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Live: Thirteen Senses – Luminaire 13th November 2006

By on Tuesday, 14th November 2006 at 7:29 pm

Monday night saw Thirteen Senses play the second of their three dates at The Luminaire in Kilburn, and were on top form ahead of their exciting 2007 plans.

Opening up were two fifths of Newsum Turn, who quite simply are ones to watch in 2007. Imagine a bigger Coldplay with more layers and a cheeky smile and you’ve got Newsum. If they’re not big in coming months, things aren’t right in this world. From their opening “Take a Bow” to their closer of “Home” they just blew everyone away – they were just as good as Thirteen Senses, and could have played more than their six songs for people and we’d still have enjoyed.

9:30 rolled round and Thirteen Senses came on, launching straight into “Contact”, and moving through their set at a decent pace. The band filled the small Luminaire with sound, making everyone feel like they’re down the front, and a real family feeling. Their new songs feel like they could make everyone at Wembley feel cosy and involved, and are truly epic. “Spirals” was a masterpiece, as was their forthcoming single “All the Love In Your Hands”.

Towards the end of the set they played “History” from their debut album, which, having not heard it before live, was just pure bliss. Angelic vocals, amazing guitars and keys, collectively combined for the penultimate song. The closing song of the set was new one “Ones and Zeros”, another anthemic song from the four-piece from Cornwall.

Overall Thirteen Senses seem to be on top of their game at the moment, and look sure to storm the UK next year with the absence of Keane and Coldplay et al releasing albums, so watch out for these boys storming the album charts soon!

Thru The Glass
Follow Me
Call Someone
Do No Wrong
Under The Sun
A Lot of Silence Here
Into The Fire
All The Love In Your Hands
Final Call
Ones and Zeroes


Live: The Feeling – Shepherds Bush Empire – 2nd November 2006

By on Friday, 3rd November 2006 at 8:32 pm

Last night saw the first evening of The Feeling’s three night stand in London’s Shepherds Bush Empire, and the culmination of a year’s explosive growth for the typically British lads.

Opening for the evening was Luke Toms, a rather vibrant guy with an interesting support band that looks something like Napolean Dynamite wannabes. His (rather scary) ‘tash reminded us of a fair ground entertainer in the mid 1920’s, but on the whole were quite a melodic bunch, if a bunch of outcasts. They sounded quite similar to the Feeling, but a bit more extravagant, and had a hint of Magic Numbers around them. Could be one to watch next year!

Then a few minutes past nine the whole stage went dark and the intro tape kicked in, for The Feeling to bound on stage to “I want You Now”, and the crowd erupted. Dan Gillespie Sells was clearly on top form, and wouldn’t stop proclaiming his love for being back in London, after spending months touring the USA and Canada. He introduced us to his mum up on the balcony, who was having a very good time, giving most of us younger people a run for her money with her dancing and screaming skills.

They ripped through their set, going at breakneck speed through their album, playing Sewn very early and spacing the hits a nice distance apart. Strange was introduced by referring to the band as a bunch of oddballs, and was a great rendition. Before “Rose” Dan explained that “some people think this song is about confused sexuality, some people think this is a song about red wine… I’ll let you decide what it’s about”, which was quite amusing, and made us realise the several different interpretations of a song there might be. Throughout the set they were always polite, and very British: looking after the audience, following the corporate line: they almost seemed like a boyband, indeed much of what they did could be said to be very similar to McFly.

After Rose came a bit of a surprise: a cover of “Video killed the Radio star” by the Buggles, which was very camp but very enjoyable. “Fill my little world right up” took several attempts to get right for Dan, deciding that it was his guitar that didn’t sound right, before getting off to a stonking start, that could have closed the set. Instead, they played on and rounded off with “Love it when you call,” their new single. At first we thought that would be it, with no encore, but Dan crept round the front of the stage to come up, hidden from most of the audience’s sight and do the album closer “Blue Picadilly”, which was pretty awesome, and very melodic.

Overall they put on a very entertaining evening, though very corporate line-toeing, but good family friendly entertainment: their songs are ace, easy listening stuff, but aren’t going to be setting the world on fire with controversy or genius lyrics.


Live: Death Cab For Cutie – Brixton Academy

By on Thursday, 29th June 2006 at 2:24 pm

Wednesday evening saw the return to the UK of Death Cab For Cutie, the American Indie superstar rockers who have struck a chord with millions of teenagers worldwide. They played at Brixton Academy in London to 5,000 adoring fans who queued from early in the day in blazing heat to catch their show.

Support came in the capable hands of Viva Voce, the Portland based husband and wife duo who managed to warm the crowd up suitably, though their screeching guitars did grate a bit after a while. Kevin on the drums was simply sublime: managing to hold the whole thing together whilst wife Anita Robinson’s vocals left a lot to be desired.

9pm rapidly rolled round, and Death Cab came on, playing “Passenger Seat” first up, the perfect beginning, chilled and enthralling the whole audience from the start. The heat of the Academy was forgotten, everyone straining to get a view. “Passenger Seat” soon merged into “The New Year”, which sounded perfect. As the set progressed so did the temperatures, but it was certainly worth it. “What Sarah Says” was a definite highlight, though the security guys at the front seemed thoroughly bemused when 5,000 people sang “So who’s going to watch you die?” – I never thought I’d find humour in that song, but it did provide a bit of a highlight.

They then surprised everyone by playing some oldies that some of the younger OC fans hadn’t heard before – namely “President of What?”, “Company Calls” and “Epilogue”, which brought huge smiles to the faces of the older fans, and were some of the highlights of the set.

Throughout the band were quite quiet, preferring to let the music do the talking, though Ben did joke at one point that Wednesday was the last time they’d be playing as Death Cab. This worried everyone, until he joked that they’d be joining Babyshambles “…because you don’t have to turn up all the time”.

Then, to mix things up a bit Death Cab played their usual encore songs “I Will Follow You Into The Dark” and “Transatlanticism” towards the end of the main set, getting many members of the audience worried that they weren’t going to do an encore. “Follow you into the Dark” was a brilliant sing-along, with everyone knowing the words and providing a moment of pure beauty with everyone joining in.

Shortly after the end of “Transatlanticism” the crowd went mad for more, and whilst Death Cab went to change T-Shirts everyone was chanting for more, whilst wondering what the hell they could play if they’d already played their traditional encores. Thus they came back, and burst into an enthusiastic trio of “Marching Bands of Manhattan”, “Expo ‘86” and a raucous “Sound of Settling”.

Set list: Brixton Academy, 28th June 2006.
Note: Not 100% sure about the order in the middle of the set

The new year
Soul Meets Body
Different Names for the same thing
Title and Registration
What Sarah Said
Your Heart is an Empty Room
President of What?
Company Calls
Crooked Teeth
I Will Follow You Into The Dark
We Looked Like Giants
Marching bands of Manhattan
Expo 86
Sound of settling


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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

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