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Live Gig Video: Natives perform ‘Stop the Rain’ on a rooftop in Morocco

 
By on Friday, 2nd September 2016 at 4:00 pm
 

New Forest group Natives, now described on their press sheets as purveyors of ‘tribal-pop’, have unveiled a new live video from an influential trip they took abroad. The official promo video for the band’s single ‘Stop the Rain’ was released last month and sees the band carousing around Morocco. It appears, though, that they spent their time productively during their trip there, as they have also revealed this week another live video they recorded, performing the song stripped down on a rooftop, lit only by the moonlight behind them.

As these are uncertain, trying, upsetting times, I wanted to share with you this nice bit the group wrote to accompany the previous promo video for ‘Stop the Rain’. It’s a reminder that despite all the awfulness we are subjected to in the media that seems to get the lion’s share of attention, most of the folks inhabiting this planet have humanity for their fellow man. Those being vilified are not always the monsters some people make them out to be. Think for yourself and spread the positivity. ‘Stop the Rain’ is available from LAB Records now; for more on Natives on TGTF, go here.

“There’s a lot of negativity and Xenophobia in the world at the moment so It feels like the perfect time to share a positive story about mixing with other cultures…

Our love for percussion led us to Morocco, a muslim country where the Arabic East meets sub-Saharan Africa. We instantly fell in love with the rhythm of the place, from the main squares to the mountains, everything had a beat. We met Berbers in Agadir, where drumming circles are a part of everyday social life and were captivated by the way rhythm was used to bring people together and tell stories. This idea, coupled with the welcoming warmth of the culture formed the heart and soul of Stop The Rain.

The people we met couldn’t have made us feel more welcome, we were repeatedly invited to play music with locals who were keen to pass on their techniques and knowledge and often invited us into their homes to share stories. It was a life-changing experience for us and completely reinforced our outlook on community, culture and the world.”

[youtube]https://www.youtube.com/watch?v=ffQiwQ1KcOY[/youtube]

 

Natives / February 2015 UK Tour

 
By on Tuesday, 2nd December 2014 at 9:00 am
 

Update: the band have announced 14/01/2015 this tour has been cancelled. Refunds are available from point of purchase.

Natives will be on a short UK tour in February 2015. Tickets to the five dates are available now. Work on their second album has commenced, so stay tuned.

Monday 16th February 2015 – Manchester Deaf Institute
Tuesday 17th February 2015 – Glasgow King Tut’s
Wednesday 18th February 2015 – Nottingham Red Room
Thursday 19th February 2015 – London Camden Barfly
Friday 20th February 2015 – Bristol Louisiana

 

Video of the Moment #1644: Natives

 
By on Wednesday, 1st October 2014 at 6:00 pm
 

I remember watching a tv show years ago on American public television in which travel writer Rick Steves described Blackpool as Britain’s Coney Island. I had a hard time imagining a Coney Island in blighty, thinking that if it really existed, I’d be walking round the place in a confused daze. For their new promo for ‘The Horizon’, the title track of their upcoming EP, Natives took the idea of a cowboy visiting the North West seaside time for the first time and married it with another concept. Here’s how the band themselves describe their efforts:

With The Horizon we wanted to do something different to our previous videos. We had the initial idea of a cowboy experiencing a vibrant British town like Blackpool for the first time which we really liked the juxtaposition of. Together with Duncan Howsley we turned this into the final concept, a video about both the wonders and fears of exploring something new – about being young and sneaking out of your house and into the big city without your parents permission!

Watch the video below. ‘The Horizon’ EP from Natives will be out on the 13th of October.

[youtube]https://www.youtube.com/watch?v=ybGVac8VQMM[/youtube]

 

2000 Trees Festival 2014 Roundup: Day 2 (Friday) – Part 1

 
By on Monday, 28th July 2014 at 2:00 pm
 

The concept of a lie-in at a festival is a flawed ideal. That was my initial discovery as I scraped myself of the floor of my tent – unsticking my back from the plastic ground sheet after all the sweat had caused the tent and I to have become moulded together in some unholy union. The problem being that on a beautiful summer’s morning – like the one every 2000 Trees reveller woke up to on the Friday morning – tents effectively become mini-greenhouses, where huddled safely in your sleeping bag, you become a pig roasting in a blanket. But far less delicious. 2000 Trees frowns upon acts of cannibalism.

Once I’d extracted myself from the pressure cooked vacuum that was my tent, I staggered towards the nearest vender and bought something palatable enough to be called food. I think they were churros. Questionable food selection aside, my early mid-morning stagger brought me to the Main Stage. Overlooked by the canopy of some beautiful oak trees the Main Stage at 2000 Trees is mightily impressive (especially at night when the aforementioned canopy is lit up), the stage is around the same size as the Other Stage at Glastonbury if you’re looking for a worthwhile comparison.

First up were a band I had planned to get stuck into, Emp!re. Partly because I enjoyed them on record and thought they were underwhelming supporting Arcane Roots at XOYO a few months back. But mainly because our camp next door neighbours all had Emp!re tattoos and one of them was the lead singer’s girlfriend (despite how camp Joe Green is, he is most definitely straight), so they would probably have beaten me up if I’d missed them.

To my delight, Emp!re were the polar opposite of the band I laid eyes upon in the clammy confines of XOYO. Gallivanting around the stage with hands flailing everywhere, Joe Green was a bastion of enthusiasm, even at midday. The perfect cure for any badgers cider induced hangover if you spent too much time last night propping up the Big Lebowski Bar. The set had all the hallmarks of a classic: James L’Esteve, Dave Thomas and Jon Tupper all looked as up for it as you could be on the first day of a festival. Revellers even laid down their swing ball bats as they were entranced by the siren like yelps of Joe Green from atop the Main Stage.

Green’s maturity as a frontman has come on in leaps and bounds in the past few months and while there was some witty impromptu banter – interspersed with gasps for air – Green let the solid tunes in Emp!re’s arsenal do the talking. Understandably due to obvious factors, Green will always draw comparisons with Skindred’s Benji Webbe, but little could be further from the actual truth. The two are as similar as the Queen and Kim Jong-Il. (8/10)

From an energetic lively frontman, bursting with charisma and charm – to an utterly charmless carbon copy of any indie band doing the rounds at the moment, next up were Natives. Showing about as much presence on stage as a sack of potatoes, Natives chugged through a disappointingly lazy and predictable set, which showcased absolutely none of the reasons why they’ve been touted as potential stars of 2014.

The songs were utterly forgettable and the crowd had absolutely no time for it, as vast swathes of the crowd which had gathered for Emp!re trudged their way back to The Cave, disappointed and unfulfilled. (3/10)

Luckily, we were treated on the Main Stage to the polar opposite of Natives, Slaves. Two men, a pair of drums and a guitar.
• D.I.Y credentials, check.
• Punky sense of energy, check.
• Ability to not give a shit how they sound, check.

The Main Stage was in for a pounding.

Slaves provided arguably the soundtrack for the first true day of the festival. ‘Where’s Your Car Debbie?’ is a song which Isaac Holman and Laurie Vincent say was inspired by a time “when they were walking through a forest and looking for a car with a girl named Debbie”. The gloriously simple songwriting, with a touch of ‘Teddy Bears’ Picnic’-esque suspense in the middle makes for a huge tune that every member of the crowd loved.

The impact of the entire set was obvious, seeing as afterwards everyone around the Main Stage was still shouting, ‘where’s your car Debbie!’. A superb slab of DIY punk, delivered with no bollocks, no pomp, just passion. (8/10)

From the most underdressed punks, to a motley crew of overdressed punks in the form of The Computers. Once purveyors of brutal garage punk, their last album ‘Love Triangles Hate Squares’ was dripping with soul. It was left-field that’s for sure, but with catchy toe-tappingly jazzy tracks like ‘Bring Me the Head of a Hipster’ littering the record and Alex Kershaw’s effervescent sense of exuberance, the set was bound to turn a lot of heads at Trees.

Drawing primarily from their most recent album, the band tore through a frantic set. The funky, soul styling Computers were going for a mid-afternoon set that went down a storm as oldies and young’uns alike got themselves swinging. The crescendo was a glorious ‘Wall of Death’ orchestrated by Kershaw, which saw the lead singer screaming his lungs out in the middle as a torrent of a thousand people crashed in from both sides. If you want evidence of how it looked, take a gander this live footage filmed from a safe distance away. ‘Oh My Soul!’ (9/10)

Next up was Itch (pictured at top) of former The King Blues’ fame, who is cutting his teeth as a solo artist now. In 2009 the full band went down as one of the weekend’ highlights, so it was a shame that on one of his returns, as a solo artist Itch managed to provide one of the more lacklustre performances of the weekend.

Flanked by a creepy backing singer in a creepy crying baby mask – who to my view was androgynous in gender – Itch strutted around stage lazily, blurting out songs with some kind of lightly-veiled political sentiment. In reality, in the baking summer heat after the aural assault of The Computers, all people wanted to do was dance. Instead they were treated to a lethargic journey through the increasingly twisted psyche of Jonathan Fox.

In some instances, when his backing singer kicked in with an overly autotuned interlude, it felt like I was listening to the next in the conveyor belt of BBC Radio 1 rap stars, not the best new and underground British music. I wasn’t coming to watch Itch to see a Professor Green wannabe; I wanted something with an edge, something with a little venom. Regrettably though, it was a performance from one of 2000 Trees favoured sons that should most certainly be forgotten by both crowd and performer. (4/10)

More of John’s coverage of 2000 Trees 2014 will continue soon on TGTF.

 

Video of the Moment #1516: Natives

 
By on Thursday, 8th May 2014 at 6:00 pm
 

New Forest band Natives‘ debut album ‘Indoor War’ is out now, and here’s a promo video for a cut from the LP. ‘Ghost’, with this soaring vocals and punishing guitars and drums, runs in the hardest side of things here at TGTF and if you fancy that kind of music, I think you’ll like this one. Watch the video below.

[youtube]https://www.youtube.com/watch?v=rq7M6EcZ8Ks[/youtube]

 

TGTF Guide to SXSW 2014: Rock UK artists showcasing at this year’s SXSW (N-W)

 
By on Wednesday, 26th February 2014 at 1:00 pm
 

Please note: all information we bring you about SXSW 2014 is to the best of our knowledge when it posts, and bands scheduled to appear may be subject to change. To learn when your favourite band is playing in Austin, we recommend you first consult the official SXSW schedule, then stop by the band’s Facebook and official Web site for details of any non-official SXSW appearances.

British rock and its many facets will be on display at SXSW 2014, judging by the variety of acts been given a shout by the festival this year. In the second installment of the exclusive TGTF Guide to SXSW 2014, we turn to the UK bands that play rock, punk, metal and everything in between, alphabetically N through W. (In case you were wondering, there weren’t any Y or Z bands announced, we weren’t leaving anyone out on purpose!) The first half of the rock list, in case you missed it, is here.

Natives
How many UK bands do you know of have already gone on tour in Asia even before their debut album has been released? Not many. Even less when you’ve never heard of said band. So there must be something more about Natives from the New Forest that deserves your attention. They sound entirely unpretentious and (gasp!) just like they’re having a lot of fun too. We don’t know much about them, but we’re guessing there’ll be plenty to say post-SXSW.

New Desert Blues
John writes: “With no sense of pretence, no dramatic unveiling, New Desert Blues have snuck up on my psyche, with the immense track that is ‘Adam’. The five impeccably dressed lads who sounded raw, and ebbed with potential at The Great Escape at The Fishbowl have created something really special with their debut effort.

Refined, and delightfully genuine, New Desert Blues aren’t bursting with youthful exuberance as you’d expect from a group of five less-than-likely lads. They instead emanate a dastardly sense of cool: whether that is in lead singer James Cullen’s ability to pull of the most pretentious of turtlenecks in Brighton sunshine at this year’s Great Escape, is yet to be uncovered.”

PINS
All girl group PINS sound more Brooklyn than Manchester in their raucous, fuzzy rock delivery. Admittedly, their complete lack of Y chromosomes sets them apart from all the other UK rock acts at SXSW 2014, but will this – along with their Christmas song getting an exclusive on Urban Outfitters’ Web site – work in their favour, or will they merely be a curiosity?

Public Service Broadcasting
Martin writes: “They take as their inspiration and sampling material that rich vein of mid-century film footage which gloried in the wonder of British achievements, celebrating the majesty of heavy engineering, the valour of daring explorers, and the gritty triumph of war. The band themselves mirror the tone of their subject matter by dressing in tweeds and having names like Wriglesworth; one half-expects the other band members to be called Ginger and Algy, and for them to fly off in Sopwith Camels after the show is over.

Each piece brings to life a particular microcosm of history via clips from vintage newsreels, spanning about 20 years from the early 1940s to the advent of practical colour television in the 1960s. Wartime propaganda is invoked in ‘Dig for Victory’, the distinctive iconography exhorting the populace to self-reliance via growing their own food is writ large across several vintage television sets adapted for digital projection. ‘Spitfire’ uses copious footage from the 1942 film The First Of The Few to honour the achievements of RJ Mitchell, the designer of arguably the most famous aircraft ever built.”

Royal Blood
The lone true rock band on the BBC Sound of 2014 longlist, the Brighton duo’s is the UK’s answer to, well, both the Black Keys and Queens of the Stone Age. And they’re ready to unleash their punishing bluesy rock on Austin come March.

Saor Patrol
Cheryl writes: “Playing what they have dubbed ‘medieval Scottish rock’, Saor Patrol – which translates as ‘freedom guard’ in Scottish Gaelic – kicks up the amperage on other traditional folk music. Not content to stick with the 100% traditional sound, these guys add a grinding guitar to pull it just this side of modern. Completely instrumental, the combination of this driving guitar overlaid with a bagpipe melody is just different enough from traditional bagpipe bands to turn heads.”

Read the rest of Cheryl’s Band to Watch on Saor Patrol here.

Save Your Breath
Cheryl writes: “There probably wasn’t a lot to do on a Saturday night in the port city of Newport in the south of Wales. Friends Ben Griffiths and Tom Owens solved the boredom by forming a band that eventually was fleshed out to become Save Your Breath. Taking their pop punk sensibilities from the likes of Green Day and their ilk, they forged their sound from the grit of the life around them. What must have started out as a lark between school chums, titles like ‘Not in the Mood for Kiwi’ and ‘Holy Shit, Fortune Teller Miracle Fish!’ show up on their first album, they have matured enough to temper their weird song titles but still have energetic, aggressive tunes worthy of a listen.”

For more on Save Your Breath, read the rest of Cheryl’s Band to Watch on them here.

Slaves
Garage punky duo from Kent have already made a big noise in London and on tour with fellow SXSW 2014-ers Drenge for their punishing live set. Not much else to say except if you like punk, you better start planning your SXSW schedule around these guys, because I think it’s pretty assured their sets will be rammed.

Splashh
Kind of poppy, kind of rocky, kind of surf-y. Not terribly cerebral, but hey, this is the kind of music I expect Best Coast fans to enjoy (and there are a lot of those).

Syd Arthur
Syd Arthur – there is no man named “Syd Arthur”. No, they’re a psych rock band with a wink wink, nudge nudge hippie name, and the players all with long, unkempt hair. “Greatly inspired by the sonic pioneers of the late 60s and early 70s, they have patiently learned how to engineer, produce and mix themselves, using an innovative hybrid of analogue and digital techniques.”

Teeth of the Sea
Instrumental proggy guitars plus synths band with their latest album, ‘Master’ (2013), receiving rave reviews across the board for its inventiveness. Their live shows have received similar plaudits, so if you’re into this kind of music, they’re unmissable in Austin.

Traams
Like your punk as well as your melodies? Described often as “noisy”, “happy” and “joyous”, Chichester’s Traams, then, are for you.

We Were Promised Jetpacks
The Scottish band’s cult popularity in the States was on a high in 2012 when the band appeared at SXSW last, but after being off the radar for quite a while, they’ve just released a live album ‘E Rey Live In Philadelphia’ and will be looking to solidify their standing stateside.

Wolf Alice
Carrie writes: London alt-rockers Wolf Alice are likely to bring in new fans from all corners at their SXSW shows. Their sound is a hybrid of styles, a slightly unsettling middle ground among cerebral indie folk, bright garage pop, and murky grunge rock…The band’s own lyric, from the title track ‘Blush’ might actually be the best description of their overall sound: “Punch drunk, dumbstruck, potluck, happy, happy.”

The Wytches
Ben writes: “These Brighton based psych surfers take a battered base of shoegazing garage rock, douses it with B-movie psychedelia, throws on a lighter and watches it blacken into a ghastly yet basely expressive lump of carbon. The far out three piece had a degree of success with two singles on Hate Hate Hate Records, before announcing their switch to Heavenly Recordings with the release of Afree digital download ‘Gravedweller'”.

Keep it here on TGTF for more in the TGTF Guide to SXSW 2014, coming soon!

 
 
 

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