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Lower Than Atlantis / April 2015 UK/Irish Tour

By on Thursday, 18th December 2014 at 8:00 am

Lower Than Atlantis have announced a massive tour of the UK and Ireland for next spring, following on the success of their current self-titled album, which our John reviewed here.

Support for the following 11 dates will be provided by Essex rockers We Are The Ocean and American alt-rock band PVRIS. Tickets are available now.

Friday 10th April 2015 – Oxford Academy
Sunday 12th April 2015 – Newcastle Riverside
Monday 13th April 2015 – Glasgow Garage
Tuesday 14th April 2015 – Manchester Academy 3
Wednesday 15th April 2015 – Nottingham Rescue Rooms
Friday 17th April 2015 – Dublin Academy
Saturday 18th April 2015 – Belfast Queen’s University Student Union Bar Sub
Monday 20th April 2015 – Bristol Marble Factory
Tuesday 21st April 2015 – Bournemouth Old Fire Station
Wednesday 22nd April 2015 – Brighton Concorde 2
Thursday 23rd April 2015 – Norwich Epic Studios


Dr. Martens #standforsomething UK Tour / October, November and December 2014

By on Friday, 18th July 2014 at 9:00 am

Dr. Martens have withstood the onslaught of – and reinvented themselves through – many – if not all – musical eras, fads, and fashions. No doubt ‘60s rockers found them very handy for keeping their feet protected from the tarmac, forcing a sticky gearlever to shift on a careworn Triumph and for kicking mods in the shins. Into the late ‘70s and early ‘80s, punk and the skinhead movement found DMs perfectly matched their aggressive image, even though most punks no doubt went home to their mums to tuck them in with a cup of cocoa at night.

Later on in the decade, as the hardness of punk split into gothic nihilism and dayglo optimism, Dr. Martens could be found on the feet of both groups – the perfect match to both a pair of leather trousers and a floaty flower-print dress. And then came the 1990s, and with it came grunge, a musical movement tailor made for a decent pair of sturdy footwear. Truth be told, there’s barely an era in music that DMs haven’t been associated with, continuing to the present day. So it’s no surprise that the brand has decided to become directly involved in a bit of music promotion.

Now in its second year, the Dr. Martens #standforsomething tour promises to repeat last year’s achievement of “taking some of the most exciting live acts around into tiny venues”. Which makes it sound like they’ve managed to get White Denim to play a phone box, and that isn’t really the case. I’m not sure the venues involved would agree with the “tiny” description – Newcastle’s Cluny 2 has raked seating, a balcony and 160 capacity. Nor is it unusual for the bands involved to play mid-size venues: Eagulls are playing the Cluny on their own headline tour, for instance.

Such pedantry aside, Dr. Martens have come up with an exciting, directional lineup, heavy on bands that feature the words “post”, “punk”, or indeed “post-punk” in their bios. Wales’ Funeral for a Friend have been plying post-punk pop with a distinctly American twist for over a decade now, and the public’s appetite shows no sign of waning. Leeds’ Eagulls are a touch more ramshackle, more punk and less metal, but nonetheless play in the same league.

A pattern emerges when we come to We are the Ocean – distorted, upbeat guitar riffs, insistent, double-tracked vocals and clean-as-a-whistle production. Only their mothers could tell them apart from Funeral. Things take a left-field turn in Los Campesinos! (pictured at top); instead of distorted guitars, there’s violins, any manner of improvised percussion and vocals that are more sung than screamed.

And then there’s the matter of Sydney’s Tonight Alive. Fresh from gracing the soundtrack of the latest Spiderman film, Jenna McDougall brings her impressively toned abdomen and similarly toned vocal cords to the humble environs of Newcastle’s Cluny 2. A combination of laid-back Australian surf style and distinctly Transatlantic musical chops, there’s no doubt that Tonight Alive will bring a dose of glamour to Tyneside – and to be fair to the promoters, considering the auditoria Tonight Alive are used to playing, the Cluny may indeed appear tiny in comparison.

When you boil it down, #standforsomething is nothing more than a short series of unrelated gigs across the country with a rather large marketing budget attached. The bands are already touring the UK: Tonight Alive, for instance, hit London, Birmingham, Manchester and Glasgow, completely independently, before their Martens-sponsored Newcastle date. Similarly, this gig closes We are the Ocean’s and Funeral for a Friend’s tours, whereas it falls directly in the middle of Eagulls’. Nonetheless, a good bit of promotion for some decent bands never goes amiss, so whichever way you slice it, if you’re into DMs, good music, or perhaps even both, there’s no better way to spend a night with your fellow leather enthusiasts. And you might bounce home with a bit of free swag. Catch the tour on the dates listed below and register on the Dr. Martens Web site here to register for tickets.

Saturday 4th October 2014 – Edinburgh Cabaret Voltaire starring Funeral for a Friend
Saturday 11th October 2014 – Cardiff Clwb Ifor Bach starring Eagulls
Saturday 25th October 2014 – Liverpool Shipping Forecast starring We are the Ocean
Saturday 8th November 2014 – London Lexington – TBA
Saturday 22nd November 2014 – Birmingham Flapper starring Los Campesinos!
Saturday 6th December 2014 – Newcastle Cluny 2 starring Tonight Alive


Live Gig Video: We Are the Ocean perform ‘The Road’ live at Middle Farm Studios in Devon

By on Monday, 7th October 2013 at 4:00 pm

Essex band We Are the Ocean are re-releasing their album ‘Maybe Today, Maybe Tomorrow’ in deluxe reissue form on the 21st of October on Hassle Records, and they’ll be releasing a live album as part of the reissue. One of the tracks that will appear on the added-on live portion is ‘The Road’, which they’ve recorded in video form for your viewing pleasure. Watch it below.



Hit the Deck Nottingham 2013 Roundup

By on Tuesday, 23rd April 2013 at 5:47 pm

Photos by Jess Mason (@jessislost)

The sun beat down upon the beautiful streets of Nottingham as hordes of scantily-clad teenagers, sporting piercings aplenty and tattoos in abundance. With a plethora of flesh on show, these skipped giddily towards Nottingham’s rock central, Hit the Deck Festival 2013.

Billed as the UK’s premier indoor festival, the artists are shared among seven venues all within walking distance of each other. It’s still in its infancy, with yesterday’s events being the third time the festival has hit Nottingham. If hardcore, punk and metal are your genres of choice, then Hit the Deck presented a veritable orgy of talent from the UK and abroad to feast your teeth into, from experimental instrumental acts to some pop-punk for the young at heart.

After interviewing a number of lovely bands, with a special mention to the utterly mad Dingus Khan who were interviewed on top of a 16-storey parking garage and partially in a lift, the bands were set upon!

First up were female quartet Evarose, whose energy in Rock City’s sweaty basement was infectious from the off. There is nothing quite as contagious as the energy of a band that is obviously enjoying themselves immensely. The smile plastered across the bassist’s face was testament to this. They may not have been playing the big stages, but they committed themselves 100% to the task ahead of them, which was of course winning the festival audience who had stumbled upon them. The lead vocalist was an abundance of the pop-punky jumpiness you expect from a band like this, and whilst her vocal range let her down slightly, it did seem a case of practice will see these girls come good. (7/10)

In the Rescue Rooms directly afterwards, instrumental five-piece Maybeshewill set upon a bit of mindbuggery with their noodling solos and occasionally heavy breakdowns/beatdowns (take your pick). The crowd were either encapsulated, or thoroughly baffled by the band, as the crowd stood permanently affixed, only breaking their statuesque poses to mark the end of a song with a round of applause.

Instrumental music provides the quizzical question to punters, of ‘where do you look?’ Whilst most bands have a focal point, a frontman of some kind, with Maybeshewill your eyes dart around each members instruments. The set though was tight and enjoyable if you could get your head around the lack of vocals and in an understated fashion they slowly won over the pedestrian crowd. (7/10)

From something understated, to something thoroughly over the top in the form of Attack Attack! was the next move, as the American post-hardcore outfit bounded onto the stage with the exuberance of a group of puppies. Cute and cuddly like puppies? Not exactly! With the groups mix of hardcore bass riffs and techno interludes driving the assembled masses of Rock City into a bopping, bouncing frenzy of flailing flesh and roaring fans.

The mix is eclectic, and works somewhat sparingly, but as the set goes on, the rather formulaic song construction wears slightly thin on my cynical (and very large) ears. However, as a live act, the band exude confidence and frontman Phil Druyor proves to be a bastion of charm, energy and everything a band like Attack Attack! need. (6/10)

Following up from the aural assault of Attack Attack! are one of the most hotly tipped bands on the bill: Essex band We Are the Ocean who, forgive the pun, are riding the crest of a wave after the success of hugely-catchy tracks like ‘The Waiting Room’, ‘Bleed’ and ‘The Road’. WATO are the kind of no frills rock and roll act that I just can’t fail to enjoy.

We Are the Ocean Hit the Deck 2013

Heart on their sleeve choruses and an aversion to wonky time signatures which sees some brilliantly catchy tunes roared from the Rock City main stage. The UK has their very own Gaslight Anthem, and with the reception they received from the crowd as evidence, they will be hearing a lot more of WATO’s charming tunage. (8/10)

After a brief interlude for some of the most delectable cookies I’ve ever had the pleasure to consume it was time for a healthy dose of pop-punk tomfoolery with We are the in Crowd. NOT WE ARE IN THE CROWD, as this annoys them greatly. Trust me.

For a WATIC virgin I was in shock as the American five-piece proceeded to pull tune after tune out of their pockets, whipping the packed room of tweens and teenyboppers into a flurried mass of squealing. Each member of the band brought boundless vitality to the stage, whilst Jordan Eckes vocals soared across the wide expanse of Rock City with ease, before set closer ‘Rumor Mill’ produced easily the biggest and most positive reaction of the day’s proceedings. (8/10)

Next up were a band whom are bound to cause chaos wherever they go and I for one feel for their tour manager. Pure Love, fronted by ex-Gallows troublemaker Frank Carter, the Rescue Rooms was literally torn to bits as the rampaging lead singer leapt into the crowd and made his way to the bar for a vodka Coke.

If that wasn’t enough, lead guitarist and ex-Suicide File axe man Jim Carroll managed two crowd surfs whilst still slamming riffs out during the first two songs. With chaos ensuing, it seemed only right that Frank took proceedings to an even odder stage by putting the bands drum kit in the crowd and orchestrating a swirling circle pit around it. Whilst the theatrics made it an engrossing set, the tunes ensured that this was the set of the festival hands down. Carter remains the emphatic draw he was in his time at Gallows, and I can only see Pure Love going from strength to strength. (9.5/10)

To close the night are the champions of lad rock, kings of (dare I say it) swag and purveyors of some of the most memorable tunes you’ll hear this year and the next! Don Broco look every bit rocks answer to The Ordinary Boys, only not shit, with frontman Rob Damiani resplendent in a Fred Perry polo shirt and with his biceps almost tearing through it.

They open with a belter, in the form of ‘Priorities’, and from then on the tone is set. Damiani struts across the stage with a trademark elegance and swag (god, I said it again). The hits are flying out at break neck pace and even a rather laboured break for the bands fabled push-up patrol, for which they have t-shirts, does not interrupt proceedings. Again, it may be clichéd, but there are BIG things for these boys in the future. They are polite, extremely likable and bloody good looking to boot. What they want to do really is up to them, from the reception they received. (9/10)


Video of the Moment #1068: We Are the Ocean

By on Saturday, 15th December 2012 at 10:00 am

We Are the Ocean‘s new video is for ‘Young Heart’ does a good job of distilling the feeling of having to hide our true selves for being found out by our peers. (Come on, you’re with me on this, right?) In this mini film sendoff of Billy Elliot, a boy finds himself through dance. It shows me that deep down We Are the Ocean guys (now minus vocalist Dan Brown) have heart.


Video of the Moment #928: We Are the Ocean

By on Saturday, 18th August 2012 at 10:00 am

We Are the Ocean have released the promo video for their hard-hitting preview song, ‘The Road’, from their third album ‘Maybe Today, Maybe Tomorrow’ out on the 17th of September. Black and white and full of raw power and emotion, you can watch the video below.



About Us

There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF was edited by Mary Chang, based in Washington, DC.

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