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Download Festival 2013: Day 1 Roundup

By on Friday, 21st June 2013 at 2:15 pm

Download Festival 2013 has already been hailed as a behemoth of the recent festival age. In Iron Maiden, Andy Copping chose a headliner to both win the hearts of the Monsters of Rock festival faithful, and show the next generation the damage a well placed gallop rhythm can do. In Slipknot and Rammstein, he found two bands on the cusp of welding themselves into metal folklore; cocking the Download line-up like a double-barrelled shotgun. Beyond the headliners, Download promised everything from Viking metal to gypsy punk, with a gilded seem of truck rock to drive 90,000 people through what threatened to be the wettest of summer weekends.

And, that’s how it took off on Day 1. At the Zippo Encore Stage Monster Truck were relentless; vocalist Jon Harvey beat on his bass like a hydraulic jackhammer, and the Hammond organ of Brandon Bliss ground out a vintage climax in all the right places. Afterwards, Dir En Grey offered a scene of atonal Asian horror that was perhaps a little too gothic for the good time vibes of the first morning.

Uriah Heep and Europe were Friday’s elderly statesmen, the living embodiment of proto-metal and glam rock, respectively. The Heep, as they were being affectionately alluded to around the crowd, took the Zippo Encore Stage through soaring crescendos and thundering hooves, to their own stately pleasure dome of progressive head-banging metal. Classics ‘Overload’, ‘Stealin’’, ‘Gypsy’ and, of course, ‘Easy Livin’’ sounded just as crisp as they would have done at MOR 1982. Later on in the afternoon, Europe joyfully rattled off ‘Scream of Anger’ and ‘Rock the Night’ before the inevitable ‘Final Countdown’. Singer Joey Tempest proudly proclaimed, “we made it! Just five ordinary guys from the outskirts of Stockholm”, and the crowd lapped up the last track like a £4.50 beer. However, Europe still appear blighted by the possession of a keyboard riff more famous than they are.

A somewhat wild-card entry, The Sword took a glazed-eyed Pepsi Max Stage crowd on a sojourn into ‘60s psychedelia via ‘90s groove metal. The drawl of lead vocalist John D. Cronise was fattened by a bass level that sounded like the HMS Subwoofer leaving port, leaving onlookers clutching their reverberating ribcages to try and stop their internal organs turning to mulch. ‘How Heavy the Axe’ – the bands biggest single to date – took on an entirely new dimension in a live setting, whilst the reaction to tracks off their latest album, ‘Apocryphon’, suggests this desert rock four-piece will remain a cult favourite for the foreseeable.

As if to make up for the dour Dir En Grey, self-proclaimed gypsy punks Gogol Bordello lifted the mood back at the Zippo Encore Stage, providing an island of carnival spirit in the sea of mosh. But, just because a metalhead is suddenly confronted by syncopation, it doesn’t mean he knows how to dance. Half the entertainment in this hour came from watching the uncoordinated masses (of which I undoubtedly count myself one) pull out their best Cossack manoeuvres, occasionally switching to a do-si-do with their beer-free arm. Politicised numbers, such as ‘Ultimate’, ‘Break the Spell’ and the frantic ‘Not a Crime’, melded seamlessly with the likes of an extended ‘Start Wearing Purple’; a more eccentric number which, although infectious, missed some of the theatrics of their performance at Leeds Festival 2007.

For Download’s majority demographic, the 18 to 30s, nu-metallers Korn and Slipknot would arguably be the most relevant acts to play on Friday. Korn – with their low-fi dynamics, metal scatting and wandering slap-bass – have a somewhat chequered history with this festival. In 2006, just a day before they were set to take on the Main Stage, an announcement came over the Download tannoy that singer Jonathan Davis had been hospitalised with a serious blood ailment. The crowd were stunned, but the remainder of Korn played on, with other vocalists, such as Corey Taylor, Benji Webbe and Dez Fafara, all pitching in. Despite a successful performance in 2011, this still felt like unfinished business for many.

Fieldy’s bass wove a subsonic tapestry through old favourites ‘Blind’, ‘Falling Away From Me’ and ‘Got the Life’, but the baying masses seemed split over some of their recent dubstep-flavour offerings, such as ‘Get Up’, and ‘Narcissistic Cannibal’. The bombastic ‘Here to Stay’ provided total unification; the crowd left fissured and spiralling from the pressure of such a nu-metal standard. By the time they smashed into final track ‘Freak on a Leash’, the arena was eating from their hands.

Slipknot (pictured at top), a band that have matured into metal statesmen over the past 5 years, left the 90,000 jiving to Billie Joe Spears’ classic ‘Get Behind Me Satan and Push’ before exploding in a wall of pyro into opening track ‘Disasterpiece’, from their debut album ‘Iowa’. By the third track, ‘Wait and Bleed’, the Slipknot loyalists had begun dismantling the arena, and each other, piece by piece. ‘Before I Forget’ had to be postponed whilst Corey Taylor pleaded for calm as security repaired the barriers, but this only served to stoke the fires at this sadistic circus. Five tracks later ‘Left Behind’ had to be halted after another testosterone release, and Taylor again took to the mic to ask everyone to take a step back. Needless to say, he’s one of the few in the live music industry who commands such absolute obedience.

One subject that, understandably, is never far from the collective Slipknot consciousness is the pain caused by the tragic death of former bassist Paul Gray. This year the band struck a different tone to that of Sonisphere 2011, with Taylor promising a future for the band and declaring, “we have kept going for us. We have kept going for him. We have kept going for you”. “I push my fingers into my…” was all the crowd needed to hear to raise a toast to Paul with ‘Duality’. ‘Psychosocial’, a mainstay of site sound systems all weekend, was massive, as was the sight of the entire Main Stage crowd down on their knees to ‘Spit it Out’. Their performance – bursting with passion, energy, sex and anger – was topped off by the epic ‘People = Shit’, and percussive ‘Surfacing’.

So, with blistered feet and bleary eyes the crowd shuffled away from the arena in fervent anticipation of Day 2.


Live Review: In Case of Fire on the Kerrang! Tour @ Oxford Academy – 20th January 2009

By on Wednesday, 21st January 2009 at 5:53 pm

In Case Of FireDespite having been going for nearly a week already, In Case of Fire kicked off tonight’s Kerrang Tour in style. After playing their first song, “Do What I Say”, the lads mumbled a brief introduction of “We’re In Case Of Fire and this song’s called ‘This Time We Stand'” before launching into a lively version of the track. After playing their older single they played their upcoming single, The Cleansing.

By now it seemed the three guys were getting into their stride as they spoke to the audience a bit more, getting everyone revved up for more before introducing their fourth and penultimate song, ‘The Cleansing’. Steven (vocals and guitar) and Mark (bass) certainly gave a lively performance using most of the stage space available as they powered through the songs. Although a bit more hidden from view, Colin on drums also seemed to give the set his all.

As with any good opening act, In Case of Fire got the audience set for the rest of the night with demanding to know “who’s looking forward to Black Tide“, pausing for the screams that they knew would undoubtedly follow, and then going on to repeat the question for Dir En Grey, Bring Me The Horizon and the headliners, Mindless Self Indulgence. Finally, they introduced their last song but not before saying that they’d be back in Oxford some time soon.

Although the set was short, no more than about 20 minutes, there is little doubt that In Case of Fire have made their mark big time on the people at the Kerrang tour. With a sound that bears reminiscence of a Northern Irish version of Muse, yet individual and fast paced in their own unique way as well; In Case of Fire are definitely a band to watch this year.

The rest of the night saw the pace of the audience only increase as Black Tide, Dir En grey, Bring Me The Horizon and Mindless Self Indulgence all brought their individual sets to the stage but each had the audience hooked in by their different approaches. It was undoubtedly one of the best combinations of bands to have as there was something for every Kerrang fan.

In Case of Fire played:
Do What I Say
This Time We Stand
The Cleansing
Plan A

In Case of Fire’s self-released debut album, Align The Planets; is out in February and their single, The Cleansing will be released March 2nd. The top photo is taken from In Case of Fire at the Mandela Hall in Belfast, as no pictures were available from last night’s show.


Kerrang Tour 2009 – Mindless Self Indulgence and more / January 2009

By on Monday, 5th January 2009 at 7:49 pm

In Case Of FireLike your music a bit louder than most? Well, rejoice as the 2009 Kerrang magazine tour kicks off next Friday around the UK featuring 12 dates with five bands. Mindless Self Indulgence (pictured top), Bring Me The Horizon, Dir En Grey, Black Tide and (my personal favourites) In Case Of Fire (pictured right) all play the tour, with tickets on sale now (and going very quickly at the moment).

Catch the bands at the below dates:

Friday 16th January 2009 – Bristol O2 Academy
Saturday 17th January 2009 – Cardiff University
Sunday 18th January 2009 – Southampton Guildhall
Tuesday 20th January 2009 – Oxford O2 Academy
Wednesday 21st January 2009 – Norwich UEA
Thursday 22nd January 2009 – Nottingham Rock City
Friday 23rd January 2009 – Manchester University
Saturday 24th January 2009 – Leeds O2 Academy
Monday 26th January 2009 – Liverpool O2 Academy
Wednesday 28th January 2009 – Newcastle O2 Academy
Thursday 29th January 2009 – Birmingham O2 Academy
Friday 30th January 2009 – London Brixton O2 Academy


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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

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