually take itself too seriously. Continuing along with The Stranglers’ theorem, references to “dead preachers in a foreign town” brings to mind the use of similar religious matter in The Stranglers ‘Nice ’n’ Sleazy’. It’s like taking a walk through of the best bits of British rock music.

Though all this is good and well, it’s the chorus where the track breaks out into a roaring, epic monster. The chugging rhythm turns into a full-on furnace of power. Synths even join the mix to add a lighter layer, accentuating the soaring falsetto that Marcantonio engages. His voice is unrelenting throughout, the vocals hovering above the beautiful chaos below until it drops and turns back into its simpler self.

The confidence both the band and track show throughout ‘Dead Dreamers’ is mirrored in the architecture. It sticks to the standard verse, chorus, verse, chorus, bridge, etc. It doesn’t need to be more than what it is: a great track that will awake your inner rocker and get you living your life. It’s a notion that’s reciprocated in the video for the track. The band influence three puppets of themselves into becoming…well, themselves. A visual testament to the insular nature of guitar music and the cyclical nature of influence. Or it’s just because puppets are cool. Everybody loves puppets.

‘Dead Dreamers’ is a track that has the makings of being a rock staple, with ballsy bass lines, vocals that are filled with depth, meaning and unapproachable highs. There’s something special that Demob Happy have that should surely see their eventual follow-up album be something we should all keep watch for.

9/10

Demob Happy single ‘Dead Dreamers’ is out now on Atlantic Records imprint Taste and Tone. Catch up on TGTF’s past coverage on the Brighton rockers, including their appearance at Live at Leeds 2016, through this link.

[youtube]https://www.youtube.com/watch?v=JDUpbzl30us[/youtube]

 

Live at Leeds 2016 Roundup (Part 1)

 
By on Wednesday, 11th May 2016 at 1:00 pm
 

This year, 2016, marks the 10th anniversary of the highly acclaimed city-based festival Live at Leeds. I wasn’t sure what to expect ahead of the day – I’ve attended a number of different festivals in the past, but never Live at Leeds, and never with the intention of writing about it afterwards. After overcoming my own apprehension and a couple of inevitable setbacks on the day, I’d call the endeavour a success, and despite my very sore feet, I thoroughly enjoyed every minute of it.

First on my list was Atlantic Shore at The Faversham, the music venue that dates back to 1947 and boasts of having Arctic Monkeys and The Gossip amongst others perform there. I arrived a couple of songs into Atlantic Shore’s set while the crowd was still relatively small. The unsigned band’s music is a mixture of pop, indie and rock, and they have recently been featured on BBC Introducing Merseyside. The band seemed to face a few feedback issues during the set, but they went with it and played a heartfelt set, which included ‘The Comedown’ and ‘Easier’ from the band’s latest extended single release.

Following editor Mary’s preview list ahead of the festival, I did my best to cover as many of those recommendations as possible. This meant that my next stop was to see The Jackobins at Leeds Beckett Stage 2. I arrived about halfway through the set and was immediately blown away by the sheer stage presence of the band. They were evidently having the best time and in control of the room. I honestly can’t remember the last time I saw a frontman – in the form of Dominic Bassnett, in this case – of an up-and-coming band look more like he was born to be on stage, and with such a powerful voice too. Lead guitarist Veso Mihaylov looked like he would have been happy to continue playing for the rest of the day, and the whole audience was nodding and bopping along.

After The Jackobins I dashed over to the Brudenell Social Club to watch The Velveteens. Their live sound is brasher and denser sounding than the recorded versions of their songs, but it suited the setting well. Included in the set was ’60s surf-sounding single ‘Mister Blackjack’, which is the perfect sound for a crowd to dance along to. The crowd did seem to stick to the back of the room, and had to be encouraged to move closer, which was more a reflection on the layout of the room than the band themselves. The band were comfortable having a chat and playful back and forth with one another on stage, perfectly natural in their environment.

In the neighbouring room, on the Brudenell Social Club’s main stage, Demob Happy only played for approximately 7 minutes, due to getting caught in traffic. But for those two songs Demob Happy performed with a ferocious energy that got the crowd sufficiently hyped up to thoroughly enjoy the set and lament that it couldn’t have gone on for longer. As I left the venue, amongst the group that had just watched the performance, I overheard numerous people saying they wished the band could have played for longer, and a couple of guys even started singing the lyrics to ‘Succubus’. I couldn’t help but agree with them. From the moment the band arrived, as they threw their guitars onto the stage and began hurriedly unravelling cables, the focus was on them, and the minute they started playing the crowd was evidently glad to have stuck around.

Next on my list was Dublin-based Otherkin, which meant a return to Stage 2 at Leeds Beckett. A couple of songs into the set, the enigmatic lead singer Luke Reilly had removed his shirt and was moving about the stage with the confidence of Iggy Pop as he took the occasional swig from a can of Heineken. The band’s edgy pop-rock sound translated well live, with the band playing their popular singles ‘I Was Born’ and ‘Ay Ay’. Looking ahead to a return to the city in late summer, Reilly’s final words to the crowd were, “we’ll see you at Leeds Festival”.

With a few moments to spare before the next band on my list, I managed to pop into the Academy and catch a few of Mystery Jets’ tracks. The room was packed to the rafters, with people jostling about to get a closer view, and dancing and singing along. I managed to hear a couple of songs from their latest album ‘Curve of the Earth’ (’Midnight’s Mirror’ and ‘Blood Red Balloon’) before leaving just after their crowd-pleasing early career megahit ‘Half In Love With Elizabeth’. There was evidently a big buzz around the band’s performance, but I was glad to get out of the crowd and return to the outdoors once more.

Keep an eye on TGTF for part 2 of Rebecca’s Live at Leeds 2016 coverage, which is scheduled to post tomorrow.

 

Live at Leeds 2016 Preview: editor Mary’s best band bets

 
By on Monday, 18th April 2016 at 11:00 am
 

Please note: as we recommend with all of our festival previews, the information we post here on TGTF on Live at Leeds is current at the time of posting, but we encourage you to check in at the Live at Leeds 2016 official Web site closer to the start of the event to confirm venues and set times. Wristbands for the event in Leeds on Saturday the 30th of April are still available at the bargain price of £32.50. This year for the price of £45.00, a VIP option is also available; it will allow you to jump queues at venues (subject to capacity), entry to the VIP bar at the First Direct Arena and free entry to the afterparty at the Wardrobe. More information on where you can purchase your tickets in person or online is available here.

SXSW 2016 alums: I’d be remiss not to give a shoutout to the artists we saw in Austin that we enjoyed and we think you will too (in order of appearance):
Barns Courtney (5:30 PM, Leeds College of Music)
The Sherlocks (5:30 PM, Leeds Uni Union Refectory)
Declan McKenna (6 PM, Brudenell Social Club main stage)
Clean Cut Kid (6:15 PM, Leeds Uni Union Stylus)
Autobahn (6:30 PM, Leeds Beckett Uni Union Stage 1)
DMA’s (6:45 PM, Leeds Uni Union Refectory)
Blaenavon (7:00 PM, Oporto)
Isaac Gracie (7:15 PM, Holy Trinity Church)
Pumarosa (8:00 PM, Wardrobe)
Haelos (10:00 PM, Belgrave Music Hall)

In addition to those acts, here are 10 more acts recommended from the amazing Live at Leeds 2016 schedule:

Atlantic Shore

In the mood for sparkling, upbeat synth rock? This quartet with ties to nearly all of the great Northern towns (Leeds, Liverpool and Manchester) will start your day at Live at Leeds on an energetic note. Check out Atlantic Shore’s latest single, ‘The Comedown’, which was released last month.

Atlantic Shore are set to perform at the Faversham at 12:30 PM.

The Jackobins

Staying in th’ North (this festival is in Yorkshire, am I right?), turn your attention to music of a harder edge. Forget Manchester for a moment: The Jackobins’ ‘Waiting on the Sun’ will remind you of Oasis in the brashness of their anthemic rock.

The Jackobins perform at Leeds Beckett Uni Union Stage 2 at 1 PM. (Incidentally, Plaitum – who Rebecca introduced you all to when they received a shout for SXSW 2016 – will be playing at the same time of day at Headrow House.)

The Velveteens

Let’s not kid ourselves, surf rock came back, so what’s to stop the other trends of past decades returning? Co-ed group from Leeds The Velveteens will be leading the charge when the revolution comes. ‘Simply Plain Mary Jane’? Hardly!

The Velveteens play at the Brudenell Social Club’s Games Room at 2:30 PM.

Demob Happy

From Leeds, you can either go north to Newcastle or south all the way to the coast to Brighton for Demob Happy. As a science boffin by (day) trade, I am more than a little amused they’ve got a song called ‘Junk DNA’. “Gene Manipulator” should have been my nickname in uni. Make of that what you will… And we could all use a little bliss, eh?

Demob Happy are scheduled to play at the Brudenell Social Club’s main stage at 3:00 PM, which make them a nice follow-up after The Velveteens.

Xylaroo

Cover me, folks, I’m going into Carrie’s usual bailiwick and into the singer/songwriter den. A girl duo signed to Rob da Bank’s Sunday Best label, Xylaroo have done a fantastic acoustic treatment to cover of Arctic Monkeys’ ‘I Bet You Look Good on the Dancefloor’, turning a song I don’t even like to a palatable one (!), so suffice to say, I’m looking forward to their debut album ‘Sweetooth’ (not a typo) out the 3rd of June, which includes ‘Sunshine’.

So if singer/songwriter-y, harmonising type music is more your thing, you can catch Xylaroo at Leeds College of Music Recital Room at 3 PM.

Girl Friend

Okay, I’m outta there and back to my specialty and having gone on to another duo. Girl Friend, a girl/boy pair from Manchester (seriously, where else would they have been from? ha), do clean, crisp electropop that’s music to my ears and heart, not to mention my feet. Check out the fab ‘Nocturnal’.

Girl Friend will play the Belgrave Music Hall at 4 PM.

Jones

Jones has the kind of voice music producers clamour over: soulful, rich, strong. Her voice lend well to both electronic/urban pop and acoustic treatments. Judging from her collaboration with TGTF friends Honne on their track ‘No Place Like Home’, she’ll be a sought-after vocal talent for years to come.

Jones is set to perform at the Wardrobe at 7:00 PM.

Catholic Action

Ready to do some hand clapping in my favourite venue in all of Leeds? Then you’re definitely ready to have some fun with Catholic Action and fall in ‘L.U.V.’ with this band from Glasgow. We have!

Catholic Action will appear at Nation of Shopkeepers at 8:00 PM.

Anteros

Staying in the pop realm, we arrive at London’s Anteros. Their sci-fi name makes them sound like they’re from another planet. However, to our benefit, they’re just writing really great pop songs. Have some ‘Breakfast’ with them below.

Anteros perform at the Brudenell Social Club’s Games Room at 9:30 PM.

Fatherson

I’ve been a fan of these Scots and their uplifting, swooning anthems since I saw them in Edinburgh 2 years ago. And it’s a great time for them to appear at Live at Leeds, as they’ve just released their newest single, ‘Just the Point of Breaking’.

Fatherson appear at Leeds Beckett Uni Union Stage 2 at 9:30 PM.

 

TGTF Guide to SXSW 2016: Clash in association with PPL, and NME in association with UK Trade and Investment at the British Music Embassy – 18th-19th March 2016

 
By on Friday, 4th March 2016 at 2:00 pm
 

The British Music Embassy will return to Latitude 30 at 512 San Jacinto Boulevard, right by the heart of the action off 6th Street during SXSW 2016. On Monday and Wednesday, our editor Mary previewed the talent on show on Tuesday night (Huw Stephens with PRS for Music showcase) and Wednesday, then Thursday (Output Belfast and PIAS in association with AIM), respectively. This year’s showcases on Friday the 18th of March are set to include a host of artists from around the UK, including hotly-tipped acts from Wales and Scotland. The Welsh artists will be highlighted during the daytime show, presented by British Music @ SXSW in association with Cerdd Cymru: Music Wales. A pair of Scottish acts will feature on the evening showcase, presented by UK pop culture magazine Clash in association with music rights and licensing agency PPL.

The Friday afternoon show will feature a delightfully rich lineup of female artists, beginning with alt-folk singer/songwriter Rozi Plain and continuing with two Welsh acts, pop singer/songwriter Violet Skies and electronic musician Gwenno. Both Welsh women will be introduced in more detail in editor Mary’s upcoming preview of Welsh artists at SXSW 2016 later today.

[youtube]https://youtu.be/H4S0ME8Xyc0[/youtube]

Closing out the afternoon are two alliterative acts, our recent Band to Watch #372 Fickle Friends, followed by fellow TGTF alumnae Stealing Sheep. Fickle Friends vaulted to popularity in the UK with their debut single ‘Swim’ back in 2014 and have been on an upward trajectory ever since. Liverpool trio Stealing Sheep are sailing strong on their April 2015 release ‘Not Real’, but I wouldn’t be surprised to hear a hint of something new from them in Austin as well.

[youtube]https://www.youtube.com/watch?v=AqVYDRM842s[/youtube]

The Friday evening Clash showcase is set to begin with DJ/producer/all-around-Renaissance-woman Throwing Shade, whose soon-to-be released EP ‘House of Silk’ features the above reflection on pop culture and social media called ‘hashtag IRL’. Scottish pop songstress KLOE and avant/experimental trio Hælos will fill in the middle part of the evening lineup, ahead of a rather intriguing To Be Confirmed notation at 11 PM; bets are open as to who might fill that coveted slot.

[youtube]https://youtu.be/vKakNhz2ToA[/youtube]

Playing at midnight will be Glasgow electro musician The Revenge, followed by London-based soul pop duo Honne (read more of our coverage on Honne here). The Revenge will feature in our upcoming preview of Scottish artists at SXSW 2016, along with the aforementioned KLOE.

On Saturday, the 19th of March, the afternoon show at Latitude 30 will start with Sheffield slacker punk pair Nai Harvest (read more about them on TGTF here) and Leeds goth-punk band Autobahn. Falling square in the middle of the docket, Liverpool indie rockers Sugarmen are sure to win fans with their psychedelic recent single ‘Plastic Ocean’, while grunge rockers Fizzy Blood and Demob Happy finish off the daytime slate.

[youtube]https://youtu.be/qVkdCG_tfvk[/youtube]

Latitude 30 will be taken over by recently retooled and relaunched pop culture magazine NME in association with UK Trade and Investment on Saturday night, the final event at the British Music Embassy for SXSW 2016. Leicester brothers Andy and James Stone, known onstage as synth-rock duo Lusts will open the show (Rebecca’s introduction to them is here), to be followed by rap collective Section Boyz. London five-piece Pumarosa have already announced an autumn 2016 support slot for SXSW 2015 hit act Gengahr and will feature in the middle of this final night lineup.

[youtube]https://youtu.be/XA97m6L2-Dc[/youtube]

Deep-voiced Americana singer/songwriter Barns Courtney could easily follow in the successful SXSW footsteps of Hozier and James Bay before him. He’ll round out his trip to Austin with an appearance at the British Music Embassy, ahead of dance duo Formation (Rebecca’s introduction to them is here) and another tantalising to-be-announced special guest for the evening’s final set.

[youtube]https://youtu.be/ckNWtmkA2_g[/youtube]

 
 
 

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF was edited by Mary Chang, based in Washington, DC.

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