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Nick Mulvey / October 2014 UK Tour

 
By on Wednesday, 21st May 2014 at 8:30 am
 

Nick Mulvey has just announced a headline tour of the UK to support the recent release of his new album ‘First Mind’. Mulvey will spend the summer touring with London Grammar then playing the festival circuit, including two scheduled performances at Glastonbury. In the meantime, check out ‘The Complete Nick Mulvey Playlist‘ on Spotify.

Tickets for the following dates go on sale this Friday, the 23rd of May, at 9 AM.

Friday 10th October 2014 – Falmouth Princess Pavillions
Sunday 12th October 2014 – Oxford Academy
Monday 13th October 2014 – Portsmouth Wedgewood Rooms
Tuesday 14th October 2014 – Bath Komedia
Thursday 16th October 2014 – London Shepherds Bush Empire
Friday 17th October 2014 – Cambridge Junction
Sunday 19th October 2014 – Norwich Waterfront
Monday 20th October 2014 – Brighton Komedia
Wednesday 22nd October 2014 – Leeds Brudenell Social Club
Thursday 23rd October 2014 – Birmingham Institute
Friday 24th October 2014 – Sheffield Leadmill
Sunday 26th October 2014 – Glasgow Oran Mor
Monday 27th October 2014 – Gateshead Sage
Wednesday 29th October 2014 – Nottingham Rescue Rooms
Thursday 30th October 2014 – Manchester Cathedral

 

Video of the Moment #1505: Nick Mulvey

 
By on Friday, 25th April 2014 at 6:00 pm
 

Globally-influenced singer/songwriter Nick Mulvey has just revealed the video for ‘Meet Me There’, which will be released as a single on the 11th of May ahead of his debut album release, ‘First Mind’, the following day. Mulvey has already introduced ‘Meet Me There’ to his recent live audiences, including a sold out tour of the UK and an appearance in America at SXSW 2014. I was lucky enough to hear the song myself as part of Mulvey’s set at the Communion Showcase during his time in Austin.

The video for ‘Meet Me There’ is Mulvey’s second collaboration with National Geographic videographer James Morgan, who also directed the video for previous single ‘Cucurucu’ (we featured it here back in January). The earthy, natural beauty of the scenery and the people in both videos is a perfect compliment to Mulvey’s very instinctive, organic musical style. ‘Meet Me There’ begins softly, accompanied in the video by the image of pebbles enclosed in a man’s palm, then it slowly breaks free of its own restraint with a crescendo of strings and backing vocals, a musical untethering analogous to the desire for escape in Mulvey’s lyrics, “Oh, there’s a field, meet me there / Out beyond rightness and wrong, meet me there’. The dynamic and emotional swell of the music is matched by the gradual dawning of light across Morgan’s expansive pictorial landscapes in an exceptionally well-executed audio-visual metaphor. Watch it below.

[youtube]http://www.youtube.com/watch?v=KHqsz81L_jI[/youtube]

 

SXSW 2014: Friday night at Communion showcase, British Music Embassy, and back to B.D. Riley’s – 14th March 2014

 
By on Tuesday, 1st April 2014 at 1:00 pm
 

After spending the entirety of my SXSW 2014 Friday afternoon at B.D. Riley’s on 6th Street for the Full Irish Breakfast, I had just enough time to dash up the hill to 8th Street to St. David’s Episcopal Church for a quick interview before the Communion Music Showcase. I had heard rave reviews of the acoustics inside the sanctuary at St. David’s, as well as the consistently amazing lineups sponsored by Communion Music, so of course I was fairly bubbling over with excitement by the time I reached the church.

Evening activity was just beginning to pick up in downtown Austin, and the outside of the church was still mostly quiet when I arrived. By the time I finished my interview with the lovely and laid back Nick Mulvey in the Holy Grounds coffee shop, music fans were beginning to queue for showcases in both St. David’s venues, the main sanctuary and the smaller Bethel Hall. I chatted cordially with a few other music fans in the queue, and the wait to get into the sanctuary seemed very short indeed.

Unfortunately, I was far enough back in the queue that I didn’t get a fabulous seat inside the sanctuary. To be clear, as far as the acoustics are concerned, there aren’t any bad seats. But I was hoping to snap a few photos, so I chose to sit along the center aisle, and even though I was several pews back, I think I managed to capture the ambience of the evening.

The first band on the showcase was London folk trio Bear’s Den, who stopped in Austin as part of a full North American tour. They had evidently become used to more raucous American audiences than the polite crowd at St. David’s Sanctuary, as lead singer Andrew Davie paused more than once to tell us that our stillness made him a bit nervous. His mild admonitions did lighten up the somewhat stiff atmosphere, and by the time Bear’s Den reached the last song in their set, which included singles ‘Agape’ and ‘Writing on the Wall’, they were comfortable enough to step forward and do it “unplugged”. I was so delighted by their echoing vocal harmonies, and the rest of the congregation were as jovial as they could possibly be while seated on wooden pews.

Bear's Den at St. David's 14 March 2014

The showcase was perfectly organized and running on a tight schedule, so there wasn’t much time for audience members to shift in and out of the church between Bear’s Den and the aforementioned Nick Mulvey. Luckily, not many people chose to leave, as we were treated to a set that spanned Mulvey’s short but impressive solo career. I smiled to myself at the sound of familiar tunes ‘Fever to the Form’ and ‘Nitrous’, but it was the new (or new-to-me) tunes that proved most captivating. This was my first time hearing ‘The Trellis’, from Mulvey’s November 2012 EP of the same name, and a pin drop would have echoed mightily in the sanctuary when he finished it. Also well received was the newer and more upbeat track ‘Meet Me There’, which is due for release in May along with his full length album ‘First Mind’.

Nick Mulvey at St. David's 14 March 2014

As Mulvey closed his mellow set, the sanctuary began buzzing with anticipation for Irish singer/songwriter Hozier. Having already gained radio play in America with his religiously analogous single ‘Take Me to Church’, Hozier was ready to preach his gospel to those in attendance St. David’s Church, and he certainly made a believer out of me. I was stunned by the power in every song on his set list, from the earthy, deceptively sweet folk of ‘In A Week’ to the visceral blues and overt sexuality of ‘Angel of Small Death and the Codeine Scene’. And while the gospel tinge of ‘Take Me to Church’ might have been appropriate for the setting, Hozier’s performance of it on the night was enough to steam up every single one of the stained glass windows.

Hozier at St. David's 14 March 2014

I needed some fresh air after the breathtaking sublimity of Hozier, so I stepped outside to gather my thoughts and check in with Mary via text. Once outside the venue, I quickly realized that I would have some difficulty getting back in, as the queue was growing for the final acts on the Communion roster, Tennis, Sam Smith and Vance Joy. I would later regret missing out on those artists, especially after seeing this video of Smith’s recent single ‘Stay With Me’.

In the end, I hedged my bets and headed to the British Music Embassy to meet Mary for another band I’d recently written about, Scottish duo Honeyblood. The queue outside Latitude 30 wasn’t much shorter than the one at St. David’s, but I did eventually make it inside. Mary was, naturally, down the front, but I wasn’t able to squeeze in through the enthusiastic crowd, and I had to settle for a spot in back near the bar. My photos of Honeyblood weren’t fabulous but for my money, neither was the band’s performance. Their single ‘Bud’ was the only song that stood out among their muddled, distorted grunge pop set. The sound at the venue had been fine all week, so I have to assume that this less than stellar show was a just a small blip on Honeyblood’s radar.

Honeyblood at British Music Embassy 14 March 2014

Disappointed, I met up with Mary for a brief conference in what had become a customary spot for us in the alley outside Latitude 30. Our energy was waning by this point, but I convinced her (read: begged and pleaded with her) to make the short walk back to B.D. Riley’s, where we’d taken in the Irish Breakfast earlier in the day, to have another listen to Rams’ Pocket Radio.

It seems silly, at a festival like SXSW, to see the same bands over and over again when there are so many options so close at hand. We’d already seen Rams’ Pocket Radio twice, but both times I’d been a bit distracted, and I felt that I hadn’t given the songs their proper due, at least in my own mind. This late night show suffered from a few technical glitches and the wandering attention of the audience, which slightly marred the emotional connection of the music. Despite those frustrations, I was increasingly fascinated by his juxtaposition of beautiful, rich musical textures and curious, often strange lyrics. Maybe this is why the ever present ‘Dieter Rams Has Got the Pocket Radios’ appeals so much to me, but I did find myself missing the more straightforward ‘Love is a Bitter Thing’ when he left it off the set list. I didn’t walk away from this show feeling any more enlightened about Rams’ Pocket Radio, but my interest is most definitely piqued to see what he does next.

For the moment, I had to put my bewildered thoughts aside in preparation for the following day, which would be our last at SXSW 2014. But even weeks later, I find myself amazed as I mentally revisit the spectrum of mixed emotions and musical styles from that exhilarating Friday.

 

SXSW 2014 Interview: Nick Mulvey

 
By on Monday, 31st March 2014 at 11:00 am
 

The Friday of SXSW 2014 was a busy and eventful day for me, my schedule split between the Full Irish Breakfast at B.D. Riley’s during the day and the Communion Records Showcase at St. David’s Episcopal Church in the evening. It was actually in the spare moments between these two delightful events that I had a chance to sit down for a chat with Nick Mulvey before his Communion Showcase appearance.

Last summer, I reviewed Mulvey’s ‘Fever to the Form’ EP and was curious about the meaning of the title phrase. Fast forward several months to the interview at St. David’s Sanctuary, where I was able to ask him about the phrase over a surprisingly relaxed pre-gig cup of tea, as well as talking with him about the difference between the studio and stage arrangements of his songs and his increasingly high-demand touring and rehearsal schedule.

 

As I write this article, Mulvey has just previewed his next single, ‘Meet Me There’, which is available for preorder as well as to stream via Soundcloud.

Thanks especially to Ellie and Simon for sorting out the details of this interview.

 

TGTF Guide to SXSW 2014: Singer/songwriter and folk UK artists showcasing at this year’s SXSW

 
By on Tuesday, 4th March 2014 at 1:00 pm
 

Please note: all information we bring you about SXSW 2014 is to the best of our knowledge when it posts, and bands scheduled to appear may be subject to change. To learn when your favourite band is playing in Austin, we recommend you first consult the official SXSW schedule, then stop by the band’s Facebook and official Web site for details of any non-official SXSW appearances.

Just 1 week off now from the official start of SXSW 2014 and we’ve arrived at the sixth part of the TGTF Guide to SXSW 2014: the genre of singer/songwriters and folk artists. Whether they are single person artists with just a microphone and/or a guitar, or they’re a multi-person strong team of musicians, singer/songwriters have the ability to evoke feelings and emotions in us sometimes we didn’t even know we had. Read on…

Juliette Ashby
Carrie writes: “Fans of the late Amy Winehouse will be interested to hear up-and-coming pop diva Juliette Ashby. Though Ashby was reportedly close friends with Winehouse, her music bears only the slightest tinge of Winehouse’s gritty soul flavor, instead leaning more toward the sparkly dance pop of stars like Ellie Goulding or Lily Allen. Ashby’s debut album ‘Bittersweet’ will be available for preorder on the 3rd of March.

Liam Bailey
Self-described as “acoustic soul”, Nottingham-born Bailey brings a soulful, almost jazzy edge and a welcome difference to the singer/songwriter category.

[youtube]http://www.youtube.com/watch?v=mCB6tg_6ntY[/youtube]

Cocos Lovers
Alt-folk collective Cocos Lovers formed in Kent in 2008 when its members decided to quit their day jobs and travel through Europe, busking and making music however and wherever they possibly could. Predictably, the influences on their style are widely varied, including English folk and choral music, American Southern gospel and Spanish flamenco, as well as the complex rhythms and tonalities of African and Eastern traditional music.

Read Carrie’s Bands to Watch feature on Cocos Lovers here; two of their members also answered our SXSW 2014 flavoured Quickfire Questions, which you can read here.

Cousin Marnie
Carrie writes: Hackney native Cousin Marnie has the unique distinctions of claiming an Alfred Hitchcock heroine as the inspiration for her stage name and counting both Loretta Lynn and Kanye West among her main musical influences. Her single ‘Cain’ is an eerie combination of biblical text, stark instrumental texture, and delicate vocal timbres in the verses, juxtaposed with heavy bass and savage rhythm in the chorus. Watch the lyric video for ‘Cain’ below, and try not to think too much about what might have become of the little white bunny.

[youtube]http://youtu.be/KDIShBsd7HI[/youtube]

Honeyblood
Carrie writes: “Honeyblood’s twee grunge pop has drawn fully warranted comparisons to California groups Best Coast and Haim, not only for the female lead vocals, but for the laid-back vibe, fuzzy garage band tone and mildly rebellious lyrics.”

Carrie’s Bands to Watch feature on Honeyblood is here.

Kieran Leonard
Carrie writes: “The hipster literati in Austin next spring will no doubt flock to see British singer-songwriter Kieran Leonard, whose esoteric and often politically-charged folk rock challenges both emotion and intellect. His intensity may be off-putting at first, especially to a casual listener, but his entrancing singing voice and cynically provocative lyrics are worth a bit of extra attention.”

Read Carrie’s Bands to Watch piece on Leonard here.

The Melodic
Carrie writes: “South London band The Melodic have just finished touring America with Johnny Flynn and The Sussex Wit in support of their debut full length album, ‘Effra Parade’. ‘Effra Parade’ is a light and jaunty mix of carefree melodic lines, casual vocal harmonies and diverse instrumental textures. While musically whimsical, the songs’ thoughtful lyrics often deal with larger intellectual topics, such as the Pinochet-era political turmoil in Chile in ‘Ode to Victor Jara’”.

Carrie’s Bands to Watch feature on the band is here; frontman Huw Williams also answered our SXSW 2014 flavoured Quickfire Questions set here.

Nick Mulvey
Carrie writes: “Blurring the lines between jazz, classical, world music, and folk genres, this set of four songs reveals a wide array of musical influences, as well as a broad set of lyrical and compositional ideas. The songs hinge on minimalist grooves and the repetitive plucked rhythms of Mulvey’s acoustic guitar, but the unique harmonies and eclectic instrumentation generate surprising sonic variety.”

Rhodes
This Hitchin guitar-toting singer/songwriter with a penchant for sweeping, ethereal vocals has already been compared to the likes of Jeff Buckley and Antony and the Johnsons. Check out ‘Raise Your Love’, which showcases his expansive voice.

[youtube]http://www.youtube.com/watch?v=rzcx0Oa7s2s[/youtube]

Sweet Baboo
Welsh singer/songwriter Stephen Black might have named himself after Linus Van Pelt’s (Peanuts) too cute nickname, but he does a good job bridging the heartfelt with the occasional squealing guitar jam.

[youtube]http://www.youtube.com/watch?v=zMQ8h42HOJU[/youtube]

Tom the Lion
Cheryl writes: Tom Visser, performing under the moniker Tom the Lion, is splashing back onto the scene after a 3-year absence. Debut album ‘Sleep’ is poised to give this Londoner a career jolt. Blending low-fi, chamber pop and modified symphonics, ‘Sleep’ is a mysterious, masterful work. Previous release ‘The Adventures of Tom the Lion’ brought him under the radar commercial success even though it was an amalgam of live performance and limited edition vinyl-only EPs. Despite the difficulty in finding his music – currently available only via Rough Trade or his Web site, it is worth the hunt (hint: try Soundcloud). Both works hold gems that identify this singer as an endearing entry into the male singer/songwriter milieu.”

Cheryl’s full Bands to Watch feature on Tom the Lion can be found here.

Alex Vargas
Though he’s based in London, singer/songwriter was born in Denmark and is of English and Uruguayan ancestry. Looking for a bit of 21st century blue-eyed soul in Austin? You’ve found him.

Wildflowers
Carrie writes: “Brighton-based four-piece Wildflowers center their folk rock sound around the vocal harmonies of sisters Siddy and Kit Bennett. Siblings almost always have a unique ability to perfectly match their vocal diction for seamless harmonies, but the sisters also share a love of rebellious female songs, citing Alanis Morrisette as an early musical influence. Hints of Morrisette certainly appear in Wildflowers’ lyrics and Siddy Bennett’s vocal delivery, but the overall sound leans more toward the bluesy country of Patsy Cline. The Bennett sisters cite their nomadic, bohemian upbringing as an influence on their music as well, with American bands like The Eagles and Fleetwood Mac informing the full-scale vocal harmonies they share with band members James Ashbury and Kendal Sant.”

Want to read Carrie’s Bands to Watch feature on Wildflowers? Right this way.

Withered Hand
Carrie writes: “Withered Hand is the stage name of Scottish folk singer/songwriter Dan Willson, whose second full length album, ‘New Gods’, is due for release in mid-March (the 10th of March, just in time for SXSW!) by Fortuna Pop! Records. According to the label’s press release for ‘New Gods’, Willson took up songwriting around age 30 when a series of life events sparked “a period of reflection” that led to the creation of his deeply introspective first album ‘Good News’. ‘New Gods’ is a variation on that theme of self-examination, equally perceptive and evocative, but with a mellow touch of wry humor to soften its blunt honesty.”

To read Carrie’s review of Withered Hand’s upcoming album ‘New Gods’, go here.

Gabby Young and Other Animals
Carrie writes: Gabby Young is a classically trained opera singer turned ‘Circus Swing’ songwriter whose globally-influenced brand of folk music has been grouped into an eccentric genre all its own. Her singing voice is indeed glorious, but even more spectacular are the energetically jazzy rhythms provided by her 8-piece backing band, Other Animals. This lively showcase is sure to inspire dancing and debauchery in Austin. For a quick teaser, watch the video for ‘I’ve Improved’, from the group’s Kickstarter-funded third album ‘One Foot in Front of the Other’.

[youtube]http://youtu.be/3TEon8cQI_g [/youtube]

More of the TGTF Guide to SXSW 2014 to come this week. Stay tuned!

 

(SXSW 2014 flavoured!) Video of the Moment #1438: Nick Mulvey

 
By on Tuesday, 28th January 2014 at 6:00 pm
 

Singer/songwriter Nick Mulvey has a new promo out for ‘Cucurucu’, his new single out on the 3rd of March on Fiction Records. Filmed on Nihiwatu Beach in Indonesia by National Geographic director James Morgan, this is nothing like the average music video these days. It’s spectacular. Watch it below.

After a short UK tour (dates below the video embed; tickets on sale now), Mulvey is scheduled to perform at SXSW 2014 in Austin, Texas.

[youtube]http://www.youtube.com/watch?v=2O1-XNwNq70[/youtube]

Monday 3rd March 2014 – Birmingham Glee Club
Tuesday 4th March 2014 – Sheffield Harley
Wednesday 5th March 2014 – Edinburgh Electric Circus
Saturday 8th March 2014 – Oxford Art Bar
Sunday 9th March 2014 – Liverpool Central Library
Monday 10th March 2014 – Norwich Arts Club
Tuesday 11th March 2014 – London Scala
Wednesday 12th-Saturday 15th March 2014 – SXSW 2014

 
 
 

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF was edited by Mary Chang, based in Washington, DC.

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