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Album Review: Dentist – Night Swimming

 
By on Thursday, 19th July 2018 at 12:00 pm
 

Dentist Night Swimming album coverAs the saying goes, timing is everything. Human beings tend to brood and get nostalgic around the winter holidays and as the year closes. In contrast, summer is when it feels most appropriate to brush the cobwebs out of one’s mind, let one’s hair down and kick the shoes off and all cares away. That’s the kind of thinking I’m assuming led to New Jersey band Dentist’s thinking to release their debut album ‘Night Swimming’ in the middle of July. Feeling at times like having an ice cream at the beach but never proving too cloying, it’s an upbeat LP that at times flirts with bubblegum pop territory.

In some ways similar to Katie Ellen’s ‘Cowgirl Blues’ that was released this time last year, ‘Night Swimming’ conveys the thoughts of an independent woman with an agile mind, bolstered by surf-y, lo-fi guitar chords that lend a scrappy, ‘skinned knees’ kind of quality to the proceedings. Most of the songs on this album are short – around the 3-minute mark or a good deal shorter – which means if you’re not a fan of frontwoman Emily Bornemann’s twee vocal pitch, it never stays around long enough to bother much during a collection of songs that, taken together, barely pass the 30-minute mark. The animated and simply fun rock guitars and drums throughout also provide a worthy distraction.

Things get off to an exuberant start with ‘Upset Words’, on which she asks cheekily, “do I make you proud?” On fun lead single ‘Corked’, Bornemann’s sweet and girly vocals are an asset here, providing an interesting juxtaposition to the introductory strummed guitar notes, scuzzy with feedback and audible clicks left in and not polished off the record. “Something’s wrong again ‘cos we’re still friends”, she wistfully scoffs in the first chorus before the muscular part of the song gets going. LP standout ‘Figure-Four’ should be our credo for the rest of 2018, with its suggestions to let it go and don’t sweat the small stuff. Bornemann sings, “it’s okay / every day / we’ll be fine / I’m sure, I’m sure” and its entreaties to “accept your fate”, it’s Dentist’s way of saying trust in the process of the Great Big Thing called Life. We need more of this thinking. Too many bad things are happening around us and to us that sometimes we all forget that we’re here to live.

On the simply titled ‘Oh’, she quips, “wish that I could turn my brain off / then that would mean that I am dead”. The instrumentation going with it is so peppy, you have to ask yourself if the lyrics are meant to be rhetorical to the listener or if they’re meant to be droll or even possibly cutting observations that hide her own anxiety about life and relationships, something the Crookes did so well. ‘All is Well (In Hell)’ sees Bornemann on a brief but lovely, slower, acoustic interlude; it’s a bit soppy and entails her begging her lover not to leave her because “that is worth than anything”. Dentist get down and dirtier for a brief moment on the minor key ‘Tight Spot’, with squealing, surf-y guitars and harder hit drums to go along with the existential lyrical musings.

In the rapid fire drumbeat-driving closer ‘The Latter’, Bornemann implores, “I have opened up to you / you have done the same / tell me now what I can do / to make this great escape”. With an album like ‘Night Swimming’, you are invited to give someone else control of the steering wheel. This is the kind of music to listen to on those long drives out to the coast by day and into the steamy summer evenings when there’s nothing to do. Or at least you’re pretending there isn’t. This is one Dentist that won’t make your teeth ache.

7.5/10

‘Night Swimming’, the debut album from New Jersey’s Dentist, is out tomorrow, the 20th of June, on Cleopatra Records. Read my review of them at SXSW 2018 through here; they were one of my unexpected finds in Austin this year.

 

SXSW 2018: bouncing back Thursday night with the Reeperbahn Festival and different genres – 15th March 2018 (Part 3)

 
By on Tuesday, 3rd April 2018 at 2:00 pm
 

After removing my wet clothes and hanging them up in ingenious ways off of various pieces of furniture in our hotel room so to not block Carrie’s entry, I returned into the Austin night, buoyed by the brilliance of one Benji Lewis from Australia. There’s been an incredible buzz about Hamburg rapper Ace Tee (say that slowly, and you’ll get it…) and given my good experiences at Friends, I thought I’d stop in at the Reeperbahn Festival showcase there and have a look-in at her and her rhymes.

Not sure what happened with her appearance, but definitely an Oriental woman and not a German-African one was onstage by the time I arrived at Friends. Apparently all the Koreans in the bar knew CIFIKA would be appearing. The twenty-something is an underground favourite back home in South Korea, and she’s spending quite a bit of time in our country post-SXSW on what Billboard has called the longest headline tour of the U.S. by a Korean act ever. None too shabby. An accomplished producer, her electronic creations are already being compared to those of Bjork. And yes, people. She does all her own music. Why is this such a difficult concept to grasp?

CIFIKA Thursday at SXSW 2018

I popped next door to B.D. Riley’s to get a taste of another band from Asbury Park, New Jersey, Dentist, starring husband and wife team Justin and Emily Bornemann. I wondered what kind of people would name themselves after the most unfairly maligned member of the medical community. Instead of making you feel as uncomfortable as if you’re having a root canal, the music of Dentist is actually pretty surf-y. Their quick-moving songs with right-sounding guitars with echoey vocals from Emily sounded like having an ice cream by the beach on a sunny day. Which is pretty impressive, considering I saw them in the dead of night at 10:30 PM.

Dentist Thursday at SXSW 2018

What’s nice about every SXSW is that almost every band plays more than once, so you can see them again if you wish. As mentioned in my review of them performing Wednesday afternoon at German Haus, psych rockers Blackberries revel in doing something different than you would expect from a German band in the 21st century. As the band format is increasingly endangered, we need to support bands like them so we have them making music. Carrie would probably be fine with everyone being solo singer/songwriters going forward, but I’m not!

Blackberries Thursday at SXSW 2018

The Happy Happy Birthday to Me showcase at Seven Grand was running behind schedule, which made my waiting for my intended act longer. I tried to get a brief moment of shut-eye before being admonished by bar staff that “it looks bad” if someone is asleep in a bar. Because I look like I’m drunk? Or because it looks like who you’ve got on is boring? The inexplicably named duo Eureka California from Athens, Georgia, blasted through song after punishing song. They’re so punk, I don’t think they ever introduced themselves. Or maybe they did, and I couldn’t hear them doing it?

David Gedge of the Wedding Present at SXSW 2018

Despite a lengthy soundcheck, during which the bartenders behind me made fun of the vocal checks, I wasn’t disappointed when The Wedding Present finally took the stage. David Gedge is an elder statesman and ambassador of British indie rock now, a position he seems to revel in with all of the live performances he’s willing to put himself and his band through. (Check out my interview with The Gedge just prior to SXSW 2018 through here.) Considering their popularity, it felt odd that they were playing such a small club, and to so few people. To be fair, these were 50 or so uber fans who had appeared near midnight to see them at the Seven Grand, and they were rewarded by having the opportunity to be up close and personal with the band. Chalk up another point for SXSW.

Because of the stage delays at the Seven Grand, I had to leave in the middle of their set to make my way down to the Velveeta Room in time to catch Music from Ireland’s last act of the evening. I somehow missed the mysterious Talos (pronounced “TAH-los”) from Cork at Hard Working Class Heroes 2016, so I was trying to make up for lost time. Seems like caught him at a good time, as it appears he’s making traction here in America. Or, at least, he’s made some superfans in Texas who were plying his backing band with beers?

Talos Thursday at SXSW 2018

The beguiling strains of synths with Eoin French’s gentle, emotional falsetto on the sweeping ‘Odyssey’ proved to be a mesmerising combination. Some young ladies down the front at the venue looked like they were about to faint. (If you wondering, yes, French is quite the looker and seems to be poised to sneak into that cute, yet scruffy Irish boy spot once occupied by Kodaline.) With the added backing of a full live band, the Talos sound is one of bombast, of eye-opening ambition. I am always amazed by the music that comes out of Ireland. I’m sure I’ve said it before: the Irish have faced so much hardship, so much oppression, so many tears. And yet they are able to write and sing some of the most beautiful music ever created. For more photos from my Thursday night at SXSW, visit my Flickr.

 
 
 

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