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Video of the Moment #2878: Doe

 
By on Tuesday, 31st July 2018 at 6:00 pm
 

London indie rockers Doe have announced details of their sophomore album. ‘Grow Into It’ will be out on the 28th of September on Topshelf Records. The first single to be taken from the upcoming LP is called ‘Heated’. Already a live hit, the loud and hard-hitting tune is an indicator of things to come in 2 months when we can finally get our mitts on the new album. Accompanying the single is a mango-coloured promo video in which the band are playing in and amongst plants and get into some mischief with mulch and paint. Watch the shenanigans below. For more of our past coverage here on TGTF on Doe, go here.

 

TGTF Guide to SXSW 2018: best bets among UK rock artists showcasing at this year’s SXSW

 
By on Wednesday, 7th March 2018 at 11:00 am
 

This year, only Carrie and I have been available to write content for the TGTF Guide to SXSW 2018. Being short-handed, we decided to consider trends in who was being invited from the UK and let what we found direct our previews on the artists coming over from the UK to Austin.

One thing we found unusual about this year’s shouts is that quite a few bands and artists we’ve previewed and indeed, some who actually saw in Austin at a recent SXSW, have been invited back. DIY punks LIFE (Hull), Shame (London) and IDLES (Bristol) will be laying waste at their appearances at the British Music Embassy at Latitude 30 on Monday night, Thursday afternoon, and Thursday afternoon and night, respectively. Could it be that SXSW and the BME are banking on a repeat on their breathless, exciting, uncontainable performances last year? Could be.

Also coming round for a victory lap in Texas will be Glasgow glam band Catholic Action, who have been riding high on the critical acclaim of their autumn 2017 debut album ‘In Memory Of’. [NB: I wrote about them and 3 other acts in the Music Bloggers Guide to SXSW 2018, which you can read here.] Female-fronted trio Doe, who also wowed crowds last year at the DIY showcase on the first night of festivities at the BME, will be making a return appearance, this time gracing the stage of Latitude 30 Wednesday afternoon. Longtime indie stalwarts The Wedding Present, helmed by David Gedge, will also be coming back to Austin, having in previous editions of SXSW. Whether they’ll make another surprise appearance in a bike shop, we’ll have to see.

This is not to say that the UK isn’t sending a whole raft of new and great rock talent to entertain us next week. On the DIY punk front, Glasgow’s Breakfast Muff and Tijuana Bibles, along with London’s Goat Girl, will give you something to shout about and raise your fists to. If you prefer your rock more pop-orientated, SXSW also has you covered. Flyte, who we’ve covered for a few years here on TGTF, will be making their first appearance in Austin with their summer 2017 Island Records debut ‘The Loved Ones’ under their belt. Brighton furnishes SXSW with two exciting rock acts, The RPMs (pictured at top), who will open the Friday afternoon festivities at the BME, and the female-fronted Yonaka. You can read my SXSW 2018 preview of The RPMs through here.

Sometimes your name can make you infamous and as someone once said, any publicity is good publicity, right? London hard rockers Steak were named by local Austin culture blog do512 as having one of the best names of artists showcasing at this year’s event. Admittedly, we may have unfairly maligned some of the less Googleable band names in the past: Cabbage, College, Merchandise and Shopping, anyone? But if you’re going to bring a rock band to Texas of all places, you can’t go wrong with naming yourself after a great cut of beef. Another London band named in do512’s piece were Our Girl, the London trio fronted by Soph Nathan who were discovered, shall we say, after supporting SXSW 2015 alums Honeyblood.

Please note: all information we bring you about SXSW 2018 is to the best of our knowledge when it posts and artists and bands scheduled to appear may be subject to change. To learn when your favourite artist is playing in Austin, we recommend you first consult the official SXSW schedule, then stop by the artist’s Facebook or official Web site for details of any non-official SXSW appearances.

 

SXSW 2017: Monday night at the DIY / Ticketweb UK showcase at Latitude 30 – 13th March 2017

 
By on Monday, 27th March 2017 at 4:00 pm
 

It’s going to take some getting used to that the Music portion of SXSW artist showcasing officially starts on Monday and not Tuesday. Carrie and I have enjoyed either showcases at the British Music Embassy at Latitude 30 starring Northern Irish artists or sponsored by Trackd last year the last few times we’ve been in Austin, so it was nice to mix things up a bit this year with a lineup sponsored by someone else. This night’s showcase was sponsored by UK free magazine DIY and the UK arm of Ticketweb, now part of Live Nation. I arrived just in time for SuperGlu, the Manningtree rock group who I had seen 2 years ago at the upstairs room of The Mash Tun at Norwich Saturday night during Norwich Sound and Vision 2015. I wish to point out that thank you very much, I had seen this band before nearly everyone in Austin, proclaiming back then “1) I was supposed to be in Norwich to see this band, and 2) they’re going to do very, very well.” Boom.

SuperGlu, Latitue 30, Monday 13 March 2017

I don’t consider myself an expert on alt-rock, because it’s hard to class. What is alt-rockand what isn’t? And let’s be honest, sometimes you just don’t know what will float with music fans and what won’t, which ultimately is the litmus test. During a week in Austin that saw surprise (or maybe not?) performances by world-famous American bands Jimmy Eat World, Spoon and Weezer, SuperGlu held their own against them, suggesting from the climactic last notes of ‘Diving Bell’ that it would not be long before they would be joining their ranks in popular music history.

SuperGlu, Latitude 30, Monday 13 March 2017, 2

Frontman Ben Brown wore a University of Texas-Austin t-shirt and shouted the locals’ cry for “Longhorns!” to get the crowd riled up. Not surprisingly, this went over extremely well with the already inebriated and up for it Texans, not to mention a man who argued with Brown over which was the smallest town in England, his or Manningtree. (I’m still unclear who won.) The secrets to SuperGlu’s success? Being good friends and keeping things fun, which come across in spades in their self-described ‘dork pop’ music and live performance. While this might not be at the level of the Sex Pistols at the Lesser Free Trade Hall in Manchester in 1976, something tells me this is going to be one of those “were you there?” moments in rock. The photo below from my phone is intended to document the crazy that was happening that night. To listen in on my interview with the band in Austin, go here.

SuperGlu, Latitude 30, Monday 13 March 2017

[youtube]https://www.youtube.com/watch?v=m1H_6gImH80[/youtube]

Feeling like a letdown after SuperGlu was London-based Doe, compared frequently to Sleater-Kinney for their female-led DIY rock aesthetic. I give pink-haired lead singer and guitarist Nicola Leel massive props for her shouty loud, abrasive vocal delivery on tracks like ‘Last Ditch’, as she never once let up during their half-hour set, and the band gave it their all. The guitars were loud and scuzzy and indeed, the comparisons to classic ‘90s rock and noise pop make sense. It was just hard for me to pick out the melodies or find anything that stood out as particularly special.

Doe, Latitude 30, Monday 13 March 2017

From Doe, Croydon’s Jamie Isaac was a breath of fresh air, cutting through the fuzz with a dramatically different point of view. Some have compared him to wildly popular piano-player, production head and fellow Londoner James Blake, but that’s just lazy journalism. Isaac’s silky smooth tones envelop you like nothing else, grabbing you just as much as the darkly beautiful notes of his jazz-infused piano lines. To be fair, his music is less obvious, requiring more commitment by the listener to truly ‘get’ where he was going with his electronic leanings, and I sensed that people who had been there since SuperGlu’s set were less than enthralled. Give his ‘Couch Baby (Revisited)’ album (which includes ‘Find the Words’) a spin on your favourite streaming service to check him out.

Jamie Isaac, Latitude 30, Monday 13 March 2017

[youtube]https://www.youtube.com/watch?v=TTfYmEwefkY[/youtube]

I had expected Blaenavon to come next in the lineup, but I was surprised when a woman came onstage. Hrm, I thought, they don’t have a girl in their band, do they? For the record, they don’t. Manchester’s False Advertising, led by Jen Hingley, filled in for the Liphook, East Hampshire natives who weren’t able to get out to Austin that early in the week. Their loss was False Advertising’s gain: the incredible opportunity to showcase the first official night of SXSW Music at the British Music Embassy.

False Advertising, Latitude 30, Monday 13 March 2017

The energy in the ratcheted back up as they pounded out ‘Wasted Away’ and ‘Scars’ as highlights. They’ve got an interesting dynamic in that drummer Chris Warr also sings, and he and Hingley swapped instruments and positions like it was no big deal. The other obvious comment about False Advertising is that they have a lot of hair. It’s a good thing none of them needed to look down at their guitars, because they wouldn’t have seen the strings anyway. Carrie joined me shortly after False Advertising started, and I’ll let her fill you in on Muncie Girls’ closing set of the night.

[youtube]https://www.youtube.com/watch?v=N-HP2sg0vaU[/youtube]

 

TGTF Guide to SXSW 2017: London rock artists showcasing at this year’s SXSW

 
By on Monday, 20th February 2017 at 11:00 am
 

As you might imagine, London leads the charge with the largest number of artists one city in the UK is sending to SXSW 2017. In this post, we introduce you to 17 acts from the capital who are experts in bashing it out on the guitar and drums and hitting you with a powerful voice. Yes, that’s right. Today’s edition of the TGTF Guide to SXSW 2017 is all about the rock bands of London. The summaries below were written by Steven Loftin except where noted. Please note: all information we bring you about SXSW 2017 is to the best of our knowledge when it posts and artists and bands scheduled to appear may be subject to change. To learn when your favourite artist is playing in Austin, we recommend you first consult the official SXSW schedule, then stop by the artist’s Facebook and official Web site for details of any non-official SXSW appearances.

Artificial Pleasure
If the current The 1975 movement is your thing, then you’re welcome: Artificial Pleasure are sure to be a hit for you with their funkadelic, modern and sleazy in all the right ways sound, if you don’t want to dance during recent single ‘I’ll Make It Worth Your While’, then I’m sorry, there’s no hope for you. Although they only formed last year, it’s clear the future is certainly going to be bright for this band and their shows, filled with dancing feet.

The Big Moon
At the forefront of the UK’s new indie wave, The Big Moon have heads rockin’ and rollin’ with a beautiful blending of retro sounds with a modern edge. Their debut album ‘Love in the 4th Dimension’ scheduled for release in April is up for pre-order now, and this is definitely a band you will not want to miss out on, especially at SXSW. You can read Rebecca’s review of their single ‘Formidable’ back here.

Blueprint Blue
A wonderful ‘60s vibe emanates from South London trio Blueprint Blue. With a hesitating innocence in their sound, all the way down to the wandering notes that fall out of place, it’s fun and light-hearted with no real offence.

Chelou
With a bluesy acoustic sound that builds itself around the use of atmospheric electronica, Chelou has a fresh noise that is filled with mood and melody. Think Chet Faker, with a bit more reserve and accompanied by some pretty sweet animation style videos. To also help you gauge him, consider the word ‘chelou’ is actually a French term for shady or suspicious. Talk about being on brand.

Desert Mountain Tribe
London by way of Cologne, Desert Mountain Tribe are bringing that classic ‘60s garage, psychedelic sound to the modern age. Not messing with the formula too much, they’re raucous and do what they do well. Well worth checking out if you’re a fan of the swinging throwback garage sound.

Doe
London trio Doe’s ‘wonky alt-pop’ seems to draw directly from ‘90s Britpop, characterised by forceful, yet melodic guitars and a certain level of whimsy. Four years old (pretty long for an indie band these days) and having a whole load of releases under their belt already, their wry humour should set them apart from the rest of the pack in Austin. (Mary Chang)

Feeder
A band who really need no introduction, Feeder have been around for decades. If you’ve somehow managed to miss out on their mammoth single ‘Buck Rogers’, then you have our pity and should check it out right now before you do anything else. Roaring back into life this year with new album ‘All Bright Electric’, Feeder are proving there’s life in the old dog yet.

Jennings Couch
The oddly named Jennings Couch comprises three graduates of BIMM from Bristol, Brighton and London. There’s not a whole lot for us to go on about this new band; we can’t even share a full song with you, because their Soundcloud are private. What’s not up for disagreement is frontman Lei Jennings’s strong look, somewhere in between Meat Loaf, Fabio and Captain Jack Sparrow. We doubt they’ll be bringing a sofa with them, but we’ll report in from Austin about their live show if we can. (Mary Chang)

Joey Fourr
Joey Prendergast used to be part of Tubelord, but since 2012 he’s been associated with London trio Joey Fourr. Lo-fi seems to be the word in rock these days, especially in America, so it’s not hard to imagine their tunes going over well in Austin, even if the group insist that their style of music is “WONK-POP 4 QUEER KIDS”. (Mary Chang)

Mantra
Pretty furious in sound and attitude, Mantra (pictured at top) are another one of those upcoming bands with a chip on their shoulder and representing their generation. Songs about being outcasts in the world at large, they match this with good, old-fashioned solid rock ‘n’ roll with a bit of spit.

Modern English
Formed in the late Seventies, Modern English are perhaps best known for their 1982 single ‘I Melt With You’, a song that soundtracked countless romantic moments as well as a Burger King commercial in the States. Releasing their eighth studio album ‘Take Me To The Trees’ in 2016, that was crowdfunded via PledgeMusic, they’ve proven that even with their 30+ years they still have that indie darling pull.

Saint Leonard’s Horses
Reimagining himself and taking a band with him under the guise of Saint Leonard’s Horses, London songwriter Kieran Leonard has all the tales and all the talent. Having supported everyone from Ryan Adams to The Libertines, Leonard and his Horses know how to take you on a journey and give one hell of a ride.

Shame
Shame, five teenage friends from Brixton, relish taking their shirts off onstage in the moment (hmm, Red Hot Chili Peppers much?). There isn’t much online on the band, but that’s because they’re just getting started. There’s another reason behind this: they’re being very careful about their image and making sure their sound is exactly what they want to unveil to the world. Their approach has paid off: they’ve already caught the eyes and ears of BBC Radio 6 Music’s Steve Lamacq, playing live for him in January as part of 6 Music Live. And they won’t be lying down after their close-up at SXSW 2017: they will be returning triumphantly to the UK for their support slot for California rockers Warpaint’s live dates in late March. No shame here. (Mary Chang)

Skinny Girl Diet
It feels like 2017 could be the year Skinny Girl Diet thrive. Part of the Riot Grrrl movement, Skinny Girl Diet are as DIY and hardcore you can get and won’t take any of your crap. Young and riotous with an actual message, they sure haven’t forgotten the important platform provides for social protest. [The Fader in America have already picked up wind of these gals, so don’t drag your feet. –Ed.]

Splashh
Gearing up to release their second album ‘Waiting A Lifetime’ in April, Londoner’s Splashh are heading to Texas to make a…well…a splash. Indie rock at its finest, none too offensive and easily listened to.

This Be the Verse
Time for something a little bit heavier and constructed. This Be the Verse is a new project fronted by one man that somehow has unrestrained power, yet twists it into cleverly constructed and sinister tracks. His self-titled debut album is an industrial horrorscape of brilliance and savagery.

Ultimate Painting
More English indie rock, as only we can do it. Heartbreaking, yearning and like a rainy night in Manchester, Ultimate Painting also use influences such as Velvet Underground to attack with a more reserved chagrin. Being tipped by many UK outlets, they’re one band that 2017 is looking to be a real good time for.

 
 
 

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