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Live Gig Videos: The Heartbreaks, the Jim Jones Revue and Wet Nuns perform at Tramlines 2013

 
By on Thursday, 25th July 2013 at 4:00 pm
 

This afternoon we’ve got for you some really spectacular live performances from this year’s Tramlines festival in Sheffield. First up, the Heartbreaks from Morecambe are at the Harley performing ‘Liar My Dear’, which frontman Matthew Whitehouse describes as being “about being a very, very naughty boy in a seaside town”. Ooher…

[youtube]http://www.youtube.com/watch?v=aKDiEyoL-bo[/youtube]

Next, we have the growly, garage rock stylings of the Jim Jones Revue (pictured at top) on the Main Stage at Devonshire Green, playing ‘Righteous Wrong’ from their blistering 2010 album ‘Burning Your House Down’.

[youtube]http://www.youtube.com/watch?v=ZYJpVMiY_QQ[/youtube]

Finally, Wet Nuns bring their punishing guitars and beats in this video taken at their Academy show.

[youtube]http://www.youtube.com/watch?v=0UbaknNU2pQ[/youtube]

 

TGTF Guide to SXSW 2013: Rock, punk and metal UK artists showcasing at this year’s SXSW

 
By on Tuesday, 15th January 2013 at 11:00 am
 

Please note: all information we bring you about SXSW 2013 is to the best of our knowledge when it posts and bands scheduled to appear may be subject to change.

Carrying on with the genre section of the exclusive TGTF Guide to SXSW 2013 to continue through January each Tuesday, today we’re bringing you the UK bands slated to perform at this year’s SXSW that play rock, punk, metal and every combination in between. (Last week, we brought you the pop and pop hybrid acts list, which you can catch up on here.) Each part of the TGTF Guide to SXSW 2013 is a handy resource if you’re wondering which acts to catch at this year’s marathon week of showcases, parties and secret shows. But I hope it’ll also introduce you to the solo artists and bands you haven’t heard of, because that’s the most exciting thing about SXSW: at any one moment, you could walk into a bar, a club, a hotel, a warehouse, wherever…and you might just discover the next big thing in music.

What do all these acts in the rock / punk / metal genre list have in common besides being from Britain? Powerful guitars, punishing bass and drums and in most cases, vocals worthy of idolatry. How they achieve this differs from act to act, as you will read and see/hear below.

Belligerence (added 10/01/13) – heavy metal from Portsmouth. I’m finding it hard to find information on them, as there’s another band – also metal – from Prague with the same name…

File next to: Biohazard, Clutch, Pantera

The Blackout – Welsh post-hardcore band who have been soldiering on since their formation in 2003. Right, that means they’ve been around a decade. How many other bands, no matter what the genre, still exist after 10 years? They must be doing something right. Their next album, ‘Start the Party’, is scheduled to be out on the 21st of January 2013. We won’t post the name of their sweary big hit, but John mentions it in his day 2 roundup of Leeds Fest 2011.

Brutality Will Prevail – This Cardiff hardcore band had been signed previously to Alex Fitzgerald’s Holy Roar label and are now with Purgatory Records (sensing a theme here?), who this year released their latest album, ‘Scatter the Ashes’. Expect something punishing.

Touring with: Cancer Bats and Empress in March 2013 (maybe now they won’t appear at some of the dates on this previous organised tour, since the middle of it is smack dab during SXSW).

China Rats – Leeds lad rock. Legend has it that thanks to the tour bus of Bat for Lashes breaking down on the way to this year’s Benicassim, the band found themselves headlining the Valencia festival. Is ‘(At Least Those) Kids are Getting Fed’ a commentary on the North East, or a wider problem across Britain?

[youtube]http://www.youtube.com/watch?v=52bv0BorhFM[/youtube]

The Crookes – The Crookes made their SXSW debut in 2011 and when I finally met them in Brighton in May 2012, they were eager to return, so I’m really pleased for them getting another SXSW nod. This time, they’ll have the good time sounds of ‘Hold Fast’ (my top album of 2012) under their belts and I’m sure there will be a gaggle of new American fans of theirs (mostly female?) following their every move. I’ll be catching them as many times as I can, so do come and say hello.

Seeing that I’ve been a fan of theirs since the ‘Dreams of Another Day’ EP in 2010, there is a boatload of Crookes coverage you can read on TGTF, starting here.

[youtube]http://www.youtube.com/watch?v=TppUoY4zpFQ[/youtube]

Crowns – Coming off of their December tour raising awareness of UK homelessness, Cornwall’s Crowns will bring their fun rock ‘n’ roll sound to Austin. I missed their show at the Cornwall Pasty Company at last year’s Great Escape (really kicking myself over this…I mean, come on, that would have been the ultimate party conversation starter, right?) but I’m determined to catch them on American soil.

Read all of our previous Crowns coverage here.

The Enemy – my guess is that the Enemy are to be the younger equivalent of and will act like Kaiser Chiefs at last year’s SXSW: pulling in a good number of fans for their perfectly good but possibly unextraordinary sets in a post-Oasis breakup world. Since they’ve been around for a while (3 albums’ worth) in the UK, they’re not likely to be high on the average UK attendees’ must-see list, but I’ve never seen them before, so if they show up at Stubb’s, I might head on over.

Read our previous Enemy coverage here.

[youtube]http://www.youtube.com/watch?v=lupg5BHzH34[/youtube]

Evans the Death – This band already has a Rolling Stone description (huh?): “This London band mixes post–Smiths jangle and early–grunge sludge, as Katherine Whitaker explores varying shades of bad romance. Her raw emotion blends with slashing, whirling guitars to inject paralysis with weird power.” When you see they’ve been signed to Slumberland Records here in America (‘Allo Darlin’ and the Pains of Being Pure at Heart‘s American home), it all seems to make sense…

Sounds like: the Libertines, if they had a female out in front

[youtube]http://www.youtube.com/watch?v=MX8VcqY8qts[/youtube]

Gallops – why do I feel the need to mention Mogwai every time I hear a proggy band? Wrexham group Gallops aren’t nearly hard enough to warrant the comparison, although with titles like ‘Astaroth’ and ‘Hongliday’ their Blood and Biscuits’ debut ‘ ‘Yours Sincerely, Dr. Hardcore’, you’d not be putting experimental band in the pop box anyhow. (Something interesting I found on the band’s Tumblr: the linked to the Kitsune Maison 11 compilation – didn’t see that coming at all.)

Gallows – they’re punks. They deliver punishing sets at festivals, such as at 2000 Trees last year. And Frank Carter left them in 2011 to start Pure Love. That’s all you really need to know, right?

Hawk Eyes – punishing hard rock from Leeds. Their 2012 album ‘Ideas’ got top marks from Kerrang! and Artrocker so you know where this is going…

[youtube]http://www.youtube.com/watch?v=1szIsuhqcUc[/youtube]

Nik Turner’s Hawkwind – the current incarnation of history’s first space rock groups.

Heaven’s Basement (added 10/01/13) – a hard rock band who has been soldiering on for quite a while (since 2008) and are releasing their debut album, ‘Filthy Empires’, this year. They’ve supported big names like Bon Jovi and Papa Roach, so is this an indicator of their hard rock prowess? We’ll see at this year’s event.

[youtube]http://www.youtube.com/watch?v=kP1u79wSdDY[/youtube]

The Joy Formidable – what can we say about Welsh rock band Joy Formidable that hasn’t already been said? When you’ve been hand-picked by Dave Grohl as the man’s own favourite band right now, calling them “a killer live band”, ’nuff said really, yeah? The other facts that they are truly some of the loveliest people we have met and are always so happy about our coverage of them? That’s just icing on the cake. I’ve seen them several times now but the only time I’ve seen them at SXSW was on a live stream in 2011, which doesn’t really count, so I’m making it a point to catch them this time around.

Read all our previous coverage of the Joy Formidable here.

[youtube]http://www.youtube.com/watch?v=Y_t4s-HX3z0[/youtube]

Kassidy – some have called them the Scottish Kings of Leon, but that’s just lazy journalism. We’ve been following the folky rock hybrid band since their early EPs in 2010, and trust us, they’re way better than the Followills.

[youtube]http://www.youtube.com/watch?v=nMiBIHqeoa4[/youtube]

Read our previous coverage of Kassidy here.

Kill It Kid – wow, I don’t have to write a piece on them, because they placed #10 on our 10 for 2013 list and Martin’s already done for me. Revivalist blues from Bath.

Klaxons – they’ve been around a while. They won a Mercury Prize in 2007 for ‘Myths of the New Future’. Their last album ‘Surfing the Void’ released in 2010 “>has a cat in an astronaut suit on the cover. Sorry, I’m having trouble sounding knowledgeable about Klaxons because I don’t really like them all that much.

Read our previous coverage on Klaxons here.

Little Barrie – ‘powerhouse’ is a word that seems to be following this Nottingham formed, London transplanted trio. But if you’re going to call Little Barrie a powerhouse trio, then surely you mean to compare to the greats of rock ‘n’ roll.

Sounds like: a more radio-polished Cream or at least a band that came out swinging in the Sixties, not in the Noughties

[vimeo]http://vimeo.com/25333478[/vimeo]

LostAlone – Derby band who have been described as “breathtaking Queen-style harmonies and classic metal bite” and compared to Muse. How is it possible that we’ve never heard about them, then?

[youtube]http://www.youtube.com/watch?v=47rV458G-f4[/youtube]

New Ivory – according to MTV Iggy, these guys from London are the new knights of British indie rock. I am struggling to find a comparison, except maybe they sound like early Arctic Monkeys or Two Door Cinema Club, but not as catchy? (Yeah, I know. Damning with faint praise, aren’t I? Sorry.) Steve Aoki is a fan, having signed them to his Dim Mak Records. I dunno. Maybe they’ll actually sound better in person at SXSW.

[youtube]http://www.youtube.com/watch?v=BHEJaMTQJv8[/youtube]

Orange Goblin (added 10/01/13) – formerly known as Our Haunted Kingdom, on first glance you have to wonder if the new name was for a cuddlier image. So imagine my surprise that this is a heavy metal band! Having put out their first album in 1997, they’re definitely the granddaddies of the rock/metal/punk group, but having changed their sound from stoner/doom to their current more metal sound proves that they aren’t willing to stand in one place musically. A special live album for their devoted, ‘A Eulogy for the Fans’, will be released in March.

Palma Violets – I’ve refrained about writing about Palma Violets from Lambeth, South London, as what I’ve heard from them makes me think of The Vaccines, who came out of an NME promotional campaign firestorm and their #3 placing on the BBC Sound of 2011 poll with loads of fans clamouring to see them at major festivals. It’s 2013 now and look what’s happened: Palma Violets are on the BBC Sound of 2013 longlist. Overhyped band leads to foregone conclusion…appearing as a support act to headliners Django Django on the 2013 NME Awards tour next month sounds like an NME mistake then…

[youtube]http://www.youtube.com/watch?v=poFXWUTEs1k[/youtube]

PAWS – Scottish three-piece banging out tunes in a garage-y, lo-fi style. It should come as no surprise that they have a strong DIY aesthetic, as they’re great fans of bands like Dinosaur Jr and the Pixies, even having a song called ‘Kim Deal’ in their arsenal.

Sounds like: the Cribs or Peace, if they were from far north of the border.

[youtube]http://www.youtube.com/watch?v=MiDEkoPKCkk[/youtube]

Peace – We won’t waste your time here, since the band have already been tipped on the BBC Sound of 2013 poll. Read our previous Peace coverage, including their 10 for 2013 profile (they placed #5 on this last readers’ poll), here.

Peers – 6music’s Tom Robinson was an early supporter of this Reading band in 2010, the year the young band, then all under the age of 18, played the BBC Introducing stage at Reading and Leeds. The unsigned band cite Bombay Bicycle Club as a major influence, and if you squeeze your eyes real tight, you can hear Jack Steadman’s impact on singer Matt Thompson’s vocals.

Savages – dissonant post-punk via an unusual package – four women from London. Is it their anti-establishment stance that attracted the BBC Sound of 2013 tipsters? We’ll never know for sure but I guess imitating Patti Smith and looking sullen are the highest form of flattery? They could have at least smiled for the photos on their Facebook…

Sounds like: trying too hard to be a 21st century Siouxsie and the Banshees

[youtube]http://www.youtube.com/watch?v=6y-cVzbBBQ8[/youtube]

Sharks – usually punk is associated with a lo-fi, scuzzy sound, but this band from Leamington Spa sound remarkably polished, with hybrid punk/pop songs that could have easily slotted in with the music I listened here in America in high school.

Sound like: a grown up Blink-182, or Green Day when they weren’t so political and were still fun

Tall Ships – math rock meets indie rock in an epic way via three high-spirited lads from Brighton. John adored their 2012 opus ‘Everything Touching’ and for a Foals loving nation, it’s a wonder they aren’t bigger in the UK. Foals? Who are they?

Read our previous coverage on Tall Ships here.

[youtube]http://www.youtube.com/watch?v=4JYt3eYDQY0[/youtube]

Tango in the Attic – Scottish band from Glenrothes having Two Door Cinema Club-type guitars with reverb.

File next to: Smith Westerns

[youtube]http://www.youtube.com/watch?v=ke9eHi6Ze_A[/youtube]

Throne – there’s not a lot known about this London band, except that they’re known to ‘level rooms’ with their bad boy riffage when they appear in the Capital. You have been warned.

TOY (added 10/01/13) – psychedelic rock from a band made up of some members for the group Joe Lean and the Jing Jang Jong. I don’t feel like it’s really necessary to write about them, considering nearly every friend of mine rates them quite highly. Not really my thing, but I’m pretty sure they will do well in Austin.

[youtube]http://www.youtube.com/watch?v=dcQ2nXDvWDY[/youtube]

Frank Turner and the Sleeping Souls (added 10/01/13) – I nearly put Frank Turner’s band in the singer/songwriter category, but since his appearances at this year’s SXSW will be louder and more raucous than his solo turn last year at the Xtra Mile Recordings showcase, in the end there was no contest.

We’ve written quite about the man on TGTF, and you can read all of that through here.

Virals – vehicle for Worcester’s Shaun Hencher, who with his live band have most recently supported #5 10 for 2013 band Peace in the UK. Now Hencher’s looking to make a big splash at their American live debut at SXSW.

Sounds like: a cross between Male Bonding, Two Wounded Birds (RIP) and the Vaccines. Get yer sunnies out!

The Virginmarys – Macclesfield will soon be known for more than Ian Curtis, if this trio have anything to say about it. Their sound? Hard rocking, arse-kicking tunes.

File next to: Kasabian, Biffy Clyro

[youtube]http://www.youtube.com/watch?v=V8ehThdbXJs[/youtube]

Wet Nuns – even with quite possibly one of the silliest names for a band ever, Sheffield duo Wet Nuns had a spectacular 2012, getting attention not only for their silly name but their punk crossed with blues schizophrenic sound.

Sounds like: the evil child borne from Band of Skulls and the Black Keys

[youtube]http://www.youtube.com/watch?v=KAe5OFCuLxY[/youtube]

While She Sleeps – is heavy metal more your thing? Then I suppose you should look to Sheffield and a band like While She Sleeps for your jollies. Luke caught them last summer at day 2 of Slam Dunk South.

Young Guns – this band has been around for quite a while, but it wasn’t until summer 2012 that they had an American record deal. Radio-friendly, not too hard rock sound made by youngish, good-looking boys in leather: in short, an American label signing coup.

Read all our previous coverage of Young Guns here.

[youtube]http://www.youtube.com/watch?v=qk3vjIDuy9w[/youtube]

The Zombies – “What’s your name? / Who’s your daddy? / Is he rich like me?” All kidding aside, the Zombies have been around for over 50 years. Fifty effin’ years. They called themselves the Zombies before it was hip to like zombies. Though they’re down to only two original members – Colin Blunstone and Rod Argent – contrary to popular belief, it was they, not Friendly Fires, who put St. Albans on the musical map.

Read Braden’s interview with Colin and Rod from 2 years ago here.

Electronic bands and DJs are up next week. So catch us next Tuesday for the third chapter of the genre section of the TGTF Guide to SXSW 2013!

 

Tramlines 2012: Day 3 Roundup

 
By on Tuesday, 21st August 2012 at 2:00 pm
 

After the exhaustion of last night’s Crookes set at Tramlines, Sunday had come right on cue. With an eclectic mix of acts on both of the specially erected city stages, it’s finally time to visit the main stage for local legends The Everly Pregnant Brothers. After seeing them on the busking bus last year, their step up to opening the main stage was one to celebrate as their set of ukulele based Yorkshire-ised popular hits including ‘Chav World (Mad World)’ and ode to Amy Winehouse’s ‘Rehab’ with more Yorkshire than you can shake a pasty at lightens up Devonshire Green with a brilliant atmosphere.

Leaving the main stage for now to return to the Nando’s New Music Stage, Holland (above) play a set of as or yet unknown tracks, one to keep an eye on perhaps? Either way they’re followed by the guitar-pop sounds of Let’s Buy Happiness. The sound is uplifting even if the lyrics are rooted in dark undertones of sarcasm for loves-passed-by. Neither band are in line to set fire to venues and charts, but they’re enjoyable enough for a relaxing afternoon in the sun.

Going off route a bit, its time to venture to new venue The Hop for a band who’re following in the steps of Sheffield duo Wet Nuns with their blend of hearty rock with a twist of blues and energy for good measure. The Blackbirds (below) are loud and riff heavy with some thumping drums and whilst the band have a lot to do before they achieve such levels as their local peers, the promise is undeniable even if the crowd is limited to around twenty people.

Everything in the day has been leading up to one thing though. Whilst across Sheffield, everyone’s winding up to their final headliners including a hugely notable homecoming show for 65daysofstatic on the New Music Stage; indie underdogs and all round nice guys We Are Scientists are due to close the festival on the main stage. The buzz for their support Field Music (below) is sadly nonexistent; you feel the group would have been better off surrounded by their more devoted fans inside somewhere like the Harley, but the band stick to a tight set that sounds a bit amiss in such a setting.

We Are Scientists come on stage though and Devonshire Green starts to dance. Playing a singles collection of their by now well known indie rock tracks with a few new ones added in to test the water on their upcoming fourth record the band haven’t put many notes out in years and that’s appreciated by the gathered Sheffield masses.  Sadly though, once again the stage is running late so in order to catch a few minutes of another local band on the rise, TGTF heads off up to Soyo.

Screaming Maldini are by now underground favourites. The enthusiasm with which they play their fresh breed of music that treads between the singalongs of pop and the eccentricity of math-rock on a delicate line (landing a bit more on the pop sound) makes for a highly enjoyable finish to the weekend. Of course acts continue late into the night, but it’s once again last-train home time and even with the occasional disappointment; Tramlines has once again proved that you can achieve a hugely enjoyable and bustling festival of solid acts without charging a penny to the fans. This time next year, Sheffield?

 
 
 

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