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Rise Against / November 2014 UK Tour

 
By on Monday, 28th July 2014 at 8:00 am
 

Activist punk rockers Rise Against have just announced a worldwide tour in support of their recently released album ‘The Black Market’, including a string of shows in the UK this November. The globally-conscious video for current single ‘I Don’t Want to Be Here Anymore’ can be viewed below the tour date listing.

Support acts for the UK leg of the tour will be Pennywise and Emily’s Army. Check Rise Against’s official Web site for complete international tour information. Tickets for the following shows are available now.

Monday 3rd November 2014 – Sheffield Academy
Tuesday 4th November 2014 – Glasgow Academy
Thursday 6th November 2014 – Birmingham Academy
Saturday 8th November 2014 – Manchester Apollo
Sunday 9th November 2014 – Southampton Guildhall
Monday 10th November 2014 – London Brixton Academy

[youtube]http://www.youtube.com/watch?v=Dv_cvxAAZ-Y#t=20[/youtube]

 

Album Review: Rise Against – Long Forgotten Songs: B-Sides & Covers 2000-2013

 
By on Tuesday, 24th September 2013 at 12:00 pm
 

Rise Against Long Forgotten Songs coverRise Against are most widely known for being that shouty punk band from Illinois, who are all do goody and support Amnesty, PETA and other organisations like that. Not in an, “ooh, look at me I’m saving an orangutan”, while the TV cameras encircle the terrified primate. They’re more of the understated, we’ll slam the political dialogue in the verses and let our music do the talking, and for the past 14-ish years it has quite comfortably.

Now after releasing six politically charged albums they have released a collection of b-sides and songs that got lost in the ether: ‘Long Forgotten Songs: B-Sides & Covers 2000-2013’. A collection of thrown away half-baked ideas it is not though, compiled to be an extra pay cheque with minimal effort. Instead the record bizarrely has a kind of cohesiveness to it that it really shouldn’t. Not that this reviewer is complaining in the slightest.

Twenty-six songs was always a weighty ask, but when there are changes of pace galore as you race through this goliath of a record you can hardly gripe and moan. There’s some Rise Against token acoustic gold in the shape of the beautifully crafted ‘Everchanging’, where Tim McIlrath does his best to tug on the heartstrings, maybe not to the same ilk as the touching ‘Hero of War’, but still McIlrath is at his sentiment wrenching best.

Then when you reach the conclusion of this bountiful chest of forgotten tracks that have fallen by the wayside, there is a smattering of quite unusual covers. Which are absolutely what you would not expect from a band like Rise Against. However, what a surprise they are with the star studded cover of ‘The Ghost Of Tom Joad’, proving to be the jewel in the crown and the perfect way to finish the record. While their cover of Boy’s ‘No Good’ is as unexpected as it is majestic.

Altogether, it’s a testament to the musical ability of Tim McIlrath, Zach Blair, Joe Principe and Brandon Barnes that their leftover pizza, after the night out that is dining on their six albums, still tastes as good right now as it would have earlier.

8/10

‘Long Forgotten Songs: B-Sides & Covers 2000-2013’, a compilation of Rise Against b-sides and rarities, is available now from Polydor.

 

Leeds 2011: Day 2 (John’s Roundup)

 
By on Wednesday, 7th September 2011 at 2:00 pm
 

Five minutes of rain was all the heavens had in store for us on Saturday at Leeds. On a day which promised to be the heaviest of the weekend, with acts like Bring Me the Horizon, Rise Against and headliners My Chemical Romance gracing the main stage, the weather held off and it was primarily dry.

To kick off the day of music were the Blackout, who brought by far the Welshest set of the weekend. ‘STFUppercut’ was loud and hit with the ferocity of a festival goer with a full bladder running to the loo. ‘Children of the Night’, which in my humblest of opinions is their most solid track, sounded weak and laboured, no matter how much front men Sean Smith and Gavin Butler bounced about the stage.

New Found Glory were up next and found themselves in a familiar position to last time they played in 2009 where they were 3rd on the main stage once before. They opened with easily their best offering ‘All Downhill From Here’ and well… It really was. Nobody was expecting a set full of hits, because the band doesn’t have any. ‘My Friend’s Over You’ simply sounded like the whines of an unwanted child and the rest of the set just isn’t worth explaining. Poor throughout. As expected.

The failure of the Main Stage bands to whet my appetite led me to fresher pastures. My first port of call was the Festival Republic stage, where acts like Franz Ferdinand have cut their teeth and gone on to headline. A band familiar to TGTF were next up; they played 2nd on the bill on TGTF’s stage at Brighton’s Great Escape this year. Foster the People are currently riding on the crest of a wave with their hit single ‘Pumped Up Kicks’ that has been played to death on Radio 1. This has done them a world of good though, because as with all hotly-tipped acts on the stage the tent was bursting to the brim. For good reason, these boys were fantastic and thoroughly deserve all the plaudits being given to them by the press at the moment. Even with the briskly cold weather Foster the People managed to create a ray of sunshine in the tent.

Back to the Main Stage I ventured then. Up next was punk rockers Rise Against, who immediately came out with a mission, it was going to be mosh pit central and I don’t think we had a choice about it. To go from Foster the People to Rise Against was a bit of a culture shock, but festivals are about diversity in music and I think there can be few similarities seen between these acts. Rise Against’s set was frantic, with guitars roaring above the wind, with ‘Savior’ sounded positively epic in the Main Stage’s surroundings and ‘Prayer Of The Refugee’ had the entire crowd singing along.

Booze by this point was taking its toll on my body and my decision making capabilities, so it was to no surprise that I was convinced by my fellow festivalers that going to the Dance tent for some sweaty raving was a fantastic idea. Nero were playing a DJ set and with hits like ‘Promises’ and ‘Guilt’, they were going down an absolute storm in the confines of what the day before was the Lock Up Stage. It was the set afterwards that really, excuse the cliché, blew the roof off though. ‘Sub-Focus’ took the crowd in the palm of their hand and easily had people skanking to their will. The beats were infectious, dirty and the perfect mix for a bunch of booze infused teenagers with 90% attempting to pull.

With a quick dash/stumble across the site to the NME stage I was able to catch the spectacle that is Noah and the Whale. The nu-folk dealio had been done last year with Mumford and Sons, but while nobody can fully excuse Noah from being mainstream there was by far a more eclectic crowd gathered than for the heaving mob created by Marcus Mumford and co. The tracks from their new record didn’t seem forced upon the crowd: the masses received them with joy and while movement was low, the joy amongst the fans was apparent to all. They are a band on top of their game at the moment, playing beautiful music to fans who adore them.

Up next were gloom rockers White Lies. Opener ‘Farewell to the Fairground’s’ trademark drums got the people in the tent excited, and for good reason, as this was surely to be one of the sets of the festival so far. White Lies didn’t fail to disappoint; Harry McVeigh’s voice resonated among the punters with an eerie gloom, while the bass roared to life in the background. Set closer ‘Bigger Than Us’ for sure has to be nominated for the loudest song of the festival award, as I was surprised the people at Reading couldn’t hear the drum beat blasting along.

Headlining the evening was My Chemical Romance, another band with a troubled Reading and Leeds history. MCR were bottled off during their last visit to the Reading site in 2006 and vowed that they would never return to the festival unless they were headlining. Five years later and the emo pin-up boys had done it. They were headlining the Main Stage and wow, you could tell they loved it.
‘Na Na Na (Na Na Na Na Na Na Na Na Na)’ was greeted to roars from the crowd, as Gerard Way patrolled around the stage akin to a general directing his troops. The energy was frantic during the opener; you could tell the boys on stage were playing like their lives depended on it. It was paying off though; naysayers and MCR skeptics all about the Main Stage crowd surely were having their heads turn by the display of blasé rock ‘n’ roll on show in front of them.

If that wasn’t enough they followed it up with their now classic ‘I’m Not OK (I Promise),’ fists were already pumping all around the crowd, flares being lit left right and centre. The band powered through a set with all the hits and songs from their newest record, with the highlights including the glorious sing-along that is ‘S/C/A/R/E/C/R/O/W’ and a ferocious rendition of ‘Famous Last Words’. To finish the set though there could only be one song. The anthem that saw them loved my millions, yet tarnished by the brand of a suicide cult. ‘Welcome to the Black Parade’ was everything it was meant to be though that night, a triumphant call to arms, awry with guitar solo’s that Queen would be proud off. A successful set then for MCR, one which can leave few doubting that this band deserves to headline bills like this.

 

Preview: T in the Park 2010

 
By on Tuesday, 4th May 2010 at 12:00 pm
 

Even with many acts still to be revealed, the lineup for Scottish festival T in the Park is looking pretty impressive.  From 9th to 11th July, 2010, thousands of punters will descend upon a disused airfield in Balado, Kinross-shire for a weekend of camping, shopping, carnival attractions and music across 7 stages.

Friday night see’s live favourite Muse headline the main stage, which will also be graced by Paloma Faith, Faithless and other artists yet to be announced. Rather disappointingly, the Radio 1/NME Stage will be headlined by American pop group Black Eyed Peas, who are, in this humble blogger’s opinion, an incredibly obnoxious band. They’ll be playing after TGTF favourites Florence and the Machine and The Temper Trap, as well as Jamie T. Another questionable choice is 3Oh!3 in King Tut’s Wah Wah Tent, though they’ll share the stage with great bands like Calvin Harris, Hot Chip, La Roux and Dirty Projectors. And finally, the Red Bull Bedroom Jam Futures Stage will see Echo and the Bunnymen and TGTF favourite Delphic on Friday.

It’s a toss-up between Saturday and Sunday for which day has the best lineup this year. Rapper Eminem will make his debut T in the Park appearance as Saturday’s Main Stage headliner, marking his first festival performance since 2001. The Main Stage will also see performances by Paolo Nutini, Stereophonics, Vampire Weekend and the Proclaimers. The Radio 1/NME Stage is pretty amazing on Saturday night, with a lineup including The Prodigy, The Courteeners and Wolfmother, and King Tut’s Wah Wah Tent is looking equally fantastic. It’ll see the likes of Mumford and Sons, Rodrigo y Gabriela, We Are Scientists and Kate Nash. Other notable artists like Julian Casablancas, Laura Marling and the Middle East will be gracing the Red Bull Bedroom Jam Futures Stage on Saturday.

Rockers Kasabian headline the Main Stage on Sunday, playing along with other massively popular artists like Jay-Z, Biffy Clyro, John Mayer and Dizzee Rascal. The Radio 1/NME Stage is looking good, too, with performances by Groove Armada, the Cribs, Babyshambles and Rise Against throughout the day. Some of the best up-and-coming bands of the festivals can be seen Sunday on the Red Bull Bedroom Jam Futures Stage, including Bombay Bicycle Club, the Drums, Yeasayer and Two Door Cinema Club.

The festival sold out within 90 minutes,  so if you don’t already have tickets, I’m afraid you’re out of luck. Let us know what you think of the lineup!

Full lineup after the jump…

Continue reading Preview: T in the Park 2010

 
 
 

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