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TGTF Guide to SXSW 2017: London rock artists showcasing at this year’s SXSW

 
By on Monday, 20th February 2017 at 11:00 am
 

As you might imagine, London leads the charge with the largest number of artists one city in the UK is sending to SXSW 2017. In this post, we introduce you to 17 acts from the capital who are experts in bashing it out on the guitar and drums and hitting you with a powerful voice. Yes, that’s right. Today’s edition of the TGTF Guide to SXSW 2017 is all about the rock bands of London. The summaries below were written by Steven Loftin except where noted. Please note: all information we bring you about SXSW 2017 is to the best of our knowledge when it posts and artists and bands scheduled to appear may be subject to change. To learn when your favourite artist is playing in Austin, we recommend you first consult the official SXSW schedule, then stop by the artist’s Facebook and official Web site for details of any non-official SXSW appearances.

Artificial Pleasure
If the current The 1975 movement is your thing, then you’re welcome: Artificial Pleasure are sure to be a hit for you with their funkadelic, modern and sleazy in all the right ways sound, if you don’t want to dance during recent single ‘I’ll Make It Worth Your While’, then I’m sorry, there’s no hope for you. Although they only formed last year, it’s clear the future is certainly going to be bright for this band and their shows, filled with dancing feet.

The Big Moon
At the forefront of the UK’s new indie wave, The Big Moon have heads rockin’ and rollin’ with a beautiful blending of retro sounds with a modern edge. Their debut album ‘Love in the 4th Dimension’ scheduled for release in April is up for pre-order now, and this is definitely a band you will not want to miss out on, especially at SXSW. You can read Rebecca’s review of their single ‘Formidable’ back here.

Blueprint Blue
A wonderful ‘60s vibe emanates from South London trio Blueprint Blue. With a hesitating innocence in their sound, all the way down to the wandering notes that fall out of place, it’s fun and light-hearted with no real offence.

Chelou
With a bluesy acoustic sound that builds itself around the use of atmospheric electronica, Chelou has a fresh noise that is filled with mood and melody. Think Chet Faker, with a bit more reserve and accompanied by some pretty sweet animation style videos. To also help you gauge him, consider the word ‘chelou’ is actually a French term for shady or suspicious. Talk about being on brand.

Desert Mountain Tribe
London by way of Cologne, Desert Mountain Tribe are bringing that classic ‘60s garage, psychedelic sound to the modern age. Not messing with the formula too much, they’re raucous and do what they do well. Well worth checking out if you’re a fan of the swinging throwback garage sound.

Doe
London trio Doe’s ‘wonky alt-pop’ seems to draw directly from ‘90s Britpop, characterised by forceful, yet melodic guitars and a certain level of whimsy. Four years old (pretty long for an indie band these days) and having a whole load of releases under their belt already, their wry humour should set them apart from the rest of the pack in Austin. (Mary Chang)

Feeder
A band who really need no introduction, Feeder have been around for decades. If you’ve somehow managed to miss out on their mammoth single ‘Buck Rogers’, then you have our pity and should check it out right now before you do anything else. Roaring back into life this year with new album ‘All Bright Electric’, Feeder are proving there’s life in the old dog yet.

Jennings Couch
The oddly named Jennings Couch comprises three graduates of BIMM from Bristol, Brighton and London. There’s not a whole lot for us to go on about this new band; we can’t even share a full song with you, because their Soundcloud are private. What’s not up for disagreement is frontman Lei Jennings’s strong look, somewhere in between Meat Loaf, Fabio and Captain Jack Sparrow. We doubt they’ll be bringing a sofa with them, but we’ll report in from Austin about their live show if we can. (Mary Chang)

Joey Fourr
Joey Prendergast used to be part of Tubelord, but since 2012 he’s been associated with London trio Joey Fourr. Lo-fi seems to be the word in rock these days, especially in America, so it’s not hard to imagine their tunes going over well in Austin, even if the group insist that their style of music is “WONK-POP 4 QUEER KIDS”. (Mary Chang)

Mantra
Pretty furious in sound and attitude, Mantra (pictured at top) are another one of those upcoming bands with a chip on their shoulder and representing their generation. Songs about being outcasts in the world at large, they match this with good, old-fashioned solid rock ‘n’ roll with a bit of spit.

Modern English
Formed in the late Seventies, Modern English are perhaps best known for their 1982 single ‘I Melt With You’, a song that soundtracked countless romantic moments as well as a Burger King commercial in the States. Releasing their eighth studio album ‘Take Me To The Trees’ in 2016, that was crowdfunded via PledgeMusic, they’ve proven that even with their 30+ years they still have that indie darling pull.

Saint Leonard’s Horses
Reimagining himself and taking a band with him under the guise of Saint Leonard’s Horses, London songwriter Kieran Leonard has all the tales and all the talent. Having supported everyone from Ryan Adams to The Libertines, Leonard and his Horses know how to take you on a journey and give one hell of a ride.

Shame
Shame, five teenage friends from Brixton, relish taking their shirts off onstage in the moment (hmm, Red Hot Chili Peppers much?). There isn’t much online on the band, but that’s because they’re just getting started. There’s another reason behind this: they’re being very careful about their image and making sure their sound is exactly what they want to unveil to the world. Their approach has paid off: they’ve already caught the eyes and ears of BBC Radio 6 Music’s Steve Lamacq, playing live for him in January as part of 6 Music Live. And they won’t be lying down after their close-up at SXSW 2017: they will be returning triumphantly to the UK for their support slot for California rockers Warpaint’s live dates in late March. No shame here. (Mary Chang)

Skinny Girl Diet
It feels like 2017 could be the year Skinny Girl Diet thrive. Part of the Riot Grrrl movement, Skinny Girl Diet are as DIY and hardcore you can get and won’t take any of your crap. Young and riotous with an actual message, they sure haven’t forgotten the important platform provides for social protest. [The Fader in America have already picked up wind of these gals, so don’t drag your feet. –Ed.]

Splashh
Gearing up to release their second album ‘Waiting A Lifetime’ in April, Londoner’s Splashh are heading to Texas to make a…well…a splash. Indie rock at its finest, none too offensive and easily listened to.

This Be the Verse
Time for something a little bit heavier and constructed. This Be the Verse is a new project fronted by one man that somehow has unrestrained power, yet twists it into cleverly constructed and sinister tracks. His self-titled debut album is an industrial horrorscape of brilliance and savagery.

Ultimate Painting
More English indie rock, as only we can do it. Heartbreaking, yearning and like a rainy night in Manchester, Ultimate Painting also use influences such as Velvet Underground to attack with a more reserved chagrin. Being tipped by many UK outlets, they’re one band that 2017 is looking to be a real good time for.

 

Bingley Music Live: Day 2 Roundup

 
By on Wednesday, 5th October 2011 at 2:00 pm
 

It’s the second day of Bingley Music Live ’11, the first of two paying days, but at £35 for the Saturday and Sunday, no one’s really complaining. It’s a far cry from neighbouring Leeds Festival as the 15,000 descend back on Myrtle Park, Bingley, readying themselves for a day of sunshine and music.

Due to the excess amount of people arriving in the area, trains are pushed to their limit on the arrivals front and as such, my first train of two for the day was delayed and I managed to miss the first three acts of the day and Dot Rotten is hardly my thing, but when White Denim come on, the fun really begins. They’re showmen at heart, not the most commanding or talkative towards crowds, but musically, showmen that could make most showboating guitarists blush. Their set is half an hour of mostly instrumental which allows the revellers to have a little dance, even if they have no idea who’s on stage in front of them for the most part. After them come another showman in the form of ex-Fratellis’ frontman, Jon Fratelli. Mixing his new solo material with a blend of full electric band and adding in a few ‘telli’s classics such as ‘Chelsea Dagger’ and ‘Whistle for the Choir’, he manages to rustle up a lot of good feeling across the site as people warm to both him and today’s scorching weather.

After a lengthy changeover (Fratelli had two drumkits: two!), it’s Athlete‘s turn to wow. As one of those bands with a fair few songs you know, but not many you associate with the band, the crowd appear pleasantly surprised as track by track they turn to their friends and go “hey, I know this one too!” and eventually surprise turns into genuine happiness as ‘Wires’ brings a heartwarming singalong from the assembled masses.

Mystery Jets bring another big show as they’re now so accustomed to doing. With tracks like ‘Two Doors Down’ through to ‘Serotonin’, and even a track with the Count and Sinden featuring to add a Feeder and Maximo Park. The former bring their latest album alive from what was a pretty average record to being a set of crowd pleasers in the form of ‘Renegades’ and ‘This Town’, whilst the bona-fide hits of ‘Buck Rogers’ and ‘Feeling a Moment’ get the crowd going as if they were back at Skindred’s show yesterday. Grant Nicholas and company have been in one of the most overlooked bands of their generation in my opinion as they’ve lacked complete consistency, but they’ve never been a group to disappoint in the live scenario as it’s constant hits and smiles from the trio. After a mere hour, Feeder’s set comes to an end and everyone brushes down in preparation for tonight’s best dressed headliners.

True to form, Maximo Park frontman Paul Smith dashes on to stage and instantly connects with the energy reserves of Bingley and from ‘Girls Who Play Guitars’ onwards, he’s the most theatrical and enigmatic frontman of the day by far. Almost spitting out some of his lyrics, Smith appears invigorated by his spell as a solo artist and as such, being back with his band appears to have given them a new lease of life. New track ‘Waves of Fear’ blends in with both newer and older material with the likes of the beautiful ‘Going Missing’  and ‘The Kids Are Sick Again’’s “I’ve done it before, and I’ll do it again” bringing delight from both performers and the newly found 15,000 strong backing vocalists (the singalong to the former being a weekend highlight). The north eastern band prove that they deserve their billing at the top of the weekend.

With the second firework display in 2 days, Bingley Music Live’s second day is over and the pandemonium is over. Everyone remembers how they fell for the day’s bands and I’m sure I’m not the only one who leaves wondering how I managed to hear so many hits in the space of one evening in West Yorkshire.

 

Feeder / October 2010 UK Tour

 
By on Monday, 17th May 2010 at 8:30 pm
 

Feeder have announced that they’ll be hitting the road again in October.

Tickets are on sale now from their official website, priced at £20 each, and £22.50 for London.

Thursday 21st October 2010 – Leeds Met University
Friday 22nd October 2010 – Glasgow ABC1
Sunday 24th October 2010 – Manchester Academy
Monday 25th October 2010 – Wolverhampton Wulfrun Hall
Wednesday 27th October 2010 – Bristol O2 Academy
Thursday 28th October 2010 – London O2 Shepherds Bush Empire
Saturday 30th October 2010 – Oxford O2 Academy
Sunday 31st October 2010 – Southampton University

 

Renegades / April 2010 UK Tour

 
By on Tuesday, 9th March 2010 at 9:00 am
 

A new side project of Feeder, Renegades, are hitting the road for their second tour in April. Made up of Grant Nicholas, fellow long time Feeder member Taka Hirose and drummer Karl Brazil, they did a few low-key dates in January 2010 going back to the roots Feeder burst from almost 18 years ago.

Tickets on sale now priced £18.50 except London £22 and doors open 7.30pm each night. Ticket price includes copy of the 4 track EP ‘Renegades2′ which features 4 brand new tracks and a video of ‘Sentimental’ shot exclusively by fans who attended the first Renegades shows in Jan/Feb 2010.

Thursday 15th April 2010 – Edinburgh Cabaret Voltaire
Friday 16th April 2010 – Newcastle Northumbria University
Sunday 18th April 2010 – Sheffield Leadmill
Monday 19th April 2010 – Cardiff Millennium Hall
Wednesday 21st April 2010 – Portsmouth Wedgewood Rooms
Thursday 22nd April 2010 – London Electric Ballroom

 

Feeder / October + November UK Tour (UPDATED!)

 
By on Thursday, 14th August 2008 at 7:41 pm
 

FeederThose lovely Welsh chaps, Feeder, have announced a sizeable UK tour for October and November stopping off at just about every major town and city (and some not-so major).

EDIT: Feeder have announced a string of 7 new dates at the end of the tour. Tickets go on sale tomorrow morning (15th August) at 9am.

Tickets will be available from here from Wednesday (25th June) and on general sale on Friday (27th June) at 9am.

Monday 20th October – Stoke-on-Trent Victoria Hall
Tuesday 21st October – Manchester Apollo
Thursday 23rd October – Newcastle Academy
Friday 24th October – Glasgow Barrowlands
Sunday 26th October – Lincoln Engine Shed
Monday 27th October – Nottingham Rock City
Wednesday 29th October – Liverpool University
Thursday 30th October – Sheffield University
Saturday 1st November – Loughborough University
Sunday 2nd November – Newport Centre
Tuesday 4th November – Birmingham Academy
Wednesday 5th November – Llandudno Arena
Friday 7th November – Leeds Academy
Saturday 8th November – Bristol Colston Hall
Monday 10th November – Cambridge Corn Exchange
Tuesday 11th November – Brighton Dome
Friday 14th November – Exeter University
Saturday 15th November – Southampton Guildhall
Sunday 17th November – London Brixton Academy

New Dates:
Sunday 23rd November – Inverness Iron Works
Tuesday 25th November – Aberdeen Music Hall
Wednesday 26th November – Edinburgh Picture House
Friday 28th November – Peterborough Cresset
Saturday 29th November – Gloucester GL1
Monday 1st December – Norwich UEA
Tuesday 2nd December – Portsmouth Pyramid.

 
 
 

About Us

There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF was edited by Mary Chang, based in Washington, DC.

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