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Jason Derulo / February and March 2011 UK Tour

By on Wednesday, 8th September 2010 at 8:30 pm

In response to his first-ever UK tour this summer selling out in a matter of minutes, the American ‘Ridin’ Solo’ prince Jason Derulo will be touring the UK in the new year. Tickets go on sale Friday (10 September) at 9 AM.

Thursday 17th February 2011 – Bournemouth International Centre
Friday 18th February 2011 – Wolverhampton Civic Hall
Saturday 19th February 2011 – Leeds O2 Academy
Monday 21st February 2011 – Derby Assembly Rooms
Tuesday 22nd February 2011 – Newcastle O2 Academy
Wednesday 23rd February 2011 – Glasgow O2 Academy
Friday 25th February 2011 – Manchester Apollo
Monday 28th February 2011 – Cardiff CIA
Tuesday 1st March 2011 – London HMV Hammersmith Apollo


Blog Off!?: Final Countdown and guest DJs announced

By on Thursday, 18th March 2010 at 8:21 pm

Yes, you’re probably fed up of going on and on about Blog Off!? This Saturday night – Theregoesthefear’s first gig night at London’s Roundhouse with Victoria & Jacob, Jazica and Starlings all playing.

We were all geared up for Saturday night. Then a friend mentioned about the lack of between set entertainment, so rather than the classic “pop the ipod on shuffle” trick, we asked a few friends, dug around, called in a few favours and managed to blag the rather fantabulous Ou Est Le Swimming Pool to DJ between sets. Yes, that’s right, the same Ou Est Le Swimming Pool that finished in our top “10 for 2010” poll last year. The same Ou Est Le Swimming Pool that are supporting La Roux in a few months. Oh yes.

So, if you’re at a loss as to what to do on Saturday night, why not pop down to Camden’s Roundhouse studios to catch some ace live music? doors are at 7:30pm on 20th March 2010 and tickets are on sale now for those of you that like a discount and planning ahead – they’re just £5 now and will be £6 on the door. Or, if you don’t fancy paying, you can win one of two pairs of tickets to the event here.

You can order your tickets now on the Roundhouse’s website, or join the Facebook event.


Live Review: Cymbals Eat Guitars with Freelance Whales and Bear in Heaven at Rock ‘n’ Roll Hotel, Washington DC – 06 March 2010

By on Tuesday, 16th March 2010 at 2:00 pm

Cymbals Eat Guitars seem to be spending a lot of time in Britain, having played a series of dates in the UK in February in addition to opening for the Flaming Lips during Wayne Coyne’s band’s London residency last November. But earlier this month they started their first major headlining tour of North America in Philadelphia. The second date of the tour was a sold-out show on 06 March at D.C.’s Rock ‘n’ Roll Hotel. (If you’re interested, I had a brief question and answer session with their newest member, bassist Matt Whipple, the first week of March, and you can read it here.)

The two openers for the night were fellow New York bands – the electro-folky Freelance Whales and the experimental pop band Bear in Heaven. I’ve had the misfortune of missing out on Freelance Whales twice – once, when D.C. traffic wreaked havoc on me and Mary Beth’s plans to arrive early for the Fanfarlo concert early last December at Iota (when FW was supporting the London folk pop band) and twice, they had sold out the smaller Black Cat Backstage floor when I was on the bigger, upstairs floor covering We Are Scientists.

This Saturday night, the Whales played to an appreciative crowd, many of whom knew and sang along to songs on their forthcoming, self-released debut album ‘Weathervanes’. The band is an interesting juxtaposition of traditional folk (banjo, accordion) and new-fangled instruments (synth and keyboard) as well as the unusual (xylophone, watering can used as percussion). Note: I thought they were great and the current hype around them is insane, you’d be remiss not to at least have a listen.

Bear in Heaven was the wild card of the night for me, not knowing anything about the Brooklyn band. I thoroughly enjoyed the combination of voice, guitars, synth, and drums coming together to create some atmospheric masterpieces that at times could be called rock and at times could be called dance. You would not have guessed this looking at the three men on stage displaying various stages of beard and mustache. Fun stuff like ‘Wholehearted Mess’ surprised me with the band’s brand of experimental dance. (Is that even a genre?)

When 23.30 rolled around and it was time for the headliner Cymbals Eat Guitars, I was feeling a little apprehensive. I hadn’t been in such a testosterone-fueled, excitement-filled room since seeing the Hold Steady at the 9:30 last summer. The quartet’s sound is tight, sounding better than ever. They powered through several of the songs like ‘Under a Hazy Sea’ (featuring Joseph D’Agostino’s emotional vocals and jangly guitar) and the jaunty ‘Indiana’ from their Memphis Industries’s debut ‘Why There Are Mountains’ and played some new ones for us as well.

I’m pretty sure they could have sold out the next biggest venue in town, the Black Cat, but my feeling is that the rock of Cymbals Eat Guitars feels right in a sweaty, packed place like the RnR. The band heads to South by Southwest this week and I’m sure they will wow the Austin crowd just like they wowed us here in D.C.

After the cut: more photos!

Continue reading Live Review: Cymbals Eat Guitars with Freelance Whales and Bear in Heaven at Rock ‘n’ Roll Hotel, Washington DC – 06 March 2010


Bands to Watch #165: Erin K and Tash

By on Monday, 15th March 2010 at 12:00 pm

Many, many years ago I had a young girl’s dream of becoming a singer. Long story short: for a multitude of reasons, it never happened, but as a result, I’m very critical of female singing voices upon hearing them for the first time. Most of the time, I am displeased (that’s putting it mildly) by what frivolous and unimpassioned warblings some girl is passing off as quote music unquote. I’m happy to report that last week I was pleasantly surprised and even a bit stunned upon hearing the band I am about to describe to you.

The anti-folk foursome Erin K and Tash is fronted by, yep, you guessed it, two angelic, incredible-sounding singers named Erin Kleh and Tash ter Braak. The two met in August 2009 after ter Braak, a talented pianist, answered Kleh’s ad for a backing vocalist for her burgeoning amateur band. The two hit it off right away and have been writing and performing together ever since with Paul Durbin (percussion) and Nicolas Cornu (guitar).

Check out the funny and evocative ‘Sorry I’m Not Black’ (mentioning American basketball star Dennis Rodman and English party girl singer Amy Winehouse) for an example of their lyrics: witty, humourous, and a breath of fresh air. The songs are delivered with such sweetness than the first thing that came into mind upon listening to a gorgeously spare version of ‘Oh Well (without noise version)’ on their MySpace, I thought of Emmy the Great.

The sultry ‘Jiggy Miggy’ reminds me of the great Mama Cass of the Mamas and the Papas. It’s a great example that even though female voices can be angelic, these women are real women; they feel emotions like love and lust like the rest of us and aren’t afraid to sing about them in a thoughtful way that we normal people can relate to, not at all in the distasteful way that seems pretty much par for the course for female, mass-marketed pop singers these days. So I say to Erin K and Tash, hip hip hooray!

This unsigned band is based in London and plays in venues around town. Here are some upcoming dates taken from their MySpace.

Sunday 21st March 2010 – London Islington Old Queens Head
Thursday 15th April 2010 – London Gladstone (free gig)
Thursday 22nd April 2010 – London Earl’s Court Troubadour
Monday 10th May 2010 – London 12 Bar (Blang! night)
Saturday 22nd May 2010 – London Leytonstone Library Hall


Gorillaz / March 2010 UK Tour

By on Friday, 12th March 2010 at 10:00 am

In order to test the “new live band” before next month’s headlining gig at Coachella, Gorillaz will be embarking on a short 6-date tour of the UK in a little over a week. The lineup will likely include former Clash members Paul Simonon and Mick Jones, who collaborated with Damon Albarn on Gorillaz’s new album, ‘Plastic Beach,’ which was released this past Monday, March 8th.

Sunday 21st March 2010 – Portsmouth, Wedgewood Rooms
Monday 22nd March 2010 – Bristol, Trinity
Tuesday 23rd March 2010 – Cambridge, Junction
Thursday 25th March 2010 – Brighton, Old Market
Friday 26th March 2010 – Birmingham, Irish Centre
Saturday 27th March 2010 – Lincoln, Shed

Tickets are limited and are only available to members of the G-Club on a first-come-first-served basis. If you’re unable to get tickets for these shows, console yourselves by watching their new video and don’t worry — rumour has it they’ll be doing a more extensive tour later in the year.


Live Review: Jamie Cullum with Imelda May at the 9:30 Club, Washington, DC – 7 March 2010

By on Monday, 8th March 2010 at 2:00 pm

Note: There are no live photos in this review because there were absolutely no cameras allowed at the gig, sorry!

Reading my gig reviews, you could easily make the assumption that I say that every gig is one of the best I’ve ever seen, but I promise you, this has just been a spectacularly good year for gigs! Sunday night I had the pleasure of seeing everyone’s favorite pocket-sized jazz musician, Jamie Cullum, and opener Imelda May at the 9:30 Club in Washington, DC. I went into this sold out gig worrying that there was no way it’d live up to my expectations – I’ve been trying and failing to see Jamie Cullum live for about 5 years now, and I wanted it to be something extra special to make up for the fact that I had to miss watching the Oscars to see it. Basically, if it was anywhere short of Jamie’s amazing performance in his ‘Live at Blenheim Palace’ DVD, then I was going to be thoroughly disappointed. Fortunately, both Jamie and Imelda completely blew me away!

Dublin rockabilly songstress Imelda May played a powerful, vibrant 40-minute set to a nearly packed venue, and had everyone dancing along. She has a deep, raspy, soulful voice that captivated the audience, and she seemed to be having a lot of fun up on stage. She played more than 10 songs,  including ‘Johnny Got A Boom Boom,’ ‘Big Bad Handsome Man,’ and ‘How High the Moon.’ One of the best parts of her set was her wonderfully cheeky lyrics, like “Count my fingers, one and two / one of them is just for you / Count my fingers, one, two, three / the one in the middle’s to you, from me.” With the backing of her band, including a drummer, electric and acoustic guitarists, and a double bass player, Imelda thoroughly warmed up the crowd for Jamie.

Jamie Cullum is an absolutely fascinating and captivating performer. The energy with which he throws himself completely into his performance is just mesmerizing. He can switch from slow, brooding intensity to manic and impossibly intricate piano solos in the blink of an eye. At the end of his packed 2-hour set, I was amazed that he could still stand, he’d put so much energy into his performance.

As if his music wasn’t captivating enough, he was also hilariously entertaining between songs. In the first non-sung words out of his mouth, he said “Hello, my name is Justin Bieber.” Later he quipped, “Just picture me as Johnny Depp, I’m sure it’s not the 1st time…why are you laughing?” At one point he described the double bass player, Chris Hill, as a monster and said “That man has a fist full of sausages!” – I’m just going to  assume that’s a good thing in Jamie’s world.

But back to the music: not one of the songs got away without a generous helping of improv – I mean, come on, he is a jazz musician, after all. During crowd favorite ‘Frontin’,’ Jamie used the piano as one giant percussion instrument while beatboxing and singing. Even the slower songs like ‘What A Difference A Day Made’ were a big hit with the crowd. We all tried (and failed) to sing along, prompting Cullum to say “It’s hard trying to sing along with a jazz singer, isn’t it?” He had the crowd completely in the palm of his hand, whether he was making them scat along during ‘Wind Cries Mary,’ sing along and jump up and down to ‘Mixtape,’ or listen in complete silence to ‘Gran Torino.’ During the encore, he even convinced the crowd to sing the entire second verse of ‘All At Sea,’ and it sounded gorgeous.

But the indisputable highlight of the show was also its most unexpected. Toward the end of his set, Jamie had the band bring all of their instruments to the front of the stage, and instructed the crowd to part down the middle. The band then launched into Justin Timberlake‘s ‘Cry Me A River,’ and the crowd went mental. Over top of that, Jamie sang the jazz standard ‘Cry Me A River’ off-mic, and then jumped down off the stage with his horn players, and proceeded to sing a capella from the middle of the crowd – simply amazing and completely unexpected. There’s really nobody like Jamie Cullum for genre-bending, mad scientist-type brilliance. This gig will be hard to top!

After the cut: Jamie Cullum Set List!

Continue reading Live Review: Jamie Cullum with Imelda May at the 9:30 Club, Washington, DC – 7 March 2010


About Us

There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF was edited by Mary Chang, based in Washington, DC.

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