Things changed here in April 2019. Because of COVID-19 travel restrictions and show and festival cancellations, no new content has been added here since February 2020.
To connect with us, visit us on Facebook and Twitter.
SXSW 2019 | 2018 | 2017 | 2016 | 2015 | 2014 | 2013 | 2012 | Live at Leeds 2016 | 2015 | 2014
Sound City 2015 | 2014 | 2013 | 2012 | Great Escape 2018 | 2015 | 2013 | 2012

Live Gig Video: Zola Jesus performs ‘Go (Blank Stare)’ at Webster Hall in New York

 
By on Friday, 14th November 2014 at 4:00 pm
 

Nikita Danilova, aka Zola Jesus, just finished a tour of North America last month. It’s our good fortune that this live performance at Webster Hall in New York City of ‘Go (Blank Stare)’, which appears on Danilova’s current album ‘Taiga’, was committed to video. Watch the stark monochromatic presentation below.

Her next UK show is next week on the 18th of November at London Koko. For past TGTF coverage on Danilova’s career, go here.

[youtube]https://www.youtube.com/watch?v=3Bzbcxi850I[/youtube]

 

Live Review: Teleman at Mercury Lounge, New York City – 25th September 2014

 
By on Monday, 29th September 2014 at 2:00 pm
 

Despite not being a native New Yorker and living over 200 miles southwest of the place, I have been slowly but surely chipping away at my list of venues to see in the Big Apple. In the second half of last week, I finally got to witness London-based Teleman live, twice, during their first visit to our country and my first experience of the Mercury Lounge on East Houston Street. This review focusses on their first show in the Lower East Side, but later on this piece, I’ll briefly mention the differences between the two shows.

When I first arrived, slightly winded having just taken the train up from Washington and worried I was going to miss the start of their set, I was relieved to see they were still setting up. I’m not sure if this will continue, but the each member of the band – comprising ex-Pete and the Pirates members Tommy Sanders (vocals / guitar), his brother Jonny (keyboard / synths) and Pete Cattermoul (bass guitar) along with drummer Hiro Amamiya – is wearing a different shirt, each incorporating the three colours of yellow, red and blue that figure as dots on the abstract album art for their Moshi Moshi Records debut ‘Breakfast’ (reviewed by me here). Considering that since fashion-wise color blocks are still in, maybe they’re just ahead of this industry’s curve?

I think it’s always a precarious thing to go watch a band perform one of your favourite albums of the year. I do, however, always remember something Ed Macfarlane said a long time ago in a Friendly Fires interview, which was generally of the sentiment that your live show should bring something different to the table, because if someone wanted to hear the album reproduced faithfully live, they might as well listen to the album. I don’t know if you could blame the tentativeness in the first half of Teleman’s set on nerves, but the punchiness of first two songs ‘In Your Fur’ and ‘Mainline’ you hear on the album seemed not to translate live. As I was stood there down the front at Mercury Lounge, I noticed how crisp and clear the guitar notes sounded in the place, which seemed odd to me but amazing at the same time, if I compared it to the varying degrees of muddle I’m accustomed to.

Actually, muddling might have been a benefit to the set, as the conclusion of ‘In Your Fur’ was an extended psych rock out jam session. Similarly, insistently rocky ‘Steam Train Girl’ was also lengthened, much to the delight of the girls in front of me who were having a whale of a time, kicking their heels up to the music. The Teleman sound is definitely of the toe-tapping variety but not exactly designed for ravers. ‘Skeleton Dance’, arguably the most dancey of all the tracks on the debut album, with the brothers Sanders synths and guitar coming together harmoniously.

‘Breakfast’ most truly beautiful moments came across wonderfully live, as the trifecta of the bright yet regretful ‘Monday Morning’, the heart-pounding drums of past single ’23 Floors Up’ and almost nursery rhyme simplicity of the melody in ‘Lady Low’ in quick succession becomes the sonic equivalent of being simultaneously socked in the stomach and the heart. Sadly, due to the early show curfew, the set was cut short, with ‘Redhead Saturday’ not getting an airing until the next night at Glasslands in Williamsburg.

Still, quite possibly the crowning moment for those people so adamant that Teleman must be Kraftwerk obsessives (for the record, it’s not true, according to an interview Tommy did with Under the Radar magazine here in the States), hidden album track ‘Not in Control’ is directed by its beats, leading punters at both New York shows to bop to the rhythm and some cases, leaving them in a psych-ey, trance-like state that you wouldn’t see at a ‘pop’ show. I think the more the band tour this album, the better their set will be. Oh, and sorry to anyone who wants to request a Pete and the Pirates song, such as the couple who shouted for ‘Cold Black Kitty’. They don’t remember the chords.

After the cut: Teleman’s set list.
Continue reading Live Review: Teleman at Mercury Lounge, New York City – 25th September 2014

 

Live Gig Video: Liam Finn and his Dream Team band perform his song ‘Ocean Emmanuelle’ and other tracks

 
By on Friday, 15th August 2014 at 4:00 pm
 

When you’re an internationally known singer/songwriter like Liam Finn is, you can do whatever you want. Such as put together a bunch of your favourite artists and have them perform live with you on a rooftop in New York City. Which is exactly what Finn did with his Dream Team band, which included Connan Mockasin, Kirin J Callinan and EJ Barnes. We feature below the first of eight videos, a live rendition of ‘Ocean Emmanuelle’ from Finn’s latest album ‘The Nihilist’, which Carrie reviewed in May.

Of the other seven videos, six are live versions of other songs from the album, but the odd man out is a cover of – surprise! – Sinead O’Connor’s ‘Nothing Compares 2 U’. For the entire playlist, visit the Vevo site here.

 

Live Gig Video: To Kill a King play ‘Cold Skin’ at Sofar Sounds New York session

 
By on Tuesday, 10th June 2014 at 4:00 pm
 

Something special for your afternoon today. TGTF 10 for 2013 alum To Kill a King played a Sofar Sounds session in New York back in March, and we’ve been given some great video from the session to share with you. The ‘Cannibals with Cutlery’ band are seen here performing ‘Cold Skin’ in the usual relaxed confines of a Sofar session, this time in someone’s cosy flat. Watch the performance below.

All our previous coverage of To Kill a King can be found this way. To date, TGTF has covered Sofar Sounds sessions in Austin (March 2014, during SXSW 2014), Manchester (April 2014) and Philadelphia (June 2014).

[youtube]https://www.youtube.com/watch?v=ijgDMDTn3YU[/youtube]

 

Live Review: Fenech-Soler at Glasslands Gallery, Brooklyn, NY – 5th April 2014

 
By on Tuesday, 8th April 2014 at 2:00 pm
 

It’s in our blood, it’s in our blood,
It’s in our blood, in our blood tonight
Even if I have to dance alone,
I don’t want to go home,
don’t want to go home…

It took several years that felt like an eternity, but English electropop band Fenech-Soler are finally beginning to release their music here in America. Practically just as their debut EP ‘Stop and Stare’ released a long while ago in the UK became available in the States, the band lined a short stint including a Neon Gold club show appearance and headline shows in Brooklyn, Los Angeles and San Francisco. New York isn’t exactly my backyard but I am very fond of Fenech-Soler and made the trip up, trying to be as productive as possible, also lining up this brilliant interview with Ben and Ross Duffy while I was in Williamsburg.

Glasslands Gallery near the water in South Williamsburg isn’t that small (300 capacity with a balcony), but it has an almost urban rusticity, with wooden floorboards at the entrance, three well-maintained if oddly unisex toilets and a wonky DIY aesthetic with clusters of sawed off PVC pipe with bulbs inserted in them as makeshift chandeliers suspended above the stage. In my interview, Ross Duffy noted that they felt most at home at this size of venue, since that’s where they started when they first began gigging, and it was only recently that they headlined Shepherds Bush Empire in London before Christmas 2013.

I think the size and intimacy of the venue also benefitted the band: generally speaking, when it comes to dance music, it’s all about people being in the dark and crammed in – within health code regulations, of course – and having a certain critical mass of excited, entirely up for it dancegoers, not to mention the collective energy generated by that critical mass. Glasslands filled up admirably, so that by the time the band originally from Kings Cliffe took to the stage, there were quite a few very excited fans down the front, yours truly included. This is my kind of gig! And I was about to see songs from my 3rd favourite album of 2013 performed in a few short moments.

If there was ever any question whether Fenech-Soler are an electropop band, any confusion would be quickly brushed away as soon as you saw their complicated stage set-up. The Glasslands stage is not all that big, and I’m not sure how they managed to fit five people (the four guys in the band plus touring keyboardist and backing vocalist Tom Butler) and all their equipment, but somehow, they did it. It restricted singer Ben Duffy’s movement while onstage; I had become so sure that at some point, he was going to jump down into the crowd and dance with us. Sadly, that never happened, though I am positive with the kind of moves he had in what space he was offered, he wanted to.

The majority of my photos of the night are terrible, as the lighting wasn’t very good, but in my defence, I also have another very good excuse: none of the band members were ever stood even somewhat still long enough for me to snap any good ones. This included Ben Duffy, who was extremely charismatic, engaging the audience throughout the set, starting with the irrepressibly catchy pop number ‘Last Forever’ in its sun-kissed glory recalling carefree summer days, all backed by the punishing drumming of Andrew Lindsay. The amount of energy he and his bandmates throw into their performance is, in a word, stunning. This is what you want from a dance band: music that gets hands in the air in raising the roof fashion and bodies moving, and they achieved both of those goals, barely stopping for breath between songs.

By playing the hits from 2010’s ‘Fenech-Soler’ (the frenetically buzzing ‘Lies’, the glitter of ‘Stop and Stare’) along with the newer songs including single ‘Magnetic’, the ever expansive and dreamy ‘Maiyu’ and set closer and huge first single from 2013 ‘Rituals’, ‘All I Know’ (single review here), Fenech-Soler proved they didn’t suffer at all from the sophomore album slump and their talent in writing unforgettable melodies with strong, epic dance instrumentation underlying it all will continue to pay off for them. The crown jewels of the night for me were ‘In Our Blood’ (promo video here), their latest single off ‘Rituals’, the syncopation of its compressed synth lines as if running through Ben Duffy himself as his body contorted effortlessly to the infectious rhythm of the track, and ‘Somebody’, which I wasn’t a fan of when I reviewed the album last autumn but live, it proved a hugely wonderful surprise on the dance floor.

I’m not a big fan of being shoved around (call me crazy, but I’m little!). Mostly and thankfully, the fans I encountered were excited and dancing about, but also extremely respectful, so respectful that I never made it stage right to take photos of Ross Duffy on guitar, because I felt *I* would be rude doing so. This is how I found myself stood in front of Daniel Soler and his mad bass and analogue synth-playing skills all night. This is not at all a bad thing; as some of you know, I also play bass and so mesmerised by the nimbleness of his hands on his Fender P-bass for single ‘Magnetic’, I thought I might faint. I definitely need to compare notes with him when they come to DC, which the brothers Duffy have promised me will occur in due time. Hopefully this will happen sooner than later and America will finally come to realise what Radio 1 and the British music-buying public have been missing all these years and take to Fenech-Soler’s music in droves.

Many thanks to fellow fan Chris who kindly allowed me to use
these photos she took at the show; they were better than mine.

After the cut: Fenech-Soler’s set list.
Continue reading Live Review: Fenech-Soler at Glasslands Gallery, Brooklyn, NY – 5th April 2014

 

Interview: Ben and Ross Duffy of Fenech-Soler

 
By on Monday, 7th April 2014 at 11:00 am
 

I’d been waiting to see a Fenech-Soler headline show for quite a long time. Years, actually. (I’ll be honest, it drove me nuts that Martin had seen and experienced them in Newcastle in 2011 and I still hadn’t.) So when I found out they were finally releasing music officially and playing some shows here in America – and even better, the show in Brooklyn was on a Saturday, and therefore entirely possible for a working stiff as myself – there was no other decision but to go up to New York for it.

Further, I decided what better way to welcome the guys to our country than to have a chat with them and find out firsthand from them how things have blown up for them since the release of their hugely popular self-titled debut album in 2010. Backstage at the Glasslands Gallery in South Williamsburg where they’d be playing their first headline show ever here in the States, brothers Ben (lead vocals) and Ross (guitar) Duffy sat down with me for an intimate conversation about coming out to America and getting to finally release material here, their experience with social media and connecting with their fans, the ‘difficult second album syndrome’, playing at the Winter 2014 Olympics in Sochi and so much more. If you’re wondering what those loud thuds in the middle of the interview, that would be drummer Andrew Lindsay soundchecking his kit directly below us onstage.

I sincerely thank both Ben and Ross for being so candid and taking the time out of their preparation for the Glasslands show to talk with me on Saturday afternoon. If you haven’t noticed, I don’t tend to post photos of myself when I meet bands, but they were just some of the loveliest people ever, I couldn’t not post that photo at top of us! Thanks also to Meghan and Ian for facilitating this interview. Stay tuned for the review of the Brooklyn show to follow shortly here on TGTF.

[url=https://flic.kr/p/2hBeuE4][img]https://live.staticflickr.com/65535/48969111047_10a773a32a_o.jpg[/img][/url][url=https://flic.kr/p/2hBeuE4]ben-and-ross-duffy-brooklyn-interview-top_13682167415_o[/url] by [url=https://www.flickr.com/photos/[email protected]/]Couplet Angel[/url], on Flickr

 
 
 

About Us

There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF was edited by Mary Chang, based in Washington, DC.

All MP3s are posted with the permission of the artists or their representatives and are for sampling only. Like the music? Buy it.

RSS Feed   RSS Feed  

Learn More About Us

Privacy Policy

Keep TGTF online for years to come!
Donate here.