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Jesca Hoop / March and April 2017 English Tour

 
By on Wednesday, 22nd February 2017 at 9:00 am
 

Alt-folk singer/songwriter Jesca Hoop will introduce her new album ‘Memories Are Now’ to English audiences this spring with a list of live dates spanning the end of March and beginning of April. The album dropped on the 10th of February via Sub Pop. You can watch Sub Pop’s introduction to the album just below the tour date listing, and you can read TGTF’s recent review of ‘Memories Are Now’ right back here.

Tickets for the following live shows are available now. A full list of Hoop’s upcoming tour dates, including February and March dates in North America, can be found on her official Facebook. Our own previous coverage of Jesca Hoop is collected here.

Tuesday 28th March 2017 – Leeds Brudenell Social Club
Wednesday 29th March 2017 – London Lexington
Thursday 30th March 2017 – Bristol Exchange
Friday 31st March 2017 – Leicester Musician
Saturday 1st April 2017 – Brighton Patterns
Sunday 2nd April 2017 – Norwich Epic Studios
Monday 3rd April 2017 – Cambridge Portland Arms
Thursday 6th April 2017 – Manchester Gorilla

[youtube]https://youtu.be/phc20ch4bPg[/youtube]

 

Album Review: Jesca Hoop – Memories Are Now

 
By on Tuesday, 21st February 2017 at 12:00 pm
 

Header photo by Angel Ceballos

Jesca Hoop album coverOver a decade into a music career that has been largely self-propelled from day one, singer/songwriter Jesca Hoop has naturally developed a tough skin. She wholeheartedly embraces that hard-won independent streak on her latest album ‘Memories Are Now’, which dropped last week courtesy of Sub Pop Records. Hoop and producer Blake Mills (Fiona Apple, Laura Marling) took the opportunity to break out on their own, recording Hoop’s fourth LP outside their familiar Zeitgeist Studios setting, where they previously worked under the watchful eye of American producer and A&R professional Tony Berg. Hoop says that on this record, Mills pushed her to streamline the musical arrangements, working without hesitation and using whole live takes where possible to maintain authenticity and momentum.

The album cuts right to the chase with eponymous lead track ‘Memories Are Now’. The song’s musical arrangement consists almost entirely of a stark guitar ostinato and Hoop’s vocal melody, with dynamic and textural interest created by means of artfully layered vocal harmonies. The austerity of the instrumentation allows Hoop to make her lyrical presence known in the unequivocal lines “I’m coming through, no matter what you say / I’ve got work to be doing, if you’re not here to help, go find some other life to ruin / let me show you the door”.

[youtube]https://youtu.be/s79pNrycneQ[/youtube]

The album’s mood swiftly shifts from confrontational to reflective in ‘The Lost Sky’. We featured the haunting and beautifully-constructed lead single as our Video of the Moment #2227 at the end of last year, and it stands out as the centerpiece of the album proper. Working at the time without the benefit of a press release, our editor Mary interpreted the song and the promo video as navigating a romantic relationship with a mentally ill partner. It turns out that her instincts about emotional devastation and mental distraction weren’t completely wrong, as Hoop has since explained in her own description of the song’s obsessively repeating lyrical verses:

I have a dear friend who was in a horrific accident that left him in a coma for two weeks. We thought we had lost him. He woke up to find himself silently divorced. This was a heartbreak for all related, and I wrote this while we were waiting for him to wake up. His experience drove me to explore my own relationship with abandonment. When you don’t have any say in how a relationship plays out, when you’re cut off, there’s a relentless loop that plays again and again in your own mind of those words that you would say . . . if love was fair enough to let you speak it.

Gently plucked guitar and clicking percussion open ’Animal Kingdom Chaotic’, before Hoop’s chant-like vocals come in, creating a hypnotic pattern of call and response between the melody and the backing harmonies. The uneven rhythmic pattern of the central lines “you know you wanna but the computer says no / you know you wanna take back control” adds to the sonic interest and the thematic intrigue. The ironically sing-song quality of ‘Simon Says’ is balanced by a heavily distorted guitar line and rapid-fire pop culture references behind quaintly folky vocal harmonies and rhythms. The similarly alliterative ‘Cut Connection’ is vocally harsher and more forcefully punctuated in its visceral tribal-style rhythms, as Hoop invites “come on, be the drummer in my heart.”

Gentle and gradually modulatory, ’Pegasi’ draws inspiration from familiar Greek mythology in its romantic metaphor: “through many love lit moons / I served my rider well / I suffered the bid / and took his spur into my side.” The instrumental harmonies behind the song’s joyful opening verse are sweetly triadic, but they take a deft, finely-tuned minor key turn as doubt and despair creep into Hoop’s lyrical lines.

[youtube]https://youtu.be/IQlnhaR_ARQ[/youtube]

Hoop imagines two album tracks centering on religion as being “twins” on the album. “Religion is one of those things that wells up, and takes over, and shows itself in dangerous ways when it’s out of balance”, she explains. ‘Songs of Old’ makes use of common Christian imagery as well as some of Hoop’s most delicately beautiful singing in its thoughtful exploration of the social and cultural damage that can come from viewing one’s own religion as all-encompassing and supreme over others. Album closer ‘The Coming’ is a more overt renunciation of Christianity, with Hoop declaring in bookend lyrics “Jesus turned in his crown of thorns today . . . and the coming never came.”

‘Memories Are Now’ has its moments of lyrical elegance and traditional folk beauty, but those qualities never seem to be Hoop’s overarching concern in this collection of songs. Rather, the album leaves the distinct impression of artistic decisiveness, marked by a thematic and sonic sense of self-assurance that is often missing in the overanalysed subtleties and mildly suggestive subversions of the alt-folk genre.

8.5/10

Jesca Hoop’s fourth album ‘Memories Are Now’ is currently available on Sub Pop Records. TGTF’s previous coverage of Jesca Hoop is right back this way.

 

Video of the Moment #2227: Jesca Hoop

 
By on Monday, 21st November 2016 at 6:00 pm
 

Californian born singer/songwriter Jesca Hoop has managed to reinvent herself several times now. Since the release of her debut album in 2007, ‘Kismet’, her uprooting to Manchester to become one of Elbow and Guy Garvey‘s contemporaries opened doors and made opportunities available to her otherwise inaccessible to other artists. This spring, she returned to her American roots so to speak with a series of duets with Iron and Wine’s Sam Beam on the Sub Pop LP ‘Love Letters for Fire’, following the release with a tour. Sub Pop has paid their confidence in Hoop with the agreement to release her next studio album, ‘Memories Are Now’, scheduled for release in February 2017.

To preview the upcoming release, Hoop has revealed the promo video for ‘The Lost Sky’. She seems to have a preoccupation with hospitals, as evidenced with the previous song ‘Hospital’ from 2012’s ‘The House That Jack Built’. This preoccupation continues with a home nurse fighting a mentally ill patient in this promo, before Hoop herself seems to resign herself to sorrow with a sob. Sounds like ‘Memories Are Now’ is going to be an emotional roller coaster. Watch the video for ‘The Lost Sky’ below, and stay tuned for her new album out on the 10th of February on Sub Pop. For more on Jesca Hoop on TGTF, check out our past coverage on her here.

[youtube]https://www.youtube.com/watch?v=Vyrwh0qRGEI[/youtube]

 

TGTF Guide to SXSW 2013: Singer/songwriter and folk UK artists showcasing at this year’s SXSW

 
By on Tuesday, 29th January 2013 at 11:00 am
 

Please note: all information we bring you about SXSW 2013 is to the best of our knowledge when it posts and bands scheduled to appear may be subject to change.

So here we are, the last week of January. Each Tuesday we’ve been bringing you genre ‘chapters’ of the UK bands that have been given the all important shout for this year’s SXSW 2013 taking place in venues across Austin the 12th to the 17th of March 2013. On the 8th of January, we brought you the pop and pop hybrid acts list, with a follow-up addendum on the 14th of January after the SXSW people updated their books on the 10th. The 15th of January saw the posting of the sound heavyweights, on the list of rock, metal and punk acts. Last week, on the 22nd, we wanted to showcase the wizards of the music world with the list of electronic and electronic-based bands and DJs.

This week? Possibly the genre that is most prolific – and the most crowded: the singer/songwriters and folk artists. Last week it was interesting to read that in an interview with SPIN, singer Scott Hutchinson of Scottish band Frightened Rabbit complained of being compared to current folk rock behemoths Mumford and Sons. Love ’em or hate ’em, they brought folk rock to the forefront of popular music and proved that that brand of ‘popularised’ bluegrass could be popular around the world. There is no doubt a whole new generation of folk rock artists that are being given a second glance, instead of being ignored, thanks to the hard work of Mumford and other acts soldiering on in this genre. And then there are the singer/songwriters: we may romanticise the image of a solitary, guitar-wielding man in front of a crowd, the reality is that there are both men and women who are pouring their hearts out into song, sitting in their bedrooms wondering what might be. In that respect, SXSW does its best in giving these folks the proper credit – and surely the proper platform – that might propel them into the big time.

What I had envisioned this weekly guide to be was simply a handy resource if you were wondering which acts to catch at this year’s marathon week of showcases, parties and secret shows. But even if you’re not attending the big event, I hope it’ll also introduce you to the solo artists and bands you haven’t heard of, because that’s the most exciting thing about SXSW: at any one moment, you could walk into a bar, a club, a hotel, a warehouse, wherever…and you might just discover the next big thing in music. And that isn’t limited to one place or one event. You can find new music anywhere. And without further adieu…

‘Allo Darlin – Australia collides with Britain in this folk pop band fronted by Elizabeth Morris. Their songs are so cute, you wish you could just pinch their cheeks! Martin caught them at the End of the Road Festival in 2011.

Sounds like: the Pains of Being Pure at Heart, with a female lead

Read our previous coverage of the band here.

Lauren Aquilina – This 17-year old is from Windsor, but knock off the Royal Family jokes, please. She independently released her debut EP ‘Fools’ in October, so what a coup to get the SXSW nod when you’re still unsigned!

Sounds like: Lucy Rose, Ellie Goulding (but minus the synths)

[youtube]http://www.youtube.com/watch?v=uodUCtmCRME[/youtube]

Jake Bugg (added 10/01/13) –Noel Gallagher’s young protégé who has already found fame in the last year at the Great Escape and Liverpool Sound City, the Nottingham native has made folk and country guitar rock popular again with his debut album

Read our previous coverage of Bugg here.

Bo Saris – blue-eyed soul delivered in a falsetto. It’s difficult for me to listen to, but if a Dutchman described as ” the new, male equivalent of the late Amy Winehouse” doesn’t make you shrink in horror…

[youtube]http://www.youtube.com/watch?v=R-cUVZThQVs[/youtube]

Bwani Junction – Edinburgh band invoking the Afrobeat spirit of Vampire Weekend with their jaunty guitars. They even describe themselves as “Big Country were from the Soweto”. They made their Great Escape debut in 2012 with the Scottish contingent, so it seems only fitting that they make their SXSW debut this year.

[youtube]http://www.youtube.com/watch?v=cbYjSamxS30[/youtube]

Matt Cardle (added 10/01/13) – the winner of the 7th season of the UK’s X Factor, it’ll be interesting if his popularity in Britain will translate into fame in America.

Jamie N Commons – Has singing the blues, just like plaid shirts, become trendy again? If yes, then Jamie N Commons is its poster boy. And if for some reason you miss him and you live in America, don’t fret: he’ll be supporting Lianne La Havas (his fellow BBC Sound of 2012 longlist alum also at SXSW) on her North American tour directly following the festival.

The Dunwells – it is unfortunate that in the post-Mumford and Sons world, other folk bands that came out in 2009 were left behind. Hopefully, Leeds’ Dunwells will use this opportunity in Austin (and New York in January and Colorado in March post-SXSW) to show everyone just how talented they are and they’re not Mumford wannabes.

[youtube]http://www.youtube.com/watch?v=tDuv-cG5rtM[/youtube]

Paloma Faith – imagine my surprise to hear that Paloma Faith is now on my mum’s approved list, after watching her perform on Graham Norton. I’m kind of interested to see what kind of people would show up to see her in Austin: Amy Winehouse fans?

Read our previous coverage on Paloma here.

[youtube]http://www.youtube.com/watch?v=kvHiflzabHg[/youtube]

Fossil Collective – If you transported the Byrds to Leeds, what would they sound like? Probably something similar to Fossil Collective. I might have compared them to Fleet Foxes, except that in the press shots I’ve seen of Dave Fendick and Jonny Hooker, only one of them has a beard so…

[youtube]http://www.youtube.com/watch?v=pYPBPVoACgE[/youtube]

For some mp3s and John’s review of their EP ‘On and On’, head here.

Goldheart Assembly – Having loved their 2010 debut album ‘Wolves and Thieves’, I felt like it’d been nearly forever since I last heard anything about Goldheart Assembly. When I checked on TGTF, the last thing I’d written on them, a post about their single ‘Harvest in the Snow’, was posted in March 2011. It’ll be 2 years, then, when they make their way to Austin, and not a moment too soon. Were they waiting for the Fleet Foxes love – and expected backlash – to die down? We’ll never know for sure, but I for one will be eager to see them live for the first time.

Catch all our previous Goldheart coverage here.

[youtube]http://www.youtube.com/watch?v=zeRse7-lXM4[/youtube]

Ed Harcourt – Compared to the other singer/songwriters on the SXSW list, Ed Harcourt is a relative granddaddy – at 35, he’s released five studio albums to date, with an sixth, ‘Back into the Woods’, to follow in late February 2013. ‘The Man That Time Forgot’, the first song to be offered up from the new album, can be downloaded for free here.

Robyn Hitchcock – When your own Web site is called ‘a museum’, you know you’ve paid your dues to the music industry. This is where cult singer/songwriter Robyn Hitchcock finds himself, revered in the UK for his English eccentricity, though I am very curious at the kind of turnout for his shows at SXSW and indeed, where they will have him play.

Jesca Hoop (added 10/01/13) – to some of us, she’s better known associated with Elbow. Not actually British (she’s a Californian transplant to Manchester after Guy Garvey discovered), she started with a very eclectic sound which turned decidedly poppier with ‘Hospital (Win Your Love)’, the last time we checked in with her.

Read our previous coverage of Hoop here.

James Hunter – from the same town as Lammo (Colchester) comes this r&b and soul singer, previously nominated for a Grammy for his 2006 album ‘People Gonna Talk’. This is exactly the kind of music I don’t usually seek out, so I’m rather keen to see him play. I’m imagining the scene to be as hopping as JD MacPherson’s at last year’s Great Escape.

Josephine – if Morrissey was a young black woman, he might just sound like Josephine. (And yes. I didn’t believe Paul Lester either until I heard ‘What a Day’.) I haven’t heard her debut album but I’ve been told the rest of it doesn’t sound Smiths-esque, so you can’t blame Manchester for it.

[youtube]http://www.youtube.com/watch?v=7hngRpjPafI[/youtube]

Kodaline – Gary Barlow’s favourite new band from Dublin doesn’t show any signs of slowing down after getting a BBC Sound of 2013 longlist nod, We’ve written quite a bit about this band, so you can read all of that here. They have new EP out in March, and the promo video for its title track ‘High Hopes’ is below.

[youtube]http://www.youtube.com/watch?v=E4povfmX144[/youtube]

Cate Le Bon – Cate Le Bon is a breath of fresh air compared to most of the other Welsh acts tipped for 2013’s SXSW, which appear to all be thrashy, hard rock bands made up of men.

[youtube]http://www.youtube.com/watch?v=swJNnYHFPWA[/youtube]

Sounds like: Beth Jeans Houghton with a fixation on death

Let’s Buy Happiness – happy guitar rock/pop band from Newcastle.

Sounds like: ‘Allo Darlin, without the harmonies.

[youtube]http://www.youtube.com/watch?v=h-1nLr6Gl4I[/youtube]

Jim Lockey and the Solemn Sun – Jim Lockey sans band was the first band of the Xtra Mile Recordings showcase on my first night at SXSW 2012, so let’s see if he can manage to bring his entire band out for 2013. I think of his as ‘Frank Turner lite’, if that helps you imagine what he sounds like.

Read our previous live coverage of Jim Lockey and the Solemn Sun here.

My Darling Clementine – ‘country/soul’ duo from Birmingham by husband/wife coupling Michael Weston King and Lou Dalgleish. Long Facebook profiles seem overdone to me, so…

Willy Moon (added 10/01/13) – placing #6 in the TGTF 10 for 2012 readers’ poll, signing to Jack White’s Third Man Records, having one of his songs play on a new iPod advert in America? Willy Moon’s life just gets better and better. A little bit pop, a little bit soul, a little bit ‘50s styling for one hip sound.

Read our previous coverage on Willy here.

Tom Odell (added 10/01/13) – Having already won the BRITs 2013 Critics’ Choice award, the sky’s the limit for this Chichester-born singer/songwriter.

[youtube]http://www.youtube.com/watch?v=MwpMEbgC7DA[/youtube]

Christopher Rees – Cardiff singer/songwriter that NME describes like this: “It’s not easy to achieve noise metal god status accompanied by a cello but Christopher Rees makes an awesome, bloody fist of it. Pumped up and snarling but managing to wrench beautiful tunes out of the wreckage… This is seriously amazing stuff”. This description has us intrigued!

Roo Panes – ‘classical folk pop’ is not a genre normally explored here, but I’m always up for a challenge. This is Andrew ‘Roo’ Panes’ project with a strong backing and voal harmonising band. He has already been singled out for his handsomeness, as Burberry chose him to model their autumn/winter 2012 collection. Given Mumford and Laura Marling‘s recent meteoric rise to fame in America, Roo Panes is the odds-on favourite to follow in their footsteps.

Sounds like: he should be signed to Communion, if Ben Lovett hasn’t come sniffing round yet

[youtube]http://www.youtube.com/watch?v=dGP-TnIoejk[/youtube]

Lucy Rose – We, of course, already knew how talented she was. But 2013 could just be the year that Lucy Rose breaks out of Bombay Bicycle’s shadow and becomes a huge worldwide success in her own right. Though I worry what would happen to Lucy if she suddenly became massive; would she stop doing the things like Tweet at her mother on Steve Lamacq’s Roundtable that make me go, “oh, bless!”? A scary prospect…

Read our previous coverage on Lucy Rose here.

[youtube]http://www.youtube.com/watch?v=adBPg8Zdp2g[/youtube]

Paul Thomas Saunders – it must be hard to be Paul Thomas Saunders, a Leeds singer/songwriter in his late twenties and allergic to alcohol. But I guess he must use all that extra free time not boozing at the pub to write. Evidently I missed a “triumphant” appearance at last year’s Great Escape. Need to rectify that.

[youtube]http://www.youtube.com/watch?v=EILsIxupmcM[/youtube]

Jack Savoretti – part Italian, but that’s where any comparison to Paolo Nutini ends. Savoretti has already been on the road with Corinne Bailey Rae and shored up Radio2 support, but why isn’t he massive? Just wait until one of his songs gets synced on a major film soundtrack.

Sounds like: a harder, more pop Bob Dylan, a gentler Bruce Springsteen

[youtube]http://www.youtube.com/watch?v=umBAmzf0SXs[/youtube]

Skinny Lister – this London folk band have already made quite an impact on America, through a previous appearance at SXSW and then an even more surprising appearance last year on the Vans Warped tour of North America. Could they be riding the Mumford wave? Possibly. Their debut album ‘Forge and Flagon’ gets an American release this month, so we’ll see if the momentum lasts.

[youtube]http://www.youtube.com/watch?v=UsqaLfWMcp8[/youtube]

The Staves – three harmonising sisters with guitars from Watford who are no stranger to America, having toured here a couple times now with the (now defunct?) Civil Wars, I was surprised to see them get another turn at SXSW. If they do get an opportunity to sing in St. David’s again like in 2012, go, go, GO. You won’t be disappointed.

Story Books – Kent band sounding at times haunting and at times bombastic. Not really sure why they’re not more popular or, frankly, why we haven’t heard of them yet.

[youtube]http://www.youtube.com/watch?v=OLumIFt_tFQ[/youtube]

Richard Thompson – like Robyn Hitchcock, I’m not entirely sure what Richard Thompson is doing on a list of acts scheduled to perform at SXSW. Having already made a name for himself as a member of Fairport Convention and then with his wife Linda and now as a solo artist, I suspect he’ll be using the guest spot to advertise his latest album ‘Electric’, out in February.

Washington Irving – jaunty folk rock wrapped around a Scottish accent.

File next to: Arcade Fire

[youtube]http://www.youtube.com/watch?v=CvKKXbgCnyc[/youtube]

That’s it for the genre chapters in the TGTF Guide to SXSW in January. To not miss any of our SXSW 2013 coverage, bookmark this tag and of course, keep it here on TGTF for even more great content in the weeks leading up to the big event in March!

 

Video of the Moment #908: Jesca Hoop

 
By on Tuesday, 31st July 2012 at 6:00 pm
 

I seem to remember when Guy Garvey of Elbow brought Jesca Hoop on tour with them in America in 2008, her work fell more squarely in the folk / indie / experimental categories. But take a look and listen to this new song, ‘Hospital (Win Your Love)’, a multi-coloured, over the top pop affair. Far cry from ‘Hunting My Dress’ and ‘Murder of Birds’, eh?

Hoop’s debut album ‘The House That Jack Built’ will be out at the end of June on Bella Union.

[youtube]http://www.youtube.com/watch?v=nqXSfHO-7f0[/youtube]

 
 
 

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF was edited by Mary Chang, based in Washington, DC.

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