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Album Review: Various artists – Endangered: Fierce Panda 2004-2014

 
By on Monday, 14th April 2014 at 12:00 pm
 

Fierce Panda Records may be famously noted by pedants of the British music business as being the label that launched the careers of Coldplay and Keane, but if that was all to the label, it wouldn’t be still standing. It’s hard for me to fathom that here we are in the year 2014, and Fierce Panda has been in business for 2 decades. The London indie label has championed the little guy and released so much great music in the last 20 years, it would take me far too long to go through their storied history than there is space on our humble Web site. Instead, I’m going to focus on a new 18-track compilation the label is offering up for free with any record purchase from their online shop.

The LP’s title ‘Endangered: Fierce Panda 2004-2014’ is innocuous enough, not at all telling of its contents when, in fact, it is a careful selection of, oddly, the saddest songs from their back catalogue of the last 10 years. I say oddly, because celebrating and (surviving) 20 years in anything these days is cause for celebration, surely? However, despite being advertised by the label themselves as “some of the weepiest tunes it has had the tragic pleasure to put out over the past ten years”, you should be more impressed by the quality of the music not to slit your wrists. Hopefully, anyway. Maybe the whole ‘sad song’ is meant to be cheeky, now that I think about it.

‘Endangered’ does not rely solely on sob story, folky singer/songwriter types and in so doing, shows the breadth of Fierce Panda’s roster. But let’s first examine the more obvious sad songs. Danish girl/boy duo The Raveonettes‘ ‘Last Dance’ is innocent and twee, and Canadians Woodpigeon‘s ‘The Saddest Music in the World’ that opens the album is similar, but with added Simon and Garfunkel influence. Los Angeles quintet Milo Greene‘s harmonies shine on the Biblical leaning ‘Son My Son’, while the voice and songwriting of Tom Hickox, already being compared to Leonard Cohen and Nick Cave’s, haunts with desolation on ‘Let Me Be Your Lover’, with sombre piano and then added strings and horns.

[youtube]http://www.youtube.com/watch?v=kLGd50B16Ck[/youtube]

The more bombastic numbers in this collection include the now-on-hiatus Walkmen and their optimistic (or delusional?) ‘In the New Year’, the slow burning Acres of Lions‘ ‘Collections’, Hatcham Social‘s rich guitars in ‘Sidewalk’ and Dingus Khan‘s whistle-filled ‘Made a List’; the latter’s inclusion in particular surprised me, but it just goes to show that even if you’re looking rough and tumble on the outside, you can still feel sadness inside. The sonic beauty of Ultrasound‘s ‘Sovereign’ is marred, presumably on purpose, by the repetition of the lyric “we are unclean” and the business of sex and sin, all wailed by singer Andrew “Tiny” Wood. The same can be said for tracks that include synths or twinkly keys: ‘They All Laughed’ by the Spinto Band sounds cheerful in a music box sort of way but it veils, not very well, the disgust he has for a former love, while the psychedelic feelings that Hey Sholay‘s ‘The Bears The Clocks The Bees’ engenders are appropriate for a song about confusion in a relationship.

It should also noted that sadness can also come out of mind games, craving someone else or the deepest regret. The industrial Nine Inch Nail-sey sound of Department M‘s ‘J-Hop’ (stream above) comes with the element of desire with its sensual lyrics, “we ply / by the logic of the reasoned minds / and one last time I’ll come to your body / what do you need?” The genius behind Art Brut‘s ‘Rusted Guns of Milan’ is Eddie Argos’ admittance, in his usual funny way, that he’s messed up in a relationship and he wants a second chance. Meanwhile, a similar request for a second chance is captured in a brilliant snapshot in ‘Last Decade’ by Goldheart Assembly (video below), showing a man’s final moments, first desperate to reconcile with a lover but then resigning to his fate: “but you know I’d go back, but there is no way…” I Like Trains‘ ‘A Rook House for Bobby’ I’m guessing is named for chess champion and famed recluse Bobby Fischer, using his hermit existence as a metaphor for how love can cause depression. The self-deprecation and admittance of weakness in the little girl voice of Melanie Pain in ‘How Bad Can It Be’ is, no pun intended, painful: “everyone knows I won’t change / everyone knows love is not my game / everyone know who I am / everyone but you.”

[youtube]http://www.youtube.com/watch?v=uE667lCVBDA[/youtube]

Additional Panda melancholy comes courtesy of Sheffield in the form of two exemplary tracks. A man’s exasperation over his lover’s worry about losing him is made all too real in Tom Hogg’s expressive vocals with his bandmates’ gorgeously crooning backing in ‘Would You Be Blue’ by the Hosts (stream below) from this year’s debut album from them, ‘Softly, Softly’. Meanwhile, the loneliness of the protagonist of The Crookes ‘Howl’ from ‘Soapbox’ released today is haunted by the memory of another’s love, as George Waite’s voice is alternately dreamy and contemplative in the romance of song-induced candlelight: “and there’s no time, only light / no clocks, but shadows that hide the point when day becomes night / it’s hard to tell with these skies… I heard the howl, I love you but you keep me down.”

I think those two songs tell the ‘sad song story’ of Fierce Panda’s last 10 years the best, and why? Sad songs, like love songs, are often misunderstood. Emotions like sadness, loneliness and indeed, even love are like jewels. Whether they mean to or not, the people who gloss over emotion don’t seem to understand that they aren’t one-dimensional but instead multi-faceted, with dull and lifeless versus bright and sharp faces and something new to discover upon each listen. As a collection of the ‘sad song’ genre, ‘Endangered’ is a great introduction to the many wonderful artists on the Fierce Panda roster, and I can’t imagine you won’t find at least one song that will make you feel something deep in your heart.

7.5/10

You can get ‘Endangered: Fierce Panda 2004-2014’ now for free if you order any album from the Fierce Panda online shop here. For more information on the bands signed to Fierce Panda, those included in this collection and those not, visit the label’s official Web site. For a limited time, you can get another eight-track song sampler (not all sad songs!); more details in this previous MP3(s) of the Day post.

 

Update: Liverpool Sound City 2013

 
By on Friday, 1st March 2013 at 9:00 am
 

The city of Liverpool brought us The Beatles, it’s brought us Steven Gerrard and Jamie Carragher, and they’ve been European Capital of Culture in 2008. It’s a city that just keeps on giving!

Now, what could they have next to give? Well, how does an incredible array of exciting new names for the UK’s first big festival of the year, Liverpool Sound City resonate within? Last year saw those 2012 Mercury Prize-winning scamps alt-J grace one of the festival’s many stages, alongside teenage sensation (who isn’t One Direction) Jake Bugg and Scottish indie rockers Django Django before each act went on to critical success, leaving punters in their wake drooling in earnest. Florence and the Machine, The Maccabees and Ed Sheeran performing at the festival early in their careers has simply added to the fact that Liverpool Sound City is a snapshot of everything that is vital in music right now.

So what stellar acts are set to grace the stages that so many of the UK’s top artists have begun their career on? Before the release their fourth album ‘Heart of Nowhere’ later in May, London folkies Noah and the Whale will be performing a special show in Liverpool’s spectacular Anglican Cathedral on the Thursday 2nd of May.

It is important also to remember that one of the things Sound City does best is showcase the best of the North. This year is no exception, with a trio of high-profile Manchester-based bands having been announced. Joining Noah and the Whale on the bill are Everything Everything, who are riding on the crest of a wave following the release of second album ‘Arc’. Their synth-driven indie pop will go delectably with the left-field math rock/pop of Dutch Uncles‘ new ‘Out of Touch in the Wild’. With their latest adventurous album ‘Collections’ failing to impress critics, Delphic will be hoping that some serious live shows can get them back in the public eye.

One band who are worth keeping an eye on in 2013 and who will coincidentally also be appearing at Sound City are Drenge. Their eclectic mix of punky blues, rock ‘n’ roll are sure to at least give you something to think about. Alongside the names I have mentioned, you’ve got Alessi’s Ark, Jetta, Bipolar Sunshine, Loom, Deep Sea Arcade, Blackeye, Skaters, Melody’s Echo Chamber, Wolf People, Splashh, Charlie Boyer and the Voyeurs, Lulu James, Arcane Roots, Still Corners, Luls, Hands, Wild Smiles, Ian Prowse and Amsterdam, Mikill Pane, Bebe Black, Jacob Banks, Bo Ningen, Big Deal, Night Engine, Mind Enterprises, Golden Fable and Likely Lads.

Yep, I barely breathed there too. It’s a very literal orgy of British music talent and that’s not even mentioning that heavy hitters like Dexys, The Walkmen, Enter Shikari, Reverend and the Makers, AlunaGeorge, Thee Oh Sees, Mount Kimbie, Future of the Left, King Krule, Unknown Mortal Orchestra and Darkstar and Toy, were already announced weeks ago.

So stop kidding yourself. If you want to be ahead of the times, don’t sit in your bedroom with your snapback on listening to bands on SoundCloud. Head down to Sound City! With a limited amount of £40 3-day wristbands available until the 2nd of March (THAT’S TOMORROW GUYS!) it’s best to get in early!

 

Video of the Moment #883: The Walkmen

 
By on Saturday, 14th July 2012 at 10:00 am
 

The Walkmen‘s ‘The Love You Love’ video is like a dream in black and white; things happen in slow motion and not in the order they should or how you remember them. Intrigued? Watch the piece directed by Sean Pecknold below.

[youtube]http://www.youtube.com/watch?v=DQ5kYHV4YZY[/youtube]

 

The Walkmen / February 2009 UK Tour dates

 
By on Wednesday, 7th January 2009 at 9:33 pm
 

The WalkmenNew Yorkers The Walkmen have announced a string of three UK tour shows for mid February.

The US five some are releasing a new single in the shape of the aptly named ‘In The New Year’ on seven-inch and as a download on February 23rd, and will play three dates in support of it, along with some other European shows around the time.

Tickets are on sale now, priced at £11.50 for Birmingham, £12 for Brighton and £15 for London.

Wednesday 18th February 2009 – Birmingham Barfly (See Tickets)
Thursday 19th February 2009 – Brighton Concorde 2 (See Tickets)
Friday 20th February 2009 – London Scala (Fierce Panda’s fifteenth birthday party) (See Tickets)

 
 
 

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF was edited by Mary Chang, based in Washington, DC.

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