Because of COVID-19 travel restrictions and show and festival cancellations,
no new content has been added here since February 2020.
Read more about this here. | April 2019 update
To connect with us, visit us on Facebook and Twitter.
SXSW 2019 | 2018 | 2017 | 2016 | 2015 | 2014 | 2013 | 2012 | Live at Leeds 2016 | 2015 | 2014
Sound City 2015 | 2014 | 2013 | 2012 | Great Escape 2018 | 2015 | 2013 | 2012

(SXSW 2017 flavoured!) Quickfire Questions #125: Draper

 
By on Monday, 13th March 2017 at 11:00 am
 

This year’s SXSW Music Festival is here! And we’re bringing you the last set of our special SXSW 2017 flavoured set of Quickfire Questions. Today, we’re giving the stage to electronic dance producer Draper. The song he names as his favourite in his childhood, the one that was his earliest memory and the one that makes him laugh is surprisingly by an American entertainer from yesteryear. Should we be surprised? I’m not sure. But read on for more of his intriguing answers… [We’ve been informed that sadly, Dan Bettridge will not be joining us in Austin. – Ed.]

Describe your music / sound in three words. (We know, tricky…)
Super hype synths.

What are you most looking forward to doing while you’re in Austin?
I’m not really sure! It’s my first time out there so I’m excited to do anything and everything whilst I’m there!

Of the bands who have already been announced, do you have any that are must-sees on your schedule? If yes, who are they and why?
I’d like to see Fickle Friends live, but there are just so many acts I’ll be pleased to see any of them!

Name something you’re packing in your suitcase that we might find weird or unusual. (You are welcome to elaborate.)
Ha, nothing unusual from me, I used to pack way too much but then I realized that I end up wearing the same outfit for about 3 days…

If we happen to run into you in a bar, we’d like to buy you a drink. What is your tipple of choice?
That’d be great! Mine’s a gin and tonic. [Serious question: why do the Brits love gin and tonic so much??? – Ed.]

What was your favourite album from 2016 and why?
Honne’s ‘Warm on a Cold Bight’. I loved so many of those songs, the guys brought something fresh and I loved it.

Will this be the first time you’ve played to American audiences? What have you heard about the festival? Are you excited / anxious / scared / etc. and why?
Yes! I’ve heard only good things, mostly about how awesome it is. I’m excited! I’m confident and ready for this.

Now, onto our usual list of Quickfire Questions…

What song is your earliest musical memory?
Lighthouse Family – ‘High’, we used to listen to it in the car as a family driving places.

What was your favourite song as a child?
Growing up, it was probably ‘Fat Lip’ by Sum 41.

[youtube]https://www.youtube.com/watch?v=CMX2lPum_pg[/youtube]

What song makes you laugh?
Anything by Lil’ Dicky.

What song makes you cry?
Coldplay’s new ‘Everglow’, beautiful track.

What song reminds you of the first time you fell in love? (It’s up to you if you want this to be sweet, naughty, etc.)
I listened to this a lot: Chingy – ‘One Call Away’.

[youtube]https://www.youtube.com/watch?v=zhPiBZLun5k[/youtube]

What song makes you think of being upset / angry? (Example: maybe you heard it when you were angry with someone and it’s still with you, and/or something that calms you down when you’re upset, etc.)
Coldplay – ‘O’, another beautifully poetic track, or Jonsi – ‘Hengilas’.

Which song (any song written in the last century / 100 years or so) do you wish you’d written yourself?
Coldplay – Fix You’…a lot of Coldplay, I’m realising…

Who is your favourite writer? (This can be a songwriter or ANY kind of writer.)
Of songwriters there are many… people who I admire for their poetry, others who know exactly how to Chris Martin (big fan of Coldplay, in case that wasn’t very obvious).

If you hadn’t become a singer/musician/songwriter/etc., what job do you think you’d be doing right now?
Hopefully something in the music industry or at least a creative industry.

If God said you were allowed to bring only one album with you to Heaven, which would it be and why? (Sorry, but double albums do not count.)
The Beatles – ‘1’. So many smash hits. [I should have not allowed greatest hits collections either. That’s cheating, ha! – Ed.]

We thank Draper for answering our SXSW flavoured Quickfire Questions and Sarah for helping us sort this for us. Draper has two high-profile appearances in Austin: Tuesday 13 March at 1:15 AM at ScratcHouse and Saturday 18 March at 1 AM at Swan Dive Patio.

 

(SXSW 2017 flavoured!) Video of the Moment #2312: Draper (feat. Kyko)

 
By on Thursday, 2nd March 2017 at 6:00 pm
 

Dance producer James Draper – just call him Draper, please – released a new EP to begin the year on a good note. Our Steve reviewed the ‘Luminous’ EP; you can read his thoughts on the release here. The standout track on the EP is ‘I.O.U’, featuring the vocals of another London artist, singer Kyko. What great timing right before his appearance at SXSW 2017 in less than 2 weeks: he’s unveiled the promo for the track.

[youtube]https://www.youtube.com/watch?v=poggLdCmlpE[/youtube]

 

TGTF Guide to SXSW 2017: London electronic artists and DJs showcasing at this year’s SXSW

 
By on Tuesday, 21st February 2017 at 11:00 am
 

As you might imagine, London leads the charge with the largest number of artists one city in the UK is sending to SXSW 2017. In this post, we introduce you to 11 acts from London Town specialising in electronic music and DJaying. The summaries of acts below were written by Mary Chang, Rebecca Clayton, Steven Loftin and David Wriglesworth. Please note: all information we bring you about SXSW 2017 is to the best of our knowledge when it posts and artists and bands scheduled to appear may be subject to change. To learn when your favourite artist is playing in Austin, we recommend you first consult the official SXSW schedule, then stop by the artist’s Facebook and official Web site for details of any non-official SXSW appearances.

Anna Meredith
Composing isn’t usually the most orthodox starting point for someone wanting to venture into a career in pop, but that’s exactly where Anna Meredith started her foray into music, and to great success. Before releasing her debut album, Meredith spent time as composer in residence with the BBC Scottish Symphony Orchestra, composed for the Proms, and gained a Masters at the Royal College of Music, amongst many other accolades.

In 2016, Meredith released her debut album ‘Varmints’. Her music draws on her classical history, combing grand electronic sounds with synth strings. Meredith’s LP is as unusual as it is impressive, and creates an immersive musical experience for the listener. ‘Nautilus’ is a must listen. (Rebecca Clayton)

Aquilo
Deeply emotional and airy synthpop, fit for a darkened, heartbroken night: that’s Aquilo (pictured at top). They don’t just have their heart on their sleeve, they’re grabbing it and shoving it in your face. Starting off with a couple of Soundcloud singles in 2013 that were picked up by various outlets, they then went on to play only their fourth show ever at Glastonbury 2014. Not a bad start for the duo, not bad at all. 2017 sees them finally releasing their debut album ‘Silhouettes’ and an opportunity to make waves at SXSW. (Steven Loftin)

DJ Yoda
Duncan Beiny, better known as DJ Yoda, is a multi-award-winning hip-hop DJ and producer, who has worked with pretty much everyone, from classical composers to neuroscientists. In recent years, DJ Yoda was asked by Dr Dre to record a guest mix on his inaugural Beats 1 show for Apple Music, and he was one of the artists to perform at Banksy’s pop-up bemusement park Dismaland.

DJ Yoda pioneers new forms of audiovisual entertainment, chopping and splicing classic movies with the hands-in-the-air clubbing vibe. In 2014, DJ Yoda was commissioned to rescore classic films as part of BFI’s sonic cinema event, and he produced a mash-up of BBC Radio 4’s entire station, remixing The Archers, the shipping forecast, John Humphries and more.

In 2017, DJ Yoda is taking his ever-evolving DJ sets, which take in a diverse array of styles, genres, decades and continents, all over the world, with shows at SXSW, Snowbombing (Austria) and Hideout Festival (Croatia). (David Wriglesworth)

Draper
Producer James Draper has been around a while: he’s already released a whole host of EPs, including his eighth, ‘Luminous’ (out now on M:UK), which Steven reviewed for us on TGTF last month. Lest you think Draper is a one-trick pony, think again. Not only is the Kent professional highly sought out producer, he has collaborated with and written pop bangers for big names like Ellie Goulding, Twin Atlantic and Rita Ora. It won’t be his first rodeo – Draper has been to SXSW before – so perhaps past experience will make his performances stand out from all the newbies? (Mary Chang)

Fifi Rong
Fifi Rong is London-based, but lived in China until she was 16 when she was enrolled in a boarding school in Bristol. She self-released her debut album ‘Wrong’ in 2013, and since then has worked with the likes of Skepta, featuring on his 2016 album ‘Konnichiwa’. In 2016, she released an EP, ‘Forbidden Desire’, which she funded through Pledgemusic.

Fifi Rong’s voice is husky and distinctive, and her tracks involve beautiful and unearthly electronic sounds, which focus on love and relationships. (Rebecca Clayton)

Jamie Isaac
Croydon-born and bred, Jamie Isaac released his debut album ‘Couch Baby’ last year, a following two EPs released back in 2013 and 2014. Isaac attended BRIT School along with contemporary and sometime collaborator King Krule, but rather than following in the footsteps of the likes of Adele and Jessie J, Isaac is carving out a much different path.

Isaac focuses on pared-back, dreamy electronic rhythms and a gentle tempo that is both captivating and seriously chilled. ‘Couch Baby’ is an album that can only be described as easy listening, the type of album that you can put on in the background and relax to. (Rebecca Clayton)

Reeps One
Of the many young artists coming out to SXSW 2017, few can say they’ve already been nominated for an award, let alone won one. Harry Yeff, better known under his stage name Reeps One, is thus special because he’s a prize-winning beatboxer.

Even though the only instrument he uses is his own voice box, I’ve put him under the electronic category because SXSW has and I would venture to say they consider his voice as peerless an instrument like a synthesiser. Lest you think that his musical style is reminiscent of those spitting dudes in the ‘hood back in the ‘80s, I’ve included a more melodic example of his beatboxing below. (Mary Chang)

Rude Kid
London-based producer and DJ Rude Kid is heavily entrenched in the grime scene, being able to cite the likes of Skepta, Wiley and Shy FX amongst his collaborators. Passionate about music, Rude Kid, who at one time was signed to Sony Music, released and experimental EP ‘One Week’ in 2012 which he created in just a week, before sharing as a free download.

He’s released a fair bit of music in his career so far, and spent much of 2016 showing his prowess as a DJ, and even started hosting his own grime radio show on Kiss FM. Rude Kid’s music features darker elements of grime, when compared to AJ Tracey mentioned in our review of the pop acts from London headed to SXSW. His 2015 EP ‘653’ in collaboration with Ghetts features the popular ‘One Take’, which has racked up millions of listens on Spotify. (Rebecca Clayton)

SOHN
Christopher Taylor is the enigmatic producer and electronic singer/songwriter, who I suspected could be a hooded, yet groovy polar bear live in concert 3 years ago in DC. A lot had changed for Taylor following his well-received debut album ‘Tremors’ in 2014, and the extensive touring to promote the LP took its toll on him as well. Decamping temporarily to a house in sleepy Northern California to write and record follow-up ‘Rennen’ did him good: read my album review from last month for more details. How will a producer who favours dark clubs fare in sunny Austin? We’ll have to wait to find out. (Mary Chang)

SWEAT
Electronic in all the right places and all the right ways, SWEAT are one of the brightest stars in the upcoming UK music scene right now. Filled with crisp beats and youthful romantic tales, they’re onto a real winner. ‘Stay’, for example, features a beautiful composition that trundles along, disappears and then returns with even more grace and melody. (Steven Loftin)

Tender
Life-long friends Dan Cobb and James Cullen comprise electronic duo Tender. From the basement of their North London home, they’ve produced three EPs, ‘Armour’, ‘Tender EP II’ and ‘Tender EP III’. To coincide with the duo signing with Brooklyn-based label Partisan Records in July 2016, Tender released ‘Outside’, the first single to be taken from their third EP. Since its release, the single has been streamed over 4,000,000 times on Spotify.

For the year ahead, Tender look set to embark on a number of live dates, including shows at SXSW and a headline show at Oslo Hackney in London, before finishing off and releasing their debut album. (David Wriglesworth) [As of 21/2, Tender are no longer listed on the SXSW Music Festival schedule.]

Youngr
Dario Darnell is no stranger to the electronic scene, having previously been in Picture Book with his brother Lorne Ashley. While Picture Book appears to be on hiatus at the moment, Darnell has struck out on his own as a one man multi-instrumentalist under the moniker Youngr. You could say that his career in music was pretty much assured: his father is none other than August Darnell, aka Kid Creole of Kid Creole and the Coconuts’ fame.

Darnell has taken a page from his father in writing and performing catchy pop tunes with a soulful r&b vocal, though in his case, he also takes advantage of a full synth setup and plenty of electronics in the absence of a backing band. He’s in the middle of a European tour at the moment and will be touring North America around his week in Austin. (Mary Chang)

 

Album Review: Draper – Luminous EP

 
By on Tuesday, 17th January 2017 at 12:00 pm
 

DLEP-500x500The eighth EP release from dance producer prodigy James Draper, better known simply as Draper, does exactly what you’d assume the eighth EP would do. It’s made up of tracks that are massive, filled with beats and none too explorative. Across the six tracks, only one of which doesn’t feature a guest artist, there’s a lot to make you want to move and shake. Which, ultimately, is all you can ask for from an EP by an electronic producer.

It wastes no time in getting down to brass tacks by instantly striking with loud, prominent beats that use techno flourishes at their finest with ‘Want You More’. One of the unspoken jewels in dance music production’s crown is the use of unnoticed or unfamiliar artists. In cases like this, you can normally guarantee the voice you hear singing the hook comes from an up-and-comer, and in this case, it’s Sam Sure. The London-based singer has a voice that is a cross between emotive and focused, giving the song a much-needed human touch. Next up is BB Diamond on ‘Jealous’, a track about, you guessed it, being jealous. Her voice definitely shows the vicious side of jealousy, Diamond’s vocal range tensing at times and often taking on a raw edge. The music itself is once again fairly standard for this genre – with no real progression – but it’s melodic and isn’t terrible, so there’s that.

[youtube]https://www.youtube.com/watch?v=UHvYCQTkOEo[/youtube]

However, ‘I.O.U’ saves the day, with a performance on vocals from another London-based singer, Kyko. There’s two different songs within this track that appear and disappear throughout. The first is a triumphant and euphoric-sounding electronic funk melody that really does draw your attention, especially when complimented by the delicacy of the second. Next up, ‘Reaction’ brings yet more flavour. Its restrained instrumentation allows the vocals to take centre space, at least up until the chorus, which is actually pretty damn good. This is pop at its finest: a melody that sweeps you away, though the vocal performance could do more to match this setup. Guest vocalist Milck‘s strength lies in the more sedentary verse; the chorus calls for a more emotive performance to match the powerful melody Draper creates, and the vocal lets the track down in that regard. Additionally, the vocal effect before the break into the final chorus is wholly unnecessary but is saved by the extremely Eighties’ sounding guitar solo that breaks out in the song’s finale.

[youtube]https://www.youtube.com/watch?v=DqVZ4FwFchw[/youtube]

‘Heartbeat Close’ is a pure and straight dance track. There’s no doubt what its purpose is: to get you dancing, while drunk in the club with your friends. No points for creativity, but kudos on managing to stick to the template. Finale ‘Who Are You’ features Sykes and is the strongest guest performance on the record. With a sound reminiscent of CHVRCHES, just a little less power, it has a draw that none of the other tracks do. It’s encapsulating and breathes a life of fresh air into the six tracks, which is a shame considering this song appears at the end of the EP. Vocals once again aren’t sufficiently powered to match the euphoria found within the music, though the execution is certainly better that seen on ‘Reaction’. And another Eighties’ guitar solo, you can’t go wrong with an Eighties’, reverb-laden guitar solo.

As a whole, the EP is nothing to write home about, though as a whole, ‘Luminous’ certainly proves Draper’s strength as a producer. The songs are to get you dancing, soundtrack the lighter side of your life and to not hang around longer than needed, Which isn’t a bad thing, but it’s also not necessarily a good thing.

6/10

Draper’s ‘Luminous’ EP is available now from M:UK. You can stream the entire release below. He’s announced a show in London at Koko’s Friday BURST dance night on the 3rd of March. Stay tuned for more coverage on Draper in the coming weeks and months.

 
 
 

About Us

There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF was edited by Mary Chang, based in Washington, DC.

All MP3s are posted with the permission of the artists or their representatives and are for sampling only. Like the music? Buy it.

RSS Feed   RSS Feed  

Learn More About Us

Privacy Policy

Keep TGTF online for years to come!
Donate here.