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We Were Promised Jetpacks / September and October 2014 UK/Irish Tour

 
By on Friday, 8th August 2014 at 9:00 am
 

Scottish five-piece We Were Promised Jetpacks have just announced a September tour of Ireland and the UK, to be followed by a handful of European dates and an already sold out October show at the Lexington in London. A complete list of upcoming dates can be found at the band’s Web site. Tickets for the following shows are available now.

Thursday 11th September 2014 – Cork Cyprus Avenue
Friday 12th September 2014 – Belfast Limelight
Saturday 13th September 2014 – Derry Nerve Centre
Sunday 14th September 2014 – Dublin Whelan’s
Wednesday 17th September 2014 – Aberdeen Garage
Thursday 18th September 2014 – Dundee Non-Zero’s
Friday 19th September 2014 – Edinburgh Caves
Saturday 20th September 2014 – Manchester Deaf Institute
Sunday 21st September 2014 – Brighton Bermuda Triangle
Wednesday 8th October 2014 – London Lexington (sold out)

 

TGTF Guide to SXSW 2014: Rock UK artists showcasing at this year’s SXSW (N-W)

 
By on Wednesday, 26th February 2014 at 1:00 pm
 

Please note: all information we bring you about SXSW 2014 is to the best of our knowledge when it posts, and bands scheduled to appear may be subject to change. To learn when your favourite band is playing in Austin, we recommend you first consult the official SXSW schedule, then stop by the band’s Facebook and official Web site for details of any non-official SXSW appearances.

British rock and its many facets will be on display at SXSW 2014, judging by the variety of acts been given a shout by the festival this year. In the second installment of the exclusive TGTF Guide to SXSW 2014, we turn to the UK bands that play rock, punk, metal and everything in between, alphabetically N through W. (In case you were wondering, there weren’t any Y or Z bands announced, we weren’t leaving anyone out on purpose!) The first half of the rock list, in case you missed it, is here.

Natives
How many UK bands do you know of have already gone on tour in Asia even before their debut album has been released? Not many. Even less when you’ve never heard of said band. So there must be something more about Natives from the New Forest that deserves your attention. They sound entirely unpretentious and (gasp!) just like they’re having a lot of fun too. We don’t know much about them, but we’re guessing there’ll be plenty to say post-SXSW.

New Desert Blues
John writes: “With no sense of pretence, no dramatic unveiling, New Desert Blues have snuck up on my psyche, with the immense track that is ‘Adam’. The five impeccably dressed lads who sounded raw, and ebbed with potential at The Great Escape at The Fishbowl have created something really special with their debut effort.

Refined, and delightfully genuine, New Desert Blues aren’t bursting with youthful exuberance as you’d expect from a group of five less-than-likely lads. They instead emanate a dastardly sense of cool: whether that is in lead singer James Cullen’s ability to pull of the most pretentious of turtlenecks in Brighton sunshine at this year’s Great Escape, is yet to be uncovered.”

PINS
All girl group PINS sound more Brooklyn than Manchester in their raucous, fuzzy rock delivery. Admittedly, their complete lack of Y chromosomes sets them apart from all the other UK rock acts at SXSW 2014, but will this – along with their Christmas song getting an exclusive on Urban Outfitters’ Web site – work in their favour, or will they merely be a curiosity?

Public Service Broadcasting
Martin writes: “They take as their inspiration and sampling material that rich vein of mid-century film footage which gloried in the wonder of British achievements, celebrating the majesty of heavy engineering, the valour of daring explorers, and the gritty triumph of war. The band themselves mirror the tone of their subject matter by dressing in tweeds and having names like Wriglesworth; one half-expects the other band members to be called Ginger and Algy, and for them to fly off in Sopwith Camels after the show is over.

Each piece brings to life a particular microcosm of history via clips from vintage newsreels, spanning about 20 years from the early 1940s to the advent of practical colour television in the 1960s. Wartime propaganda is invoked in ‘Dig for Victory’, the distinctive iconography exhorting the populace to self-reliance via growing their own food is writ large across several vintage television sets adapted for digital projection. ‘Spitfire’ uses copious footage from the 1942 film The First Of The Few to honour the achievements of RJ Mitchell, the designer of arguably the most famous aircraft ever built.”

Royal Blood
The lone true rock band on the BBC Sound of 2014 longlist, the Brighton duo’s is the UK’s answer to, well, both the Black Keys and Queens of the Stone Age. And they’re ready to unleash their punishing bluesy rock on Austin come March.

Saor Patrol
Cheryl writes: “Playing what they have dubbed ‘medieval Scottish rock’, Saor Patrol – which translates as ‘freedom guard’ in Scottish Gaelic – kicks up the amperage on other traditional folk music. Not content to stick with the 100% traditional sound, these guys add a grinding guitar to pull it just this side of modern. Completely instrumental, the combination of this driving guitar overlaid with a bagpipe melody is just different enough from traditional bagpipe bands to turn heads.”

Read the rest of Cheryl’s Band to Watch on Saor Patrol here.

Save Your Breath
Cheryl writes: “There probably wasn’t a lot to do on a Saturday night in the port city of Newport in the south of Wales. Friends Ben Griffiths and Tom Owens solved the boredom by forming a band that eventually was fleshed out to become Save Your Breath. Taking their pop punk sensibilities from the likes of Green Day and their ilk, they forged their sound from the grit of the life around them. What must have started out as a lark between school chums, titles like ‘Not in the Mood for Kiwi’ and ‘Holy Shit, Fortune Teller Miracle Fish!’ show up on their first album, they have matured enough to temper their weird song titles but still have energetic, aggressive tunes worthy of a listen.”

For more on Save Your Breath, read the rest of Cheryl’s Band to Watch on them here.

Slaves
Garage punky duo from Kent have already made a big noise in London and on tour with fellow SXSW 2014-ers Drenge for their punishing live set. Not much else to say except if you like punk, you better start planning your SXSW schedule around these guys, because I think it’s pretty assured their sets will be rammed.

Splashh
Kind of poppy, kind of rocky, kind of surf-y. Not terribly cerebral, but hey, this is the kind of music I expect Best Coast fans to enjoy (and there are a lot of those).

Syd Arthur
Syd Arthur – there is no man named “Syd Arthur”. No, they’re a psych rock band with a wink wink, nudge nudge hippie name, and the players all with long, unkempt hair. “Greatly inspired by the sonic pioneers of the late 60s and early 70s, they have patiently learned how to engineer, produce and mix themselves, using an innovative hybrid of analogue and digital techniques.”

Teeth of the Sea
Instrumental proggy guitars plus synths band with their latest album, ‘Master’ (2013), receiving rave reviews across the board for its inventiveness. Their live shows have received similar plaudits, so if you’re into this kind of music, they’re unmissable in Austin.

Traams
Like your punk as well as your melodies? Described often as “noisy”, “happy” and “joyous”, Chichester’s Traams, then, are for you.

We Were Promised Jetpacks
The Scottish band’s cult popularity in the States was on a high in 2012 when the band appeared at SXSW last, but after being off the radar for quite a while, they’ve just released a live album ‘E Rey Live In Philadelphia’ and will be looking to solidify their standing stateside.

Wolf Alice
Carrie writes: London alt-rockers Wolf Alice are likely to bring in new fans from all corners at their SXSW shows. Their sound is a hybrid of styles, a slightly unsettling middle ground among cerebral indie folk, bright garage pop, and murky grunge rock…The band’s own lyric, from the title track ‘Blush’ might actually be the best description of their overall sound: “Punch drunk, dumbstruck, potluck, happy, happy.”

The Wytches
Ben writes: “These Brighton based psych surfers take a battered base of shoegazing garage rock, douses it with B-movie psychedelia, throws on a lighter and watches it blacken into a ghastly yet basely expressive lump of carbon. The far out three piece had a degree of success with two singles on Hate Hate Hate Records, before announcing their switch to Heavenly Recordings with the release of Afree digital download ‘Gravedweller'”.

Keep it here on TGTF for more in the TGTF Guide to SXSW 2014, coming soon!

 

SXSW 2012: Day 2 – Scottish Music Industry Association showcase at Easy Tiger Patio – 14th March 2012

 
By on Monday, 26th March 2012 at 3:00 pm
 

With my previous music festival experiences, time proved to be my greatest enemy. At SXSW this year, I found a new foe: distance. While I’m a native Washingtonian and our town ranks in the top 10 of most walkable American cities, even I was flagging after day 2 in Austin. When you’re subsisting on less than 4 hours of sleep per night, dehydrated and hungry, all signs point to you not crossing the road to meet Adam (Duritz of Counting Crows, whose name was on a sign I spotted in the airport the afternoon I arrived but sadly did not accidentally run into at baggage claim). After a brief respite sat on Cashier No. 9’s guitar cases, sitting out in a fenced in section outside Tap Room at Six after the Northern Irish showcase there, my next stop was Easy Tiger Patio on the east side of town to catch the Scottish Music Industry Association (SMIA) showcase. Predictably, the place was already near full and rammed with people of varying stages of inebriety. Wending my way through the crowd was about as simple as walking through quicksand; I’m also not a fan of people smoking during gigs and I guess because it really was a patio covered by a tarp, smokers thought it was still outdoors enough to light up. Ugh.

I could hear (and liked what I heard) but could not see Three Blind Wolves playing. By the time I got halfway up towards the front of the stage, their set was over and the sea of punters parted, many of them dashing over to meet the band off the side of the stage. Now’s the chance to get down the front for a band I was dying to see at SXSW and expect to also catch at the Great Escape and Liverpool Sound City this year, Django Django. I’m kind of embarrassed that I didn’t know they were Scottish until I saw them listed on this showcase’s line-up, but I should be forgiven, seeing that it’s not like their music is all about tartan flag waving? While they set up, they looked like four average blokes from anywhere. Three days later I saw them wearing football kit, leaning over bar tables and getting drunk during a Slow Club set. They looked like ordinary punters…

But then they changed into outfits that could make you believe they were male nurses from Planet Cheeto. How unusual! I hope I’m not the only person making note of their stage clothes: it reminds you just how unique Django Django are. They have this dance vibe that underlies some great harmonies and guitar riffs harkening back to the great California rock of the ‘60s and ‘70s (think the Byrds and the Eagles); the combination sounds unsettling on paper but somehow resolves into this extremely tight and fun unit live.

The atmosphere was amazing for ‘Skies Over Cairo’; I’m positive there’s never been such an enjoyable dance party in the Egyptian capital. Their set was unfortunately cut short due to a curfew, so shockingly they didn’t play ‘Default’ but they ended instead with ‘Wor’, complete with its warning sirens and surf-y guitar riffs not heard since the Surfaris (watch it below). YES. That’s it. I’m plastering myself on their appearances in Brighton and Liverpool in May.

So after the brill party atmosphere of the Djangos were the actual headliners of the Scottish showcase, We Were Promised Jetpacks, and I felt their set was a bit of a letdown. Don’t get me wrong, I thought they sounded great and the fans were certainly up for it, going completely manic for Adam Thompson’s impressive showing with the vocals for ‘Roll Up Your Sleeves’. But they couldn’t elicit the same kind of energy Django Django could. Also detracting from the performance was a very pissed woman whose mates kept bumping into the new friends I made, not caring that they were being completely obnoxious. The woman was so drunk, she kept testing the invisible line separating stage and band from the crowd. At one point, she stepped onstage and her boyfriend was taking a photo of her “with” guitarist Michael Palmer, who was trying to do his job and play and really wasn’t having any of it, giving her bunny ears; later, he yelled at her to shut up and “back off”. Not wise to anger a Scotsman!

I’m sure you can tell from this portion of the review that I was really cheesed off by these few bad apples ruining the show; part of me wondered about the ambience at the Lionel Richie show at the Moody Theatre on the west side of town, where the Austin City Limits tv programme is filmed, taking place at that very moment and if I’d made the wrong choice. (Turns out Kenny Rogers showed up as a special guest. Humph…) But I’m glad I caught the Djangos when I did. Further, after the showcase was over, I went over to thank Radio Scotland’s Vic Galloway (pictured above introducing the Jetpacks) for having a hand in putting the show together but was quickly steered clear that Stuart Thomas of the Scottish Music Industry Association (SMIA) was really the man to thank.

Then, all of a sudden, Planet Cheeto’s drummer Dave Maclean of Django Django showed up and we were chatting away. In these electronic times, it’s all too common for bands, radio folks and bloggers never to meet in person even if they know of each other over the internet; as a blogger, it’s a rare treat to put names with faces and make new friends in places like SXSW. It’s moments like these when I really treasure and come to full realisation how lucky I am to be able to do what I do in my free timeVic and Stuart hoped I’d come out to their Discovering Scotland show, part of the British Music Embassy programming on Friday afternoon, and I promised I’d try my best. So after receiving Scottish hugs and thank yous all around, I went home to rest my weary head on my pillow, smile on my face. Tomorrow was another big day in Austin.

 

Live Gig Video: We Were Promised Jetpacks play ‘Human Error’ at London XOYO

 
By on Thursday, 8th December 2011 at 4:00 pm
 

Scots We Were Promised Jetpacks recently filmed a performance of their latest single ‘Human Error’ (backed by double A side ‘Ink Slowly Dries’) for posterity. This was filmed at London’s XOYO in Shoreditch. Enjoy it below.

 

Video of the Moment #619: We Were Promised Jetpacks

 
By on Tuesday, 1st November 2011 at 6:00 pm
 

We Were Promised Jetpacks have a new video for the first half of their forthcoming double A-sided single ‘Human Error’ / ‘Ink Slowly Dries’. The Wombats in their single ‘Jump in the Fog’ sing “life looks better when it’s wrapped in debauchery”, but is it true? This video might provide the answer.

[youtube]http://www.youtube.com/watch?v=t-t_N6uOMZE[/youtube]

We Were Promised Jetpacks begin a tour of the UK and Ireland in December. Read my review and watch videos of their DC show last week here.

 

We Were Promised Jetpacks / December 2011 UK and Irish Tour

 
By on Tuesday, 1st November 2011 at 3:45 pm
 

Scotland’s finest We Were Promised Jetpacks will be touring the UK and Ireland next month. Tickets are on sale now.

Their next single – a double A-sided one – will be released on the 5th of December on Fat Cat. The songs on the single will be ‘Human Error’ and ‘Ink Dries Slowly’.

Saturday 3rd December 2011 – Newcastle Cluny 2
Sunday 4th December 2011 – Birmingham Hare and Hounds
Monday 5th December 2011 – Norwich Arts Centre
Tuesday 6th December 2011 – Nottingham Bodega
Wednesday 7th December 2011 – Bristol Cooler
Thursday 8th December 2011 – Dublin Whelan’s
Friday 9th December 2011 – Liverpool Masque Theatre
Friday 16th December 2011 – Glasgow ABC

 
 
 

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