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An Update on 2015’s Music Festivals

 
By on Friday, 10th October 2014 at 11:00 am
 

Photo above amen from Martin’s coverage of Kendal Calling 2014

The long, sunny days of summer festivals are now fading into distant memories. But behind the scenes things are moving apace. Autumn is the time where festivals are awarded their baubles – most toilets per head, gloopiest mud, highest concentration of dreadlocks per square mile, that sort of thing. And planning for 2015 is already under way. For those of us pining for those heady days and nights, here’s a quick update of the state of play for some of TGTF’s favourite events as we head towards the season before the season of festival season 2015. Or something.

Glastonbury

There’s a new record for Glastonbury ticket sales, many of which sold out before they were even released, leading keen industry observers, and many physicists, to further speculate about the invention of time travel devices in the not so distant future. Which would also explain Radio 4’s spookily accurate racing tips this week. Critics of such a theory point out that surely a time travel device could be put to better use than simply jumping the queue for festival tickets. Which is a fair point, although consider involvement of Britain’s favourite pin-up physicist, Brian Cox – it all starts to make sense. If D:Ream feature on Glasto’s bill next year, the hypothesis will be considered proven.

Kendal Calling

Everyone’s favourite non-mainstream mainstream festival, Kendal Calling has been nominated for four awards at the “prestigious” UK Festival Awards. They won Best Medium Sized Festival last year, and considering this year it was only a bit bigger, they’ve got a good shot at winning again. Suede’s performance is nominated for Best Headline Performance, which it was, at least for this correspondent. I’m not so sure about Best Toilets though – cubicles with no toilet paper or sanitiser within the first hour of the festival are hardly best practice. Mr A. Loos needs to do better. They’re also nominated for Best Family Festival, which brings us neatly to…

Deer Shed Festival

Never ones to rest on their laurels, Deer Shed have announced an expanded site and an expanded time-frame, introducing Sunday night camping for the very first time. Just like every other festival then, although the lack of Sunday camping has long been an attraction for parents wanting to get their kids (and, for that matter, themselves) in a comfortable bed at a reasonable hour for school on Monday morning. It’s back to the past for the first band announcement, which sees Dave Gedge’s Yorkshire indie pioneers The Wedding Present back for their first gig since headlining the first ever Shed. Early bird tickets are on sale today, Friday the 10th of October, at the bargainacious price of £89, so don’t delay if you like punky indie on the hottest North Yorkshire weekend of the year.

PS The Wedding Present are releasing several of their back catalogue recordings as multi-disc sets this October. With previously unreleased audio, TV footage, and ‘ephermera’, these will be for completists only. It’s nice to know there are still some out there.

Liverpool Sound City

And finally… Sound City have opened the application process for bands wishing to play the event in 2015. So for any readers with an unrequited passion to play at a world-renowned career-launching industry event, get your applications in without delay. You can’t fare any worse than Willy Moon.

 

Preview: Glastonbury 2013

 
By on Monday, 8th April 2013 at 9:00 am
 

2012 had it all, didn’t it? London 2012, the Diamond Jubilee, James fucking Bond returning in a blaze of balls-out guts and glory and some great music to boot (we’re ignoring Muse’s Olympic song ‘Survival’, don’t worry).

Had it all though? Every classic British summer needs something, and 2012 was drastically missing it: that cornucopia of eccentricity and old-school values, Glastonbury. Where were Mssrs. Eavis squared, where was the Pyramid Stage, where was Worthy Farm? Healing, nursing its wounds. In preparation for a shindig 26-30 June 2013 that’ll remind the British populace of the importance of the institution that is the Glastonbury Festival of Contemporary Performing Arts.

To make it a year to remember, though, one thing is certain. That the bands they are going to have must have that clout that makes punters stand erect and to attention. Enter Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood, a year after the Rolling Stones‘ 50th anniversary. They’ve never played the legendary Pyramid Stage and it seems that finally the Eavises have gotten their way and secured easily one of the biggest draws that the music industry has to offer.

Joining them atop the almighty Pyramid are a band who have already set tongues a wagging once with their Glastonbury exploits. We are of course talking about the Arctic Monkeys (pictured at top), who are now four albums strong and flaunting their new-found maturity. The most surprising and probably most controversial bill-topper is the biggest marmite act around at the moment: The USA-smashing Mumford and Sons, riding high on the crest of the wave of success of last year’s ‘Babel’, and wading through the swathes of critical approval.

But with Glastonbury, you know it isn’t all about the headliners, with over 1,000 artists appearing across a multitude of stages over the weekend. Arctic Monkeys not floating ya boat? Check out The Smashing Pumpkins instead. Pyramid Stage too mainstream for you? Portishead will be bringing their trip hop stylings to the farm in a set surely not to be missed at any cost.

Further down the bill you’ve got math rockers Foals, Enter Shikari, Mr. Controversial Tyler, The Creator and crooner Maverick Sabre.

That take your fancy? Well, if it does, resale is closing up, so get that hammer out and give your piggy bank a good smashing, as this festival is *not* one to be missed.

 
 
 

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF was edited by Mary Chang, based in Washington, DC.

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